From Phish's all new 3-CD set, in stores November 12. Recorded live on December 7, 1995 at Niagara Falls Convention Center in Niagara Falls, NY. Pre-Order today: drygoods.phish.com/Dept.aspx?cp=773_62767

Phish 'Niagara Falls' - Reba

16 Phish 2013-10-20 Hampton, VA - Sand

Live at Radio City Music Hall

This Old Sea (Live)

I'd Like Off

What The Night Brings

Widespread Panic
Orion Amphitheatre
Huntsville, Alabama
7/30/2023

1st Set

01 Drivin’ Song >
02 Disco >
03 Drivin’ Song >
04 Goin’ Out West >
05 Christmas Katie >
06 Radio Child >
07 Thought Sausage
08 Pleas >
09 Jam >
10 Jack
11 Halloween Face

2nd Set

01 Airplane >
02 Take-Off Jam >
03 Wonderin’
04 *We Walk Each Other Home >
05 Surprise Valley >
06 Rock >
07 Drum Solo >
08 Surprise Valley >
09 Dear Prudence
10 Postcard >
11 Black-Out Blues >
12 Action Man

Encore:

01 JB Banter
02 End Of The Show >
03 Ain’t Life Grand

* First Time Plyed

John “JB” Bell – Guitar And Vocals
Jimmy Herring – Guitar
Dave Schools – Bass And Vocals
John “JoJo” Hermann – Keyboards And Vocals
Domingo “Sunny” Ortiz – Percussion
Duane Trucks – Drums

2023-07-30 Orion Amphitheater, Huntsville, AL

End Of The Show

Buck Ramble — When the Money Ain’t Never Over

Found in dusty reels marked “Goodnight Trail Sessions,” these are the long-lost recordings of Buck Ramble — the saloon singer turned silver-screen storyteller who lived long enough to see cowhands become celebrities.

Every track is a campfire sermon in rhythm: part truth, part tall tale.
He sings about lawmen, outlaws, faith, denial, women, whiskey, and the strange mercy of knowing too much.
By the time the record closes with the title track, Buck’s world has shifted from trail dust to camera lights — but the heart’s still out there under the same sky.

Restored by Volant Records (All Worlds Reserved®).

Genre: Frontier Folk / Western Blues / Spoken Americana

“Stories are cheaper than bullets — but hit just the same.”

When the Money Ain’t Never Over

you’ll find it once again

October 27, 1991 - Oakland/Alameda County Coliseum - Oakland, CA * With Carlos Santana & Gary Duncan - guitar

Grateful Dead ~ Iko Iko

Widespread Panic
Ryman Auditorium
Nashville, Tennessee
10/6/2010

Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>
Sound Devices 722 (24/48)
FOB/DFC/KFC/ZFC/AARP Section 12, Row L, Seat 11, 7' High 
DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
Recorded By: Z-Man
Seeded By: Z-Man

Fixin' To Die by Widespread Panic w/ Charlie Daniels on fiddle 10/06/10

Holehearted Fools

I Can't Stop

Brooklyn, NY -- Lettuce releases the bonus track “Star Children,” previously only available on the rare Japanese version of their 2008 album Rage!. Because of the limited release, “Star Children” has only been heard by the most devoted Lettuce fans. Lettuce's Adam “Shmeeans” Smirnoff had this to say about the release:

“The track was named "Star Children" to pay tribute to some of the great Funkateers like Bernie Worrell, Bootsy Collins, and George Clinton. Neal Evans absolutely crushes the Modular Synthesizer. This is a free track from everyone here at Lettuce, so turn it up Loud, Blast Off, and Enjoy the Ride.”

Lettuce has enjoyed a booming Spring 2013, consisting of main stage plays at Buku, Summer Camp, & Purple Hatter’s Ball Music Festivals, as well as sold-out club plays in Philadelphia, Baltimore, Denver, New York City, and New Orleans (Annual Royal Family Ball). The band will continue to build momentum leading into an electrifying summer, highlighted by their return to the legendary Fuji Rock festival in Japan, as well its primetime slots at Electric Forest, All Good, and the Catskill Chill music festivals.

Star Children

Jay Cobb Anderson (vocals, lead guitar, harmonica) / Kellen Asebroek (vocals, rhythm guitar, piano) / Mimi Naja (vocals, mandolin, electric & acoustic guitar) / Jeff Leonard (bass) / Tyler Thompson (drums, banjo)

Fruition’s newest album, Wild As The Night, conveys the emotions of our darkest, and sometimes weakest, moments. Influenced equally by acoustic music as well as rock ‘n’ roll, the eclectic, after-hours vibe comes naturally to the Portland, Oregon-based band. Their unmistakable vocal blend first revealed itself in 2008 when Anderson tagged along with Asebroek and Naja for an afternoon of busking in Portland. Since that time, they have opened shows for the Wood Brothers, Greensky Bluegrass, and Jack Johnson, and appeared at festivals like Telluride Bluegrass, Bonnaroo, and DelFest. Wild As The Night follows the band’s acclaimed Tucker Martine-produced 2018 album, Watching It All Fall Apart.

The album’s first single, “Wild As The Night,” provides perhaps the album’s most beautiful moment, with vocals from Naja evoking the midnight grief of letting a relationship go. It was released with the announcement of the album, along with the track’s accompanying music video. 

Wild As The Night opens with the rollicking and pulsating “Forget About You,” setting the tone of the record as a whole; commiserating in sorrows and lifting spirits. “Sweet Hereafter” follows the album’s self-titled first single with an entrancing drum and piano loop that could be equally at home on a James Blake record. The organic beat gives way to thick repeating harmonies, leaving the listener wanting more after a subtle fade to silence. The album picks back up, tempo-wise, with a quick rock and roll study in city living with “Raining In The City” before it dives back into more classic Fruition territory with a campfire celebration of the Oregon Coast in “Manzanita Moonlight.” “Don’t Give Up On Me”’s seductive groove dips back into the commiseration with the final verse lamenting, “All the world is just empty without somebody to love.”

“For me, I've just always hoped that people relate to the music, whether it's a certain chord movement that lifts their spirit or comforts their sorrow, or a lyric that speaks to them like it was written for them,” Asebroek says. “This music comes from places of vulnerability and I hope people can take their guard down a little while resonating with it.”

Recorded at Silo Sound Studio in Denver, Wild As The Night captures the band’s mindset in the midst of relentless touring. “We were exhausted, but musically firing on all cylinders,” says Thompson, who shares production credit with the band on the new project. “It’s extremely diverse Americana, with a focus on great songwriting and harmonies. We weren’t going for a particular sound, just something that’s honest to our live sound along with a few tricks we learned from our last producer, Tucker Martine.”

With a renewed focus on harnessing the energy of the live experience, Wild As The Night allows listeners to get a glimpse of these longtime friends doing what they do best on stage, whether they’re opening for the Wood Brothers, Greensky Bluegrass, and Jack Johnson, or playing at festivals like Telluride Bluegrass, Bonnaroo, and DelFest.

“Something that has always tied our variable styles together is the honesty in the songwriting, the attention paid toward what is genuinely and deeply catchy, not superficially so,” Asebroek says. “Vocal harmonies have also always been a unifying tool for our band. The Fruition sound has always been about being more than the sum of our parts.”

I Can't Stop

Fruition

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