temor's musician - persian and indian - roots produces in combination with the german techno school a nice musical aura. the orient is always subgrooving in his music, like dubstyla's nrg is definitely for the technofloor

more info: http://fummelerum.de
artist info : http://fummelerum.de/artist_temor.html

© 2012 Fummelerum Company. All Rights Reserved.

[FMR013] Temor Hamid - Dubstyla (Original Mix) Short Edit

We can almost say, that "Faby" aka DerFreak's Productions presenting beside the “New York”, “L.A.” and “London”, the typical Berlin Style Methods. The easy holden, clean defined and very well arranged Tracks without huge count of Instruments or FX-Technics are the Results of Freaks Experiments. In one Side, the songs have quite, but at the same time deep running powerfull Caracter and the other side It giving more space for the Digi-DJ to experimenting with their own Effects. The Message is great: as born to be Natural, as the basic law of Life, is in us just we need to remember.The rest is nothing else as complicated psychopathic mad concepts.
As Drummer, Freak keeping the Groove in each Moment Minimal, Pumpin' for a flowing Dance Experiences. Digitale Demenz Remix is a Subproject by himself and Fran Cee with more female softness indeed. We've choosen one more Song from his nice Collection and added to these EP as a soft with LOVE filled outrotrack. Der Freak's Creations are reflecting also deeply the Athmosphere of the berliner Kit-Kat-Club, where he is montly Resident as well .. 

More Info: 

http://fummelerum.de
http://www.derfreak.com/

© 2013 Fummelerum Company. All Rights Reserved.

[FMR0017] Der Freak - Become (Digitale Demenz Remix) // Short Edit

Der Freak delivers three solid minimal tracks with his signature distinctive sound. This aural journey begins with his own title track “Kisses From Berlin” complimented with remixes by his sub-project Digitale Demenz which calls for us to open “Your Mind & Eyes”.
“Kisses From Berlin” is grooving from the beginning to end, with one powerful layer balanced out beautifully with undercurrents of strong back melodies and basslines. The drum patterns are complex and shine through perfectly while synchronized with all other elements of the track . 
To break the tension of “ Kisses..” we are taken on a seductive journey with “Unknown Direction” and the Digitale Demenz remix. Digitale Demenz is a subproject by him with Fran Cee. A nice harmonic project 
(Yes we are going to uncharted waters, you dare to join us ?)
We finish our journey with Der Freak’s remix of his own project Digitale Demenz.
The EP is a “Der Freaking-tastic” Journey from beginning to end a must for all (Der) Freaks out there.
We send you “Kisses from Berlin”

RELEASEDATE: 08 MARCH 2014

More Info: 
www.fummelerum.de
www.derfreak.com

© 2014 Fummelerum Company. All Rights Reserved.

[FMR0021] Der Freak - Kisses From Berlin (Little DirtPig Remix) // Short Edit

“It’s a song, which sings the song of your soul, what you have forgotten, but you feel it’s also the song, you have always known.“

The Expression of Beauty & Wonder.

Remixes by True Anomaly, Zpiral, Peet & Breeth, Tomin Tomovic, Jakub Mildner.
 
RELEASEDATE 25 APRIL 2014 

Published by UCMG. P&C 2014, Fummelerum Company
Mastered by Alfredo Baillet, Central Dogma Lab, Mexico.
Distributed worldwide by Dig-Dis.

http://fummelerum.de
https://www.facebook.com/smokymirrorofficial

BEATPORT

[FMR0022] Corvin Dalek Feat. Smoky Mirror - Don't Go Without Love (Rekrea Edit)

A solid production from Mexico by Alfredo Baillet's house interpretation, Kemp & Thompson (KaT). As Alfredo with his main well known act True Anomaly focusing more on the vision of techno, with KaT he brings perfectly the house vibes “of the playa” onto the dancefloor

RELEASEDATE 28 MAY 2014

Written & Produced by Alfredo Baillet.

