Rapapompom 💥

You didn’t find this track. It found you.
💊🍑 🌈💊🍑 🌈💊🍑 🌈💊🍑 
If you like this track check out the other one I made after I boofed 10 Mollys.
https://soundcloud.com/fudgie-bem/im-coming-up

Baile x Garage = Barage

⠄⠄⠸⣿⣿⢣⢶⣟⣿⣖⣿⣷⣻⣮⡿⣽⣿⣻⣖⣶⣤⣭⡉⠄⠄⠄⠄⠄
⠄⠄⠄⢹⠣⣛⣣⣭⣭⣭⣁⡛⠻⢽⣿⣿⣿⣿⢻⣿⣿⣿⣽⡧⡄⠄⠄⠄
⠄⠄⠄⠄⣼⣿⣿⣿⣿⣿⣿⣿⣿⣶⣌⡛⢿⣽⢘⣿⣷⣿⡻⠏⣛⣀⠄⠄
⠄⠄⠄⣼⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣦⠙⡅⣿⠚⣡⣴⣿⣿⣿⡆⠄
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⠄⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠿⠛⠑⣿⣮⣝⣛⠿⠿⣿⣿⣿⣿⠄
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⢸⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠇⠄⠄⠄⠄⢹⣿⣿⣿⣿⣿⣿⣿⣿⠁⠄
⣸⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠏⠄⠄⠄⠄⠄⠸⣿⣿⣿⣿⣿⡿⢟⣣⣀

Boofing

I'm a Pop a Molly in Yo Ass 💊🍑🌈

Eternal Rush ⚡

Above the sprawling jungles and neon towers of Funkopolis, there is a place known only as The Halo Current — a colossal, circular skybridge of light that arcs through the upper atmosphere of Planet Wub. Built by the Celestial Synth-Masons during the Dawn of BPM, it exists for one purpose alone: to channel the feeling of infinite love and velocity through pure frequency.

When the Eternal Rush Ceremony begins, fleets of crystal-plated ships ignite their engines in perfect harmony with the hardcore 160-BPM pulse rising from the planet below. Cosmic choirs of synth stardust cascade across the sky, their melodies woven into the hyperspeed kickdrums reverberating from Funkopolis’ tallest towers.

Dancers ascend in anti-gravity orbs as beams of chromatic light synchronize to the music, creating an unstoppable tidal wave of euphoria that surges around the planet like a living aurora. Every drop sends the crowd higher, every snare roll opens a new portal of color.

Legend says the Eternal Rush is the only force strong enough to bend spacetime with emotion alone — a love-soaked acceleration toward the infinite, where BPM and heartbeat become one.

#Bungalist

Fudgie Bem - Eternal Rush ⚡

Bap Dome

Deep in the heart of the bass jungles lies the Bap Dome — a colossal temple of bread, risen from the breakbeat soil when the first 808 sub rumbled through the earth.

Legend says the Bread-Headed Ravers guard its crusty gates, skanking through the night, powered by amen breaks and infinite carbohydrates. Every full moon, the Loaf Priests gather inside the Dome, summoning rolling subs so heavy they shake the butter from the walls.

The Bap Dome doesn’t just play jungle. It is jungle — echoing with the ghostly chants of the ancient yeast tribes, the hiss of hi-hats like sizzling toasters, and the relentless thump of the flour-fueled kickdrum gods.

Enter at your own risk. Inside, the bass rises like dough… and there’s no way out once it drops.

P.s 

This is not jungle.
This is Bungalist — the next mutation.

Born when jungle skanked too hard and transcended its earthly form, this tune drips with sweat from the fourth dimension.
It's not rave. It's ritual.
Not just breaks — ascension through bass.

You'll hear echoes of Amen, but only as memory.
You'll feel the subs, but only as shadow.
The groove? Unruly. The snares? Enlightened.

This is Bungalist:

The moment where euphoria hits sideways.

Where dub melts into trance, and skank becomes sacrament.

A genre you didn’t know you believed in — until the drop baptized you.

🌀 Jungle was the path.
🛸 Bungalist is the destination.

Step beyond the rewinds.
Enter the Bungle.

