excellent prog sounds with brilliant changes of direction.....very engaging!

This was probably a bit of a "monster" to put together, but what an epic work of art with a strong message.  The changes in flow and pacing are like a miniature rock opera. The beginning sublime, the body of the song thought provoking and powerful.

So good, love the changes happening vocally/instrumentally. I hear a bit of Dream Theatre "Pull me under"  Awesome work! enjoyed it.

wow....  the dynamics in this is ridiculously beautiful!

there's something about this that makes me think of Kate Bush.  soooo good.  theatrical!

Somewhere beyond epic...destination: you.

♫ "I'm a cream  ♫
♫ I'm a warewolf ♫
♫ what the hell do I do in here ♫
♫ I'm doh be long hair"♫
xD

no such thing

creep (radiohead cover)

Music composed in 2021 by Rene Puschinger.

Staircase

LIPTOV : https://youtu.be/r1O7nP5W2Y8  -  Liptov is a part of Slovakia

LIPTOV with Paul Kusy (regional hit in EU: Slovakia)

Arright! Last one off this album. If you haven't snagged already, the full thing is available for free on Bandcamp: https://mayorofdonutville.bandcamp.com/album/perpendicularism

A couple of notes:
This is the track where, when I got done recording, I looked at myself in the mirror and said, "Am I that much of a Monkees fan?" And the answer is yes. I am that much of a Monkees fan. I particularly like Nesmith's writing, but to be honest, the more time goes on, the more I'm totally okay with the whole catalog. Mickey had some pipes, and he wrote at least one banger. Pete had some weird stuff that I can get behind. Davy? Davy? That was the hard sell for me the whole time, but believe it or not, I'm warming to him. If you haven't watched their bizarre Jack Nicholson acid trip movie, Head, I highly recommend it. Yes, you will say "What the heck was that?" when it's over. But you'll have some laughs along the way, and you'll maybe better appreciate how THEY felt about being a fake band. 

Ok. Monkees Rant is complete. 

Next, I need to re-up my apology on being a bad SC friend. I have only been popping on for a few minutes here and there, and when I go to dig in to someone's catalog, I realize how long it's been since I've listened proper. I suck, and I apologize. 

The NEXT PROJECT: Apart from working on some still way overdue collabs (sorry Austin and Micah) I am fully-entrenched in what I consider to be the best thing I have ever worked on. That's the joke, I guess. Whatever I'm working on HAS to be the best thing I've ever worked on, otherwise, why bother? Right? This one, though... It has the heavy guitars. I've been getting a real workout. Like the Wren Hollow project, it's also a selection of very old writings that never got finished, only it lives in a different place from Wren Hollow. It's got the memory interpolation. Really stoked to share. I'm probably gonna drop those tracks on the Mayor profile, and I'm considering dropping a couple early, because I'm just eager to share. Also considered making a whole new profile for it, but I think my memory for accounts is officially at capacity. Recordingwise, I'm at 7/10 complete, 2/10 instrumentally complete, and 1/10 totally not started. You might think it'd be easy to track out older stuff, but I have a fun little thing I do where I record all the instruments in the wrong key TWICE. lol. 

I hope you all are well. Thank you for the support.

Perpendicularism

Downcast the Clouds

« Concerto N°4 » of Antonio Vivaldi
Arrangement, playing and recording with my iPad Pro and AiTurn PEDpro in my Home - Studio on Monday, May 31, 2021
Franck Douvin © 2021 Flute Recordings
Thanks for listening. Hope you'll enjoy!
Here's the video link on YouTube : https://youtu.be/Wf6_U2qggrU

« Concerto N°4 » of Antonio Vivaldi

Sinfonia « Full of Feelings XVII » for Piano and Strings
Composed and recorded in my Home - Studio on Sunday, June 13, 2021
Franck Douvin © 2021 Contemporary Chamber Music
Thanks for watching. Hope you'll enjoy!
Here's the video link on YouTube : https://youtu.be/WTA8L5oxKSY

Sinfonia « Full of Feelings XVII » for Piano and Strings

EGS Vol.3

Shadows in the rain

Piero Caniparo: acoustic guitar, electric guitar, bass guitar, choirs
Donatella Basilico: keyboards, drums, lead vocals, choirs

The first "structural" track was played and recorded "live", playing together guitar and drums, a real drum set

Original drawing by D.B., not for reproduction


A semi-serious, ironic and auto-ironic piece about regrets, thinking that often they become the same of monsters in our mind.
In the final, the subway sounds were recorded personally on the subway of Milan (curiously  the speaker announcing the stop "Duomo, fermata Duomo" is audible too) and it simbolized that they (monsters and regrets) don't course us only at nighttime but they are always with us.

