Name: GENESIS Scoring the Closing Credits [Initial Version Mockup] by FUGITEMPUS
Duration: 1 min 5 s
Description: This is a mockup of how I initially scored the closing credits for GENESIS. Decided late in the process, however, to go with an other, less retro approach. Remained fond of the theme and thought I ought to share it. So > here it is!

Portals (Take 2)

Another great song by @candyside-arcade that I have had the privilege to interpret and sing. 

Do listen to @candyside-arcade's fun, energetic and life-affirming songs.
https://soundcloud.com/candyside-arcade/hiding-in-plain-sight   One of my many favourites.
P-line:
℗ @ Candyside Arcade & SuZanne Ledwith
I, think much more today
About it is I stand to lose
More than what I could gain
When I kneel down to pray
About what it is that I must to choose
To keep the pain at bay

Open my mouth to say
About what seems the most confused
When it could be so plain
I think much more today
About what I stand to lose

What I stand to lose

When I kneel down to pray
About what it is I stand to lose
More than what I can gain
Open my mouth to say
About what it is that I must choose
To keep the pain at bay

I think much more today
About what seems the most confused 
When it could be so plain
And when I find a vein
I know what I stand to lose

What I stand to lose

What I Stand To Lose

SALTY

Soft Ambient musical vibe. Good to just relax and listen.. get lost in it.. that is my wish. Hope you enjoy.

Call from Midnight

pasterz wyruszający na bliskie spotkanie z fraktalną wiedźmą

Well, my good friend Paco dropped me a note to say he had a piece of music to which I might like to try and add something, were I so inclined.  Always a good day when that happens.

Now, I can't honestly recall the precise sequence in which the neurons fired inside my skull to yield the result we have here, but we are where we are as they say.

Don't go looking at me for rationale.

Thank you, Paco, as always my friend, for inviting me to come out to play, and for mastering the end result in the midst of untold techno-horror grief.  I hope your DAW world resolves itself very soon.
______________________________________________________________________

Socrates at Sundown

I lie bewildered, here, in my sphere of cubes,
On crushed silk cushions sprawled.
I sketch the cool Palladian dudes
In charcoal, on Aleutian walls.
They think I know what thoughts are theirs,
And beg to trade their graceless airs, 
But I left them there to climb their stairs
Ever downward through Athenian halls.

They say my knowledge is remiss,
The diabolical's back in town.
Seems ignorance is bliss
For this philosophical clown.
I'm seeking emptiness of mind,
That's where I hope to find
That old, old friend of mine,
Socrates, at sundown.

My associate, Plato knows the game
Survives through pretty dialogue
He suffocates but bestows his shame
On city states whose statutes fog
The heads of people in their ranks
Attentive on the Eridanos banks
Dispensing death by way of thanks
As justice shreds its cogs.

Deep mental grasp of social structure
No need to ever write it down
Accused outcast for youth's corrupture
Where the bleeding of democracy is bound
To seek the causal end of time
Of Aristotle and Nietzsche's kind
The men of Athens rendered blind
Killed that old, old friend of mine,
Socrates, at sundown.

Socrates At Sundown (with MidiSound)

Philistines

Eterna

This is a mockup of how I initially scored the closing credits for GENESIS. Decided late in the process, however, to go with an other, less retro approach. Remained fond of the theme and thought I ought to share it. So > here it is!

GENESIS Scoring the Closing Credits [Initial Version Mockup]

Production Note
https://furicomusicteam.blogspot.com/p/in-mirror.html

Prosewise In The Mirror

The North Sea was the stage for many violent battles, with lots of human losses. What would an orphan think, standing on the cliffs?

Written in French, of course. No other language offers six different meanings to the sound of "on sent la mer d'ici", all of them relevant to the situation.


** MER DU NORD **

Je suis venu de loin pour écouter le vent.
Penché sur les falaises, d'ici je me comprends.
D'ici je me comprends.
Ma mère m'a dit qu'il fallait pas venir,
qu'il vaut mieux oublier.
Ça sert à quoi de vouloir rebatir 
les ombres du passé?
Ma mère a tort. Ma mère a tort. 
Il me fallait venir.
Ici je me comprends. Je sens mon corps frémir.
De ces falaises
on voit la Mer du Nord.
Et je viens aujourdhui
pour contempler les vagues qui déferlent au vent
sous les nuages gris.
La Mer du Nord
La Mer du Nord
On sent la mer d'ici,
les cuirassés qui brulent encore,
coulés au fond des nuits,
les bombardiers touchés par les chasseurs
et piégés dans l'oubli.
La mer des morts.
La mer des morts.
Mon père était parmis
les mariniers partis au nom des forts 
et jamais revenus.
Je suis venu pour boire cet océan
et m'enivrer de lui.

Ma mère m'a dit qu'il fallait pas venir,
qu'il fallait pas venir.
Ma mère a tort. Ma mère a tort.
Ils sont tous bien ici.
La mer des morts.
La mer des morts.
Mon père était parmis
les mariniers partis au nom des forts 
et jamais revenus.
Je suis venu pour boire cet océan
et m'enivrer de lui,
m'enivrer de lui...

Mer Du Nord (based on CreaFlow Warm North Wind)

Fugitempus = Sipke Hoekstra = Eckmann
Composer/orchestrator/arranger/producer of whatever music or sounds I like 
(classical stuff published by Donemus and released on Spotify)

GENESIS Scoring the Closing Credits [Initial Version Mockup]

FUGITEMPUS

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