The original sound was the hot water heater and the water level valve discharging in my furnace room. 
I then used Ableton live "Grain Scanner" to generate 9 samples from this ambient sample,
then using (FX) reverb, resonator, rig modulation, delay and pitch shift 
i mix and merged then in to the soundscape ,
 finally all post processing was done in audacity 
(fade in fade out and general normalizing and compression)

Zero Sum Game Disquiet0499

Disquiet Junto Project 500: Humming to Your Selves

2guys named BOB met for a synth jam 
and after a while BOB realized he was just looking in the mirror and humming to himself 
"man ..that was some good weed"

Ableton live: 
 ring MoD ,delay and pith shift , per track limiting 
 NI MASSIVE X  + beat sliced samples 

audacity:
 post-production: fade in, fade out ,compression, normalization  and id tagging

2 guys named BOB disquiet0500

2 Guys Named BOB Disquiet0500

Disquiet Junto Project 0501: PKD Playback

Planet MtlQueCan disquiet0501


this track will bring you back down to earth with a harsh reality 

Welcome to planet Montreal Quebec Canada 
come and visit the every dwindling population of Indigenous and anglophones before they become extinct 

Ableton live :
 NI absynth3 + massive x  , minimal delay + reverb 

audacity :
 compression ,normalization + eq for the low end 

audio samples: 

https://www.hq.nasa.gov 
Apollo Audio 
Apollo 11 moon landing 

Quebec's Bill 101 is official - CBC Archives
Aug. 26, 1977 Introduction of Quebec's Bill 101

Planet MtlQueCan disquiet0501

Planet MtlQueCan Disquiet0501

Metro Bonaventure Nuit Blanche Fsk1138  03022024

my roommate decided to do the wash in the middle of the night   for the first time in 1 year  .. this is the sound of the washing machine mid cycle draining 
recorded midnight jan 24 2015
montreal canada  with tascam dr05

THE WASH (disquiet0160 - Oneminutepastmidnight) - FSK1138

In the 666th week of the Junto, A devilish theme we must unto, With eerie delight, We conjure the night, And summon the spirits to haunt you!

happy 666 Junto

live stereo recording 
korg ms20  and violin processed with multifx  
mastered in audacity with compression and limiter

Haunting FSK1138 Disquiet0666

i deconstructed  the original  track  in ableton live i applied a global fx from camelspace  and then added a "clock like " synth line with massive . This was saved as .wav and then opened  in audacity (weapon of choice) the track was then pitched to half speed  normalized, compressed and trimmed for time .

Disquiet0166 - SlowbystepsFSK1138

Jan20 is blue monday life gets better after today 

Zima Blue Monday

FSK1138 (c)2025
One code makes you stronger
And one code makes you slow
And the ones that the programmer gives you
Don't do anything you know

Go ask Alice:

When she's optimizing the call
And if you go chasing bugs
And you know you're going to fall
Tell  them  a hacker-smoking keyboard
Has given you the call

Call Alice:

When she was just a script
When the algorithms on the screen
Get up and tell you where to go
And you've just had some kind of patch
And your code is moving slow

Go ask Alice:

I think she'll know
When logic and reason
Have fallen sloppy dead
And the White Hat is talking backwards
And the Black Hat's off with your thread
Remember what the debugger said
"Feed your code"
"Feed your code"

go ask alice  "FEED: YOU'RE CODE"

today is a day of rest for the worker .. but not for the artist 

MAYDAY

a ambient track  played  live on  koala sampler while looking out my window , edited in audacity (eq, compresser. fade in/out ) 

Fragments disquiet0700

7miles

"don't explain your lifestyle .. just be yourself"

RAT KING

into the 3s I hear her voice

more than words can say

under the dog

Shame (on the cold hard ground )

i used Ableton live and  made  6 copies of the same track 
then i added  2 tracks  with  mac startup and error sounds 
these were found online  thru google search 
i added a compressor to al the tracks  
and started by  pitching -/+   each track  until
 i got a general wall of noise 
using the draw mode  as the track looped  i adjusted the volume and panning of each track 

this final composition was exported  and touched up in audacity 

the only fx used were track reverb ,delay and general compressor  

FSK1138 Disquiet0200 - Kadreyscore6

remixed in ableton live 
using only 4 tracks 
track 1 the original wav 
track 2 and 3   Sonic Charge - Microtonic3
done in 1 take  to  the 4th track 
 audacity final mastering    

“Beacon, For Marissa” Disquiet0204 - Underbeat

a one take track done in ableton live 
the source material was pitched  to  fill the back ground 
2 microtonic drum tracks  and   camespace for fx 

all recored to a separate track in one take 

cheers 

quick and dirty [disquiet0207-remixingmarilli]

mixed in Ableton Live
the main bass  was derived from a  
Frequency Shift Sequenced  484Hz and 500Hz sine tone
only basic delay , reverb ,and compressor was used  on the track 

Bode Frequency Shift Sequencer 1.0 by pmedig

http://www.maxforlive.com/library/device/3326/bode-frequency-shift-sequencer


sound credits :
Emma Saying
How to Pronounce Aedes Aegypti

Triki Wassim
ASMR Sex Sounds (Ahh Mmm)