P&C 2014, Fummelerum Company
Mastered by Alfredo Baillet, Central Dogma Lab, Mexico.
Distributed worldwide by Dig-Dis.

fummelerum.de
@kemp-thompson

Beatport

[FMR0023] Kemp&Thompson - Desolat // ShortEdit

from the album Mark Reeder “Collaborator” 

This song is probably the most important track of my life. I actually produced the rough instrumental part around 1997, it was the first track I had ever properly finished. At that time, I had no idea about music production, just my experiences from dj-ing and about how club music should sound. 
Making this track, I was looking for an atmosphere I wanted it to sound like “being lost in an endless space” kind of melancholic, infinite, desire.
I was dj-ing a lot around that time and organizing parties in southern Czech Republic together with DJ Michael Burian. He introduced me to dj-ing with turntables. To expand our peripheries, we started to promote our own events. We invited interesting djs and artists, and discovered a new dimension of dj-ing and everything to do with party/event promotion. 
My music was influenced at that time deeply by berlin’s club sound, especially the records from MFS. 
MFS, (Masterminded For Success) was founded by Mark Reeder in 1990, who used the infrastructure of the former East German state run record label AMIGA which was part of  “Deutsche Schallplatten” to build his own dream of an independent label project in the heart of Europe. His real wish for the label was to support young, Eastern European artists and provide them with a platform.
No one less as an Eastie kid, than Paul van Dyk grew up from his hands. Mark discovered Paul and supported him and released his first hit “for an angel” (1994) as part of the 45RPM album. He also released tracks by Cosmic Baby, Neutron9000, Marco Zafferano or Mijk van Dijk, Ellen Allien or Johnny Klimek, just to name the few who created music with Mark at that time. Nice Trance and Techno projects. We invited some of them to play at our parties, and learnt a lot of simple but great things from them. Finally, we became inspired enough to take that crucial step forward in the direction of producing and making our own music too.

I sent my tracks to Mark and the sound caught his attention. He invited me later to work with him, after I moved to Berlin in 1998. It was a time of great upheaval for the label.  Paul van Dyk had just left MFS. The world stage tempted him away, as he wanted to be a bigger, brighter star. 

Mark was interested in starting something fresh and new. I started to put my own creativeness into Mark’s MFS project, as best I could.  Mark took me under his wing and guided me along a path by introducing me to many things, he gave me ideas, inspiration and nurtured my own sound and style and we saw things eye to eye on many levels. We had lots of fun producing our ideas as singles, albums, tracks, dj compilations or just creating art and artworks. We organized bookings, events and played all over the world. It was full on, full time, all the time and more…
One day, a good friend of Mark’s from early Joy Division days, Bernard Sumner (the singer of New Order) sent him his recorded vocals for a track, which Mark called Crystal. Bernard wanted to support to his old friend during this difficult time and help him after van Dyk had jumped ship. 
Mark gave me the fantastic vocal parts and once home, just for fun, I loaded them over the memories track. I was totally perplexed when I heard the results. It was like a big kick up the ass, they sounded just perfect for each other. I immediately played it to mark and he agreed. We couldn’t believe it. They matched as if made for each other.
With Marks perfect English, we tweaked the track and edited the vocals to fit perfectly over it and we finished it for a demo (this is the version you can now hear on Collaborator). I think it was a song perfect for a sunny, late summers day.

Mark sent the mix to Bernard and he loved it. Unfortunately, Bernard sent it to the New Order A&R at London Records - Pete Tong. A few days later Mark got a desperate call from Tong, who told him, “you can’t release this track! it is the best New Order track since Blue Monday!” and he begged Mark to persuade Bernard to record it as a New Order track instead. The only problem there though, was that New Order hadn’t spoken to each other for three years and had virtually stopped working together and had all but broken up. Difficult? Mark replied that Bernard had actually recorded the song for him and had given it to him as a gift. But Tong whined and moaned and eventually, Mark spoke to Bernard and New Order were tentatively reformed. Mark even suggested that Mark Stent should produce the New Order version too. But then there was another problem, what to do with the MFS mixes? Mark reluctantly agreed with Tong to wait until the New Order releases were out before releasing it on MFS, but Tong was determined that my first demo shouldn’t be released at all and pleaded for us not to release it, as he described it, it was “a shabby little demo and the song deserves better”. Mark kindly complied. So it was never finished and never released.