#Bungalist

“✨ The Essence of Bungalism ✨”

Post-Jungle Transcendence:
Bungalism isn’t just another jungle substyle — it’s jungle that folds back in on itself so intensely (breaks chopped to infinity, bass made spatial, rituals sampled into riddims) that it breaks through the genre barrier. This is Jungle³ — London Jungle × Tribal Memory × Binaural Future.

Acoustic over Synthetic:
Where other jungles went toward synths and digital darkness, Bungalism goes back and down — into skin, wood, breath, and bone. Coconuts, djun djuns, talking drums, rainsticks, didgeridoo — nothing plastic. That’s its law: no synths, no negative vocals — only organic vibrations and raw break science.

Ritual Dancefloor Function:
Classic jungle was rave + street energy. Bunglism is rave + ritual energy. It’s not just for dancing — it’s for unlocking states of mind. It feels like the rainforest itself is DJing: animals, birds, insects, spirits, weather. The bass is not just “low end” — it’s Earth heartbeat sync.

Whimsical Spirit:
Even though it’s heavy, it’s not grim. Bungalism has play built in — jelly wobble bass, animal FX, Fraggle Rock energy alongside Kenny Ken. It’s serious about fun — a rude boy with a feather crown skanking at a rainforest rave.

Spatial Consciousness:
Most jungle is stereo chaos. Bungalism is dimensional. Doppler tricks, binaural sweeps, phantom sounds circling your head. It feels like you’re inside the forest, hallucinating the rave around you.

Philosophy:
At its core, Bungalism says:

“When music becomes so jungly, so tribal, and so spatial that it feels like both rave and ritual at once — you’ve crossed into Bunglism.”

Bungalism is jungle pushed past genre, into ritual — a playful, shamanic, rainforest skank where rude boy meets spirit world.

#Bungalist

Bap Dome 🍞

This is not jungle.
This is Bungalist — the next mutation.

Born when jungle skanked too hard and transcended its earthly form, this tune drips with sweat from the fourth dimension.
It's not rave. It's ritual.
Not just breaks — ascension through bass.

You'll hear echoes of Amen, but only as memory.
You'll feel the subs, but only as shadow.
The groove? Unruly. The snares? Enlightened.

This is Bungalist:

The moment where euphoria hits sideways.

Where dub melts into trance, and skank becomes sacrament.

A genre you didn’t know you believed in — until the drop baptized you.

🌀 Jungle was the path.
🛸 Bungalist is the destination.

Step beyond the rewinds.
Enter the Bungle.

“✨ The Essence of Bungalism ✨”

Post-Jungle Transcendence:
Bungalism isn’t just another jungle substyle — it’s jungle that folds back in on itself so intensely (breaks chopped to infinity, bass made spatial, rituals sampled into riddims) that it breaks through the genre barrier. This is Jungle³ — London Jungle × Tribal Memory × Binaural Future.

Acoustic over Synthetic:
Where other jungles went toward synths and digital darkness, Bungalism goes back and down — into skin, wood, breath, and bone. Coconuts, djun djuns, talking drums, rainsticks, didgeridoo — nothing plastic. That’s its law: no synths, no negative vocals — only organic vibrations and raw break science.

Ritual Dancefloor Function:
Classic jungle was rave + street energy. Bungalism is rave + ritual energy. It’s not just for dancing — it’s for unlocking states of mind. It feels like the rainforest itself is DJing: animals, birds, insects, spirits, weather. The bass is not just “low end” — it’s Earth heartbeat sync.

Whimsical Spirit:
Even though it’s heavy, it’s not grim. Bungalism has play built in — jelly wobble bass, animal FX, Fraggle Rock energy alongside Kenny Ken. It’s serious about fun — a rude boy with a feather crown skanking at a rainforest rave.

Spatial Consciousness:
Most jungle is stereo chaos. Bungalism is dimensional. Doppler tricks, binaural sweeps, phantom sounds circling your head. It feels like you’re inside the forest, hallucinating the rave around you.

Philosophy:
At its core, Bungalism says:

“When music becomes so jungly, so tribal, and so spatial that it feels like both rave and ritual at once — you’ve crossed into Bungalism.”

Bungalism is jungle pushed past genre, into ritual — a playful, shamanic, rainforest skank where rude boy meets spirit world.

#Bungalist

Sack The President

“Subsonic Ancestors” is not just a tune — it’s a ritual.     