Lovebite[disquiet0212-484hzlovesongs]

i took the photo shop approach( layers )  
in ableton live 
the 3 samples were time stretched to 7 min  and then  merged  to form a noise bed  ,then elements from  each sample were  cut up and placed on the  time line  with fx delay , reverb, phaser,compressor

 i did this several times  exporting  7min wav files of the takes i liked 
then i merged them all in audacity 
resulting in the final stereo wave file 

Gaian Bottleneck(disquiet0213 - Complexsignatures)

What's This Thing Called Tuning  (O_0)?
----------------------------------------
using  the basic frequencies  440Hz ,567 Hz , 569Hz

i recorded  2min  pure sine waves   of each  from android function generator app

https://play.google.com/store/apps/details?id=com.erdemaslan.functiongenerator&hl=en

into ableton live 

i separated the 3 wavs to 3 tracks   
panning 440Hz  center 
,567 Hz  10"oclock "   
  , 569Hz  1"oclock" 

to each track i added a Bode Frequency Shift Sequencer 1.0
set to 500Hz
http://www.maxforlive.com/library/device/3326/bode-frequency-shift-sequencer
set to 8/8/16 bars modulation sine cycle
the temp of this track  is 120bpm 
on the master output :
delay and general composer was added

a 1min .wav was exported  
this was trimmed (fade in/out) in Audacity


artist note : 
i have no idea what i am doing (O_0)?
as a noise artist i often ask myself  this question 
enjoy 


What's This Thing Called Tuning?(disquiet0214 - Microtonalerrata)

this project was perfectly timed :) 
i was going thru my old backups   
these are  some sounds from 
a floppy  titled 
"Eps Sample Disk1994 " 
i believe the origin of the sounds were  a yamaha RY30 or boss DR660 
i converted the disk sounds  with 
Ensoniq Disk Tools(tm)by chicken sys

picked 5 sounds :
" bell" ,"bdrum","bass1","glass","bass2"

in ableton live i used  Drum Rack
and
ML-185 sequencer
http://www.maxforlive.com/library/device.php?id=75

as i recorded  the track i changed  length, direction,and clock timing


a stereo track was exported  and final trimming and the addition of the 5 single samples to the start of the track 
was done in audacity 

only a general compressor was used 


artist note:
 this track reminds me of  some of my very early industrial  tracks  using the midi output of a drum machine to trigger  my eps sampler 

Eps Sample Disk1994  Disquiet0215 - Tinyrhythms

i used my own track (Disquiet0215) as the source material 

in ableton live   
track 1 Helm played live
track 2 Disquiet0215
track 3 Disquiet0215 with delay 
track 4   armed  to record 

done in one take :) 

track 4 was exported  to audacity  where the .wav was trimmed 
a general compressor was applied 



ambient  synth 
Helm synth by Matt Tytel
http://tytel.org/helm/



Eps Sample Disk94SIDE B Disquiet0216- Thin Layers

 
1: 
 sampled a short loop  of a small prayer bowl being struck with a soft mallet  into audacity  

2:
 applied change speed fx to speed the loop up 4x


3:
 a reverb was  then applied 
roomsize % 100
pre delay(ms) 75
reverberation % 95
damping % 40
tone low %100
tone hi % 100
wet gain dB 4
dry gain dB -2
stern width % 100 


4:
 applied change speed fx   to return the loop to it original speed 


artist note : 
i am not sure if this gives the same result as the analog method (o_0) ?


Tones 4 Thee (disquiet0229)

using the source material 
http://goo.gl/hOQOSg
i converted this image to a .wav

using this method :
http://www.howtogeek.com/96690/stupid-geek-tricks-how-to-turn-images-and-photos-into-sound-files/

then i added the  generated .wav file 
to a 3 track ableton live  session 
reverb and delay , pitch shifting and beat repeat 
applied to the .wav

addition drums were added  with sonic charge microtonic
https://soniccharge.com/microtonic
switching step rate from 1/8th to 1/32  live

this track was jammed in one take  to the 3track 

the resulting .wav was exported and trimmed for time in audacity 
a fade in , fade out and  compressor  was then used on the final  


Intelligence By Design -disquiet0230

Disquiet Junto Project 0381: Shared System
composed  using  Reaktor  modules 
Bento Box Osc
Bento Box SVF
Bento Box VCA
Bento Box Mix
Bento Box Env
Bento Box LFO
Bento Box S&H
Bento Box 4 Mods

i did 3  live takes using  recorder  exported to .wav 

the  3 .wav files were post processed in  ableton live 
los angeles resonator, delay, reverb  and pitched  for  tuning
ableton live exported to stereo .wav 
imported in  to audacity 
trimmed 
compressed 


happy 420  :)

null cost shared system(disquiet0381)

Null Cost Shared System(disquiet0381)

edit of a 17 min track preformed in studio, using VCV and Korg NTS1  during lockdown Nuit blanche à Montréal2021

Enders Disk Nuit Blanche À Montréal2021 Edit

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