Mark and I worked almost 10 years together (1998-2008) on the MFS label, designing and producing and we even started a new label called FLESH, especially for my own style of music that we created, which we called Wet&Hard. During this time, Mark supported and managed my career and we travelled the globe. Through Mark, I also got the opportunity to remix New Order, but also other artists like Faithless, Destiny’s Child, Blank & Jones, Da Hool or Shannon, to name but a few (my full discography is available on my homepage http://corvin-dalek.com).

Finally, we finished MFS/FLESH in 2007 and split to go our own separate ways and work on our own projects. Mark - in the meantime – has made a name for himself with his classic style of 80’s sounding synth-pop-disco-electro and produces it today with his partner Michael Adam, in a retro-modern, but very interesting way. 
Recently, he’s remixed tracks by Depeche Mode, The Pet Shop Boys, Anne Clark, Die Toten Hosen or Westbam and released them in 5.1 Dolby Surround Sound, on a monumental remix album Five Point One.

Marks 5.1 project:
https://www.facebook.com/markreeder.fivepointone
http://www.5point1.org

More info about the full release of Crystal: 
http://news.cerysmaticfactory.info/2014/02/mark-reeder-collaborator-fbn-111-cd.html
http://factorybenelux.com/

want to know more ? 
http://corvin-dalek.com
http://fummelerum.de 

Buy CD

Corvin Dalek & Mark Reeder w. Bernard Sumner – Crystal (Original first demo version)

Brajans soundpoles are house imbued with minimal tech shafted through dark ambient tunnels, he describes his own intention to play and produce music. To expand a bit the tension we added 5 remixes to the ep by Corvin Dalek, True Anomaly, Temor Hamid, Smoky Mirror and Acid Joker.

Artist:
http://www.djbrajan.com
Soundcloud: https://soundcloud.com/brajan
http://www.beatport.com/artist/brajan/96891/releases
Video: https://vimeo.com/1230391
Artist Booking: http://www.fummelerum.berlin/booking/
Contact on Mastering: centraldogmalabs@gmail.com
Licenses and other inquiries please contact us: info@fummelerum.berlin,  info@fummelerum.de


[FMR0033] Brajan - In Invisible Town (Acid Joker Remix) - Short Edit

[FMR0033] Brajan - In Invisible Town (Smoky Mirror Remix) - Short Edit

[FMR0033] Brajan - In Invisible Town (Temor Hamid's Whose Light Remix) - Short Edit

[FMR0033] Brajan - In Invisible Town (True Anomaly Remix) - Short Edit

[FMR0033] Brajan - In Invisible Town (Corvin Dalek Remix) - Short Edit

[FMR0033] Brajan - In Invisible Town (Original Mix) - Short Edit

Lauschen die Traumbilder aus Jenseits strömenden Wellen. Ist es dein? Aus einem fernen Geschehen? Echo des Lichtes eines schon längst nicht mehr existierenden Sternes? Hinter den geschlossenen Augenlider singen die Fledertiere ihren Lieder. Und siehe da noch so ein Vogel fliegt hin-herein, wo sonst die Einsamkeit herrscht. Aber hey! Zweisam hört man anders und so lass uns es geschehen.

Website: www.3ToN-ArT.CoM

Stadtr der Absoluten

3ToN | Stadt Der Absoluten & Ringbahn (Showreal)

SHANNON - LET THE MUSIC PLAY (CORVIN DALEK FOR DMC / RADIO EDIT) REMASTERED

Fummelerum Company was set up around 2009 by Corvin Dalek as a platform for bringing new releases through underground talents and collaborations, but also for his own material. 
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..............www.fummelerum.berlin........................
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the originality of a genius in art and knowledge consists therein, to mastermind his attention to ignored aspects of the reality, realize hidden coherences and push them into the light, that others can see it too. its a communication beyond the spoken words, where the artist takes the inspirations from the questions and answering it in his artistic expressions. technical virtuosity is completely different thing as creative originality. we try to develop the challenges in all of our projects with both of the aspects strongly as possible

Fummelerum Company

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