Track from NE94 Varg2™ — 10 år av skog, natt & stjärnor

Out on cassette and digital May 26th.

Mastered by Giuseppe Tillieci at EnissLab, Rome

Varg2™ — I en oändlig sorg / Jörn

Ecco2k - Jalouse

Ecco2k - Pollen

Ecco2k - Life After Life (MISOGI Hydrated Version)

Ecco2k - AAAPowerline (231016 MorphineFerry x AAAPowerline aegisMashup)

Yung Lean Skrillex BLADEE & Ecco2k - SummerTime Blood (aegisGoodbyeEDiT)

Vintervila MiX

taken from 'Speed Oddity vol. III'

out November 17th: https://tomakami.bandcamp.com/album/speed-oddity-vol-iii

Toma Kami - Blades

SSIEGE - VENA Tangier II, Oct 2023

free download:

https://oxhy.bandcamp.com/track/magliano-fw24-ost

https://www.youtube.com/watch?v=_IDvZKJdhIQ

Magliano FW2024 OST

Step into the ethereal realm of sound with Widow's mix. Delve into a hypnotic journey woven with threads of mystique and allure. Let the entrancing beats guide you through a nocturnal landscape where shadows dance and echoes whisper secrets of the night.

Widow effortlessly blends genres to create a sonic tapestry that is as enigmatic as it is captivating. With a subtle touch, she draws you into her world, where each track is a carefully crafted spell, casting its charm over all who listen.

Prepare to lose yourself in the depths of Widow's musical realm, where time slows and reality bends. Surrender to the magic of her mix and experience the transcendental power of sound.

Spell Cast 023 - Widow

Billy Bultheel - Two Cycles
Label: PAN
Cat.No.: PAN 138
Release Date: 08 March 2024
Purchase: pan.lnk.to/TwoCycles

Billy Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards.

Drawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devised a way to present this collection of works side-by-side. The record is split into two distinct cycles: the Snow Cycle, which collects Bultheel's electro-acoustic and compositional work, and the Game Cycle, which assembles his electronic productions. These two suites have unmistakable symmetry; Bultheel's traditional compositions are bolstered by his understanding of electronic production, while his electronic pieces are moulded by his knowledge of classical and traditional music. "Two Cycles" is an album that exhibits duality, embodying the dichotomy of Bultheel's roles as both an ensemble composer and an electronic producer.

The haunting opening track of the 'Snow Cycle', 'The Arcades Project', — named after the unfinished compendium of architectural contemplations penned by the eminent German philosopher, Walter Benjamin - places four tubas in strategic towers surrounding the audience, creating an immersive auditory experience. Conversely, 'The Snows of Venice' — named after Alexander Kluge and Ben Lerner collection of short stories and poems — was conceived for two flautists directed to intertwine their melodies as they traversed through knee-high water.

The 'Game Cycle' meanwhile places a strong emphasis on rhythm, crafting a sonic landscape that resonates with overdriven metallic clanks and sharp stabs. Drawing upon his extensive experience in composing for choreography, Bultheel envisions a series of jittery dances that purposefully deviate from conventional timelines. 'Decreation' infuses techno with the visceral qualities of noise music and 'Game Theory' offers an unsettling skeletal barrage of saturated, precisely tuned percussive hits. Bultheel brings 'Two Cycles' to a close with 'Gigue,' a reference to the 6/8 baroque court dance that traditionally marked the conclusion of a dance suite; by merging marching rhythms performed by two percussionists on a single drum set with chaotic and evocative synth leads, he establishes a tantalizing counterpoint.

'Two Cycles' is a musical compilation that explores the themes of locale and landscape, elucidating the intricate dynamics that arise between the musicians and their audience, the ears and the architecture. Considering timbre, density and the psycho-acoustic qualities of communal spaces, from the warehouse to the cathedral, Bultheel draws indelible lines between seemingly distant concepts, merging the celestial with the terrestrial.

The double album cover, one for each side and cycle on the record, features a collage created by the Welsh video artist James Richards that merges medieval iconography with snippets of queer memorabilia.

All tracks written by Billy Bultheel
Mixed by James Ginsburg
Mastered by Enyang Urbicks

Billy Bultheel - Decreation (Game Cycle) (PAN 138)

This sound installation for the exhibition exists in two parts, the first part being the original 14 minute audio piece, and the second half is a collaborative intervention with multi-disciplinary artist Blackhaine, Making the contributions of added samples, distortion, production, and rapped verses of his own alongside mine

The body of the piece is comprised of a “trap beat”, but instead of layering all of the instrumental elements on top of each other to present the full
Composition, I separated each layer and instead placed them side by side as If laid out on a dissection table, each layer playing one after the other. A literal extension of the theme of disection in the show, First hi-hats, then snare, then percussion roll, then kick drums, then 808s, then the “melody” then the final composition fully layered together.

With found audio of rappers, and field recordings of helicopters over my neighborhood, and various producers and DJ tags

No Gallery Full Audio

how I'm feeling rn (prod. babyxsosa)

track taken from my upcoming EP "Threshold Of Discomfort" out on June 7 2025. 

All music mixed and produced by Fujimine
Mastered at TWS
Artwork by JS Aurelius

round1

Fujimine

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