Keep putting in that work one day it's gonna pay off

Damn esta mier me gusta demasiado broe sigue asi

The songnis good nice vibes, this is a banger

fw this beat heavily but yo vocal go crazy to

Fire song bro I’m rly liking the vibes on this one

I like it man, I love auto tune I'm a fan.

#LouieXO #LilUziVert #Luhswaggstarr #seo #google #Soundcloud #Trap #Triphop #LilLouieVert

Patience (prod. Rubbishrubbish)

loveGOcold

Stackhouse

ROCKSHITT

*Sensational* 💅🏽💃✝️✨

Somewhere really deep, let me show you.

She 👶🏽 just wants to hold 
you👩🏽‍🍼👈🏽 never 🙅🏾‍♂️ me?

Why leave? 🧑‍🧑‍🧒‍🧒🏠👩🏽‍❤️‍💋‍👨🏾💔
Baby, please? Your daddy loves you. You don’t have to go on the lonely road. You don’t have to live this life alone, I understand. Your daddy loves you, your daddy needs you. Your daddy cries when he goes to bed every night, sitting back. 

Holding pictures, holding tight. Of your momma, and you. 
Of pictures before you were two. See, he ran from the pain. From his friends, from the blame, from the same. They told him he could change (you never do). So you undue what you never can, sit back with Xans in your hand. And another drug, and another buzz, with no love, and no budge, 

so you throw up 🤮 on the 🛋️. 

And your 🩸ing, and your leaving🥀🥀 🪽. 

To an after life, can you see the light? 💡 ⛅️ 🌧️ 

And then GOD comes down and he holds you tight. 🫂✝️7️⃣7️⃣7️⃣

“This is your ✨✝️Dad✝️✨
he loves you, you don’t have leave, you don’t have to go, into the blue sky❣️🕊️🌌.  You don’t have to cry 😇👼🪽. There’s another Guy 666👹. He’ll kill your pride. He has red hair 😈. And big horns. He’ll take you alone, and your new borns. I love you son, I can’t let you go. But YOU’RE trying to take the other road.” 

“Have I not told you? Be strong and of Good courage; do not be afraid, nor be dismayed, for the Lord YOUR GOD is with you wherever you go.” 

Joshua 1:9🪽✨

Your Dad Yahweh (Faith Freestyle)

Manana (prod Vision Marine)

Don't Get It prod.typhelicia,jaechii,ok

Noir

Artist: Reverend Sulanke
Title: The Grey Amnesia
Genre: Post-Punk / Dark New Wave / Coldwave

"The Grey Amnesia" is the first transmission from Reverend Sulanke – a phantom ensemble summoned from the backrooms of a half-forgotten Berlin ballroom, where the raw nerves of early The Cure meet the mechanical pulse of Fad Gadget, and the storytelling despair of Johnny Warman collides with the synth-stabbed melancholy of Depeche Mode’s "Speak & Spell" era.
A 7-minute maxi-single that unfolds like a fever dream: jagged guitars weave through ice-cold synths, while a bassline throbs like a bruised heart. The vocals – half-spoken, half-sung – drag you through the corridors of a memory that isn’t yours, where "the walls are made of static and the floor is made of broken vinyl". This isn’t just a song; it’s a seance. A tape loop of regret, played on a machine that’s always on the verge of collapsing into silence.

Recorded in the dead of night, with the ghosts of 1980s analog gear breathing down its neck, "The Grey Amnesia" is the sound of a band caught between punk’s fury, new wave’s glamour, and the gothic storytelling of a war that never really ended. Think Robert Smith’s guilt, Vince Clarke’s circuits, and Frank Tovey’s (Fad Gadget) clanking paranoia, all stitched together with the thread of a novel you can’t put down.

Written in E minor – the key of melancholy, rebellion, and haunted ballrooms. ‘The Grey Amnesia’ wraps its lyrics in the same dark embrace as The Cure’s ‘Disintegration’ or Siouxsie’s ‘Juju’, but with a heartbeat of 174 BPM.

Did you know? ‘The Grey Amnesia’ was recorded in 441 Hz – the same tuning as a heart racing just a little too fast. 🎵💓

Credits:
Written and produced by Frank Talmon l’Armée 
Band: Reverend Sulanke
Instruments: "Guitars drowned in chorus, synths tuned to despair, drums like distant gunfire"
Mastered on a reel-to-reel machine that may or may not be haunted.

---

Künstler: Reverend Sulanke
Titel: The Grey Amnesia
Genre: Post-Punk / Dark New Wave / Coldwave

"The Grey Amnesia" ist die erste Sendung von Reverend Sulanke – einem gespenstischen Ensemble, das in den Hinterzimmern eines halb vergessenen Berliner Ballsaals beschworen wurde, wo die rohen Nerven der frühen Cure auf den mechanischen Puls von Fad Gadget treffen und Johnny Warmans erzählerische Verzweiflung mit der synth-durchzogenen Melancholie von Depeche Modes "Speak & Spell"-Ära kollidiert.
Eine 7-minütige Maxi-Single, die sich wie ein Fiebertraum entfaltet: zerrissene Gitarren flechten sich durch eiskalte Synths, während ein Bassline wie ein geprelltes Herz pocht. Der Gesang – halb gesprochen, halb gesungen – zieht dich durch die Korridore einer Erinnerung, die nicht deine ist, wo "die Wände aus Rauschen und der Boden aus zerbrochenem Vinyl" bestehen. Das hier ist kein Song. Das ist eine Séance. Eine Endlosschleife aus Reue, abgespielt auf einem Gerät, das jeden Moment in Stille zerfallen könnte.
Aufgenommen in der Tiefe der Nacht, mit den Geistern analoger 1980er-Technik im Nacken, ist "The Grey Amnesia" der Klang einer Band, gefangen zwischen Punks Wut, New Waves Glamour und dem gothischen Storytelling eines Krieges, der nie wirklich endete. Stell dir vor: Robert Smiths Schuld, Vince Clarkes Schaltkreise und Frank Toveys (Fad Gadget) klirrende Paranoia, alles zusammengenäht mit dem Faden eines Romans, den man nicht weglegen kann.

In E-Moll komponiert – der Tonart der Melancholie, der Rebellion und verfallener Ballsäle. ‘The Grey Amnesia’ hüllt seine Texte in denselben düsteren Klang wie The Cures ‘Disintegration’ oder Siouxsies ‘Juju’, aber mit einem Puls von 174 BPM.

So wie der Roman ‘Hinter uns das Land’ mit den Grenzen der Erinnerung spielt, verschiebt 441 Hz die Grenzen des Klangs – eine kaum merkliche Veränderung, die alles anders fühlen lässt.

Don't Get It prod.typhelicia,jaechii,ok

lovewhenitrains

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