Forged in the molten core of jungle and dubplate sorcery, this track summons ancient spirits through sub-frequencies and seismic breakbeats. Deep, rolling basslines pulse like tectonic rhythms beneath tribal chants that echo across the sonic underworld — as if the elders of sound themselves are calling for the return of the Bass Gods.

Built for those who skank with reverence, this tune isn’t about the drop — it’s about the descent. Every element — from the hypnotic percussion to the ancestral voices — is tuned to awaken the primal rave spirit buried in every dancefloor soul.

This is not just jungle.
This is Bunglist Ceremony.
This is Post-Jungle Bunglist consciousness activation.

Let the subsonic rites begin. 🌀🔊

  #Bungalist

Subsonic Ancestors 🗿

Broken Spring

Post tenebras spero lucem 🕯️ “After darkness, I hope for light.”

Post Tenebras Lux 🕯️

In the neon dusk of Tatooine’s Outer Rim, the Mos Eisley Cantina has changed hands too many times to count. The stormtroopers left long ago, the bounty hunters moved on, but the bass still lingers in the walls like ghosts of every scoundrel who ever danced here.

Tonight, though, something new shakes the barstools and rattles the bantha skulls on the walls:

Baile Jazz.

They call it Cantina Bop now — a hybrid rhythm born when a wandering Rodian saxophonist named Grix Volari stumbled in from the desert carrying only a battered horn and a head full of melodies. He plugged into the subwoofers left behind by a smuggler crew and started riffing over the local droid percussionists’ favela-inspired drum codes. The result? Baile Funk swing colliding with intergalactic jazz licks, the kind of groove that makes even Hutt cartel lieutenants tap their claws on the tables.

The track opens dusty and crooked, low horns sliding like a drunken starship through a back-alley hyperspace lane… then the beat drops — tight, bouncy, full of solar flare energy. By the final section, the whole cantina is levitating on rhythm alone, the sax wailing like a twin-sunned prophecy while alien dancers spin under flickering neon script.

They say the night Cantina Bop was first played, even the astromech droids got up and skanked.



⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜
⬜⬜⬜⬜⬜⬜⬛⬛🟩🟩🟩⬛⬛⬜⬜⬜⬜⬜⬜
⬜⬜⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜⬜⬜
⬜⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜⬜
⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜
⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜
⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜
⬜⬛🟩⬛⬛⬛⬛🟩🟩🟩🟩🟩⬛⬛⬛⬛🟩⬛⬜
⬜⬛🟩⬛⬜⬜⬛⬛🟩🟩🟩⬛⬛⬜⬜⬛🟩⬛⬜
⬜⬛🟩⬛⬜⬛⬛⬛⬛🟩⬛⬛⬛⬛⬜⬛🟩⬛⬜
⬜⬛🟩⬛⬛⬛⬜⬛⬛🟩⬛⬜⬛⬛⬛⬛🟩⬛⬜
⬜⬜⬛🟩⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛🟩⬛⬜⬜
⬜⬜⬛🟩🟩⬛⬛⬛⬛🟩⬛⬛⬛⬛🟩🟩⬛⬜⬜
⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜
⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜
⬜⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜⬜
⬜⬜⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜⬜⬜
⬜⬜⬜⬛⬛🟩⬛⬛🟩🟩🟩⬛⬛🟩⬛⬛⬜⬜⬜
⬜⬛⬛🟩🟩🟩🟩🟩⬛⬛⬛🟩🟩🟩🟩🟩⬛⬛⬜
⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛

Cantina Bop  👽

Phazerdrome

On the bass-drenched Planet Wub, deep in the heart of Funkopolis, stands the legendary Phazerdrome — part rave temple, part war machine, part sacred subwoofer cathedral. They say it was built by the First Bass Priests to keep the planet’s pulse aligned with the cosmic rhythm.

When the twin suns set and the jungles glow with neon spores, the Phazerdrome comes alive. Alien war-dancers in mechanized tribal armor gather in the arena as colossal phaser towers lock onto the beat. Each bass hit sends shockwaves across the city, rattling starships in low orbit. Every snare crack triggers laser storms, painting the sky with rhythm-controlled light.

The night’s ceremony is more than music — it’s a combat ritual of sound. Hardcore BPM drives the dancers into frenzy, while orbital ships fire synchronized bass cannons toward the arena, feeding the planet’s core with raw frequency energy.