With the precious collaboration of my friend Rosalie, helping me to correct the translation.

Registrered at Siae in 2017, september
All rights reserved

This track is part of the album Nights, available now (free) on Bandcamp

MONSTERS AND REGRETS

Why are you not sleeping now, what woke you this time,
what threw you into the place you were dreaming not to be ?
Jugglers are playng their dirty and subtle game,
the house as usual wins, only cards to discard for you

You know us so very well, we're monsters and regrets
and you know you can be sure we're not to let you rest

Every night you get eaten inside
We are monsters, we are regrets,
writing your story with our favourite ink,
made of tears and tears and tears

Sub-limit-nails
sublime your scares

You were convinced you turned over the page
but the paper's gossamer
our figures drawn are so intense
You can't help feeding us
thinking you can find your peace
if only you could understand

Hope for the silly, silly for hope

Every night you get eaten inside
we are monsters, we are regrets
marching creeping up to your side,
biting your soul and beating your mind

Memories fade away but pain always lurks in the dark
you never know when it will strike your throat, no defence
you will stop breathing for a while,
just for while
but your heart will not stop beating
'couse all you can do is just keep living
just keep living
just keep living

Memories fade away but pain always lurks in the dark
you never know when it will strike your throat, no defence

We are monsters, we are regrets
we are monsters, we are regrets

You know us so very well, we are not to let you rest
we're monstrers and regrets, we'll never let you rest



Every night you get eaten inside
we are monsters, we are regrets
marching creeping up to your side,
biting your soul and beating your mind

Nights

Monsters & regrets

Monsters & Regrets

Music and guitar: Wypernet soundcloud.com/laurent-toupet-930624560/tracks
Percussion, bass, synth, lyrics, vocal, mixing, mastering and illustration: Lukowig www.facebook.com/Lukowig/

Femme-poison

Ainsi je m'endors
contre les écailles de son corps
nacrées aux reflets d'or
bercé par la voix cristalline 
de ma câline 
et fatale créature marine :
ma femme-poison ma faille mon assassine.

Groggy je m'endors
contre les jambes poissonneuses
de mon empoisonneuse
car ce ne sont pas des lar-
-mes mais des dards
qui perlent de ses iris vertes :
du poison pour ma plus grande perte.

Ici je m'endors
en proie à une mort sûre
sous l'effet de ses morsures
car sa salive
tranchante et incisive
se diffuse dans mes veines :
du poison pour ma plus grande peine

du poison pour ma plus grande perte

du poison... du poison... du poison...

Femme-poison [Wypernet and Lukowig]

Moonlight Sonata by: L. V. Beethoven.. Transposed for MIDI Strings by: Delmonia.

Moonlight Sonata

Petite balade intégrée, de manière diégétique, à mon roman musical "Further Than Sight".

Farewell To Earth

Our facebook URL                     https://www.facebook.com/Frontecielo-1026106534209801/?modal=admin_todo_tour 
                                                                               
  Album Nights available now, free, on Bandcamp
https://frontecielo.bandcamp.com/releases

Videos on Youtube
https://www.youtube.com/watch?v=hNF-6I6e7r4
https://www.youtube.com/watch?v=dnWVLtu7580

Donatella Basilico: keyboards, drums (acoustic set, electro-acoustic Roland TD9 set ), percussions, lead vocals
Piero Caniparo: electric guitar, acoustic guitar, bass guitar, guitar synth Roland GR 55, choirs

The most part of our "structural" first tracks are played and recorded live together, usually drums and guitar or drums and bass; drums parts are from a real drum set 

Original drawing by D.B., not for reproduction


We' re deeply lovers of music, of many different genres: from classical and opera to rock, progressive rock, psychedelic, jazz, fusion, tango, dreampop, ambient, experimental  and beyond...
We' re trying at the moment to find our identity and expressivity in our favourite musical world:
progressive rock.
Comments, exchange of opinions, observations, advice are always welcome.
We're also on You Tube if you feel like to pass by...
Thank you for attention and feedback, I like to answer everyone, if sometimes I'm a little slow is because I lke to listen to your work while I answer.
I really like reposting the tracks I liked on our personal profile but obviously I can't keep them more than a few days. 
Donatella

We reccomend visiting Jul's Progcast Blog, a truly interesting and well done blog about indie prog rock but not only. You can find such a great music, it's really well worth a visit.
https://julsprogkastblog.blogspot.com

Monsters & Regrets

Frontecielo

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