So intimate and raw with the acoustic recordings. So powerful in it’s simplicity

Such a slow burning, gorgeous score - find your copy here: http://apple.co/2gZwBYz or here: www.wayfindrecords.com

In March of 2018, German composer and pianist, Tim Linghaus, released his debut full-length, titled Memory Sketches. I have immediately connected with his sonic palette and the concept of capturing a memory with music [for preservation and materialization thereof], and have subsequently selected the album as one of the best of the year, in Music For Watching The Snow Slowly Fall In The Moonlight list. Brian Housman of Stationary Travels has also picked up this fragile work, and in his syndicated words for Headphone Commute acknowledged that “bring this to realization in a sincere and compelling way that deeply affects the listener requires tremendous sensitivity to mood and texture…” Of course, I tend to agree. Following the release, Linghaus appeared on Sound In Silence with a collection of “B-sides,” and then again, a year later, with a 30+ min album of sixteen vignettes, titled We Were Young When You Left Home (Schole Inc., 2019) examining [his?] childhood emotions experienced during a parental divorce. Today I am premiering a brand new track for you, this time is taken from Tim’s upcoming release titled Memory Sketches II, which, as you can tell from the title, is a follow-up to his debut, once again focusing on shaping and archiving the memories with beautiful sound.

"Sometimes it can be felt. This sort of fact that a certain moment is a crucial one in our lives. But mostly we breathe and walk and talk and act without recognizing how huge the moment actually is, how important the memory of it will become for us. As for my part, Memory Sketches II is the second try to give my most precious memories a shape because, otherwise, they might disappear together with the person, the scent, the sound or whatever it is that the memory is about." — Tim Linghaus

The rhythmic journey of adolescent immediacy through rushing emotions, the discovery of new experiences, and, much later on, reflection on these initial feelings, are all conveyed in this very first track appearing on the album. On the fifteen successional pieces, Linghaus explores further recollections of heartbreak, repetitive school daydreams, and projected fantasies of a childhood long gone. The piano is occasionally gently cradled by lo-fi treatments, some strings and synth sequences and pads. It’s all rather lovely, a bit introspective, nostalgic and melancholy. Just how I like it… as if these memories were mine. Stay tuned for the full-length, released on the Japanese Schole Records on a CD, and Swedish 1631 Recordings on digital, on October 29th, 2021. This single is out this Friday, and then you can pre-order the album from Bandcamp.

Memory Sketches II

Running To School With S

TRACK PREMIERE : Tim Linghaus - Running To School With S

Why Did You Do That To Me, Sister?

All tracks written by Jón Ólafsson and Árni Grétar
Mixed by Árni Grétar and Jón Ólafsson

Jón Ólafsson: Piano
Árni Grétar: Synthesizer, effects, field recordings

Mastered by Finnur Hákonarson 
Artwork & photography by Sig Vicious 


Jón Ólafsson & Futuregrapher - Nærvera

Taken from the compilation Piano Cloud Series - Volume One
Release date: March 11, 2016

www.1631recordings.com
www.1631recordings.bandcamp.com

Peter Broderick - Eyes Closed And Traveling

American and Swedish composers Aaron Martin and Dag Rosenqvist came together in 2011 under the name From the Mouth of the Sun. Their first album "Woven Tide" was released by Experimedia in 2012 and they returned in 2015 for their second album "Into the Well." In 2016, three pieces from Woven Tide played an integral role in David Wingo's score for Jeff Nichols's Warner Bros. feature "Midnight Special." Their third album "Hymn Binding" will be released by Lost Tribe Sound in 2017.

Using a vast array of acoustic and electric instruments, including cello, piano, banjo, pump organ, and guitar, while utilizing analog equipment, Aaron and Dag craft unique musical landscapes full of contrasts, where melodies and ominous textures intertwine.

Released by Wayfind Records, the music for "Menashe" marks the first original score for a full-length narrative film by Aaron Martin and Dag Rosenqvist.

All music by Aaron Martin & Dag Rosenqvist.

Mastered by Matthew Collings.

www.wayfindrecords.com/menashe

a24films.com/films/menashe

Opening

The Lost

Otto A Totland - Vates

Ninetysix Percent

Madeleine Cocolas - Hartigan Blue Bathers

Illumination

In The Half Light

Always Here

Liam J Hennessy - Always Here

Porya Hatami & Lee Anthony Norris - Every Day Is Like A New Drug

Unknown Tone are pleased to share an early preview of the track
"Perfume Technique" by Porya Hatami & Lee Anthony Norris. The full length album "Every Day Feels Like A New Drug" is
Porya Hatami & Anthony Lee Norris first full length album for Unknown Tone and will be
out in an edition of 100 limited edition CDs // August 2013 //
www.unknowntonerecords.com

Album Tracklist:

1. Strand
2. Perfume Technique
3. And The Birds Flew In A Different Direction
4. Orpheus In The Willow
5. On The Edge Of The Mountian

Porya Hatami & Lee Anthony Norris - Perfume Technique

Dag Rosenqvist & Aaron Martin: Woven Tide, Into the Well, Hymn Binding and Menashe film score. New EP Sleep Stations out on Lost Tribe Sound May 2018.

contact: ftmots@gmail.com

Opening

From the Mouth of the Sun

Recent comments

ظل

Kory Hilpmann

Jim Sanger

Jakob Lindhagen

Related tracks