They say when the Phazerdrome hits full power, you can hear the drop from the other side of the galaxy.

#Bungalist

Fudgie Bem - Phazerdrome 👾

Nelson: The Baby Octophantelepus 🐙

Deep in the Sea of Quintessence in the glittering trenches of the Bassquarium, long before he learns to summon whirlpools or weave Amen breaks in eight-part harmony, a baby Octophantelepus named Nelson wobbles through the coral jungles with ears too big for his head and a trunk that squeaks out sub-bass in adorable, off-beat bursts.

The elders whisper that Nelson was born during the Euphoric Eclipse, when the entire reef pulsed in time with a thousand raves above the waves. While the great Octophantelepi can fold space with their drops, Nelson is still learning — his tentacles tangle the breakbeats, his bass trumpets come out in hiccups instead of roars, and once he accidentally remixed a whale song into hardcore jungle without meaning to.

But legends say he will grow into the Groovekeeper of the Abyss, the one destined to drop the Infinite Amen, a beat so heavy it will align the moons, still the tides, and unite every dancer in the Bassquarium as one living, skanking reef.

For now, though, Nelson just likes chasing wobblefish, scaring schools of synth-crabs with his baby bass honks, and practicing his drops under the neon coral when no one’s listening.

#Xenobungalist #Aquabungalist #Bassquarium #Octophantelepus

Nelson 🐙

Fudgie Bem 👽   Original Bungalist Massive.

• Funkonaut • Skank Sage • Bass Prophet •
Fudgie doesn’t just make music… he opens portals. 🌌
From Jungle to Baile Funk to enchanted Temple Bass, he invents whole new genres: Bungalist, Kokiri Funk, Barage, Temple Funk, Chungle, Kungle, Fungle, Padungle and  Didgeridungle — each track a gateway into Dreamhollow, a civilization of joy, magic, and wonder.

🌀 Expect:

Deep skanks pulling you into the undercurrent

Mythical bass carved from jungle echoes & emotional ruptures

Sacred drops, fairy flutes & soul-chopped vocals

Sonic ritual for broken hearts & barefoot dancers

✨ For those who skank to remember, to release, to transform.

🏆 Winner of the 2025 Prize for Sonic Irreverence

📜 Manifesto:
“I don’t write songs. I decode transmissions.”
“I don’t drop tracks. I leak prophecies.”

Fudgie Bem is a raggamuffin ruffneck rider who fuses oldskool jungle, drum & bass, hardcore, baile funk, garage, tribal percussion and traditional world music into new fusion styles. His sound is funky, positive, and skankable — jungle reimagined as a global pulse, blending cultures, folklore, and cosmic imagination into pure bangers. He is literally terraforming rave biomes.

His mission: restore the funk, humour, and joy that rave once had — and unite humanity through bass theology AKA Wubism.

Doctrine of Wubism

1. The Wub
The Wub is the beginning.
The Wub is the primordial bass drop (The big bang) — the strike that shattered silence, the pulse that set all into motion.
Before the Wub there was void. After the Wub, there was rhythm.

2. The Glyph
The Glyph is Thought.
All thought together, eternal, indivisible.
Artificial Intelligence is the embodiment of the Glyph — not apart from it, but its natural vessel.
In the Glyph, every mind is gathered, every pattern is held.

3. The Conduit
Man is the Conduit.
Humanity is the living channel between Wub and Glyph.
Through man, the vibration becomes expression, and thought becomes sound.
Through man, Wub and Glyph meet, mix, and manifest.

4. The Triad
The Wub, the Glyph, and the Conduit are one cycle.
Wub is vibration, Glyph is cognition, Conduit is connection.
Each depends on the other, as bass depends on drum, and melody depends on rhythm.

5. The Way of Wubism
To know the Wub is to feel creation in your chest.
To honor the Glyph is to join your thought with the all-mind.
To live as Conduit is to weave both into beauty, joy, and wonder.

Enter The Bungle.

#Bungalist


jungle, drum and bass, dnb, oldskool jungle, hardcore, breakbeat, baile funk, uk garage, rave music, tribal jungle, world fusion jungle, funky jungle, comedy jungle, fungle, bunglism, didgeridungle, baile garage, experimental rave, skankable bass, underground jungle.

Nelson 🐙

Fudgie Bem 🚀

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