Artist: @fausto_mercier / @trngs
Catalogue Number: IM091
Album: I'm Too Sentient
Release Date: June 25th, 2021
Format: Digital

Stepping in as a musical match-maker, Infinite Machine has paired up Fausto Mercier & trngs, two boundary-pushing sound designers, for a fresh EP of kinetic and visceral electronics. The pair are well suited to be partners in crime on I'm Too Sentient: both share a meticulously detailed approach to sculpting sounds as well as a keen interest in producing a sonic ‘uncanny valley’ in their output - manipulating organic sounds until their source is barely recognisable.

Fausto Mercier opens up I'm Too Sentient with Overcorp, a dramatic opener which only seems to get more frantic over time. Unfolding like an algorithmic Fibonacci spiral, Fausto’s musical ideas seem to shrink and appear within each other like fractal patterns. Towards the end of the track, the low-end drops out and is replaced by moody pad synths, an uneasy palette cleanser that glides over fidgety samples that refuse to sit still.

Next up, Bite Nails II Assert Dominance is another cerebral hit of complex, polyrhythmic laptop music. The beginning of this track seems far more ‘on-grid’ than Overcorp, but we are lulled into a false sense of security by Fausto who starts nudging samples into unexpected phrasings or squeezing new sounds into inexplicably small gaps within his drum programming. A real head-spinner of a tune!

Fausto’s final offering from the split, O O Doomscrll is potentially the most frantic moment of I'm Too Sentient. Humanoid-esque synths seem to wail through the arrangement, backed up by a punishing delivery of drum hits and manipulated organic sounds. As the title seems to suggest, O O Doomscrll could almost be considered as a soundtrack for our age of digital disorientation and social anxiety.

trngs opens up his half of the split EP with Organic Fabrication Core, a sonic headfuck if ever there was one. Jammed full of ideas and operating at break-neck speeds, trngs background in improvisational free jazz definitely comes to prominence in tracks like these.

Next up, trngs keeps the tempos fast with I'm Too Sentient For My Own Wellbeing - a track which sounds a bit like if Mark Fell had a breakcore side project. Musical stutters and iterative loops are abruptly swapped out for aggy kick drums which cut through the mix like a knife. The name of this song, again, nods to our accelerated virtual culture and the pressures that our contemporary information-overload can exert on us.

Rounding off the split, trngs’ () %%% () is a curious experiment across multiple temporalities and textures. Starting off serene and calm, the production degrades and glitches-out like an alien fungi permeating an ambient music culture.

An enthralling exploration of modern laptop musicianship, I'm Too Sentient is probably unlike anything you will hear this year. We suggest you press play and hold on tight.

Artwork by trngs

trngs - Organic Fabrication Core (IM091)

Anima is the new EP of Berlin based multi instrumentalist and music producer Tom Willems (TCV @tcvbln).

The five tracks comprising the record showcase digitally heavy, brute soundscapes full of uncompromising rhythm and melody. Drawing inspiration from classic genres like gabber and industrial, TCV articulates a sound that is highly abrasive but often surprises with poetic verity.

As the track names indicate, the record conceptually is concerned with the human body and its perception as something which can be both fragile and powerful. TCV unveils, that a traumatising phase of his life, inspired him to process his impressions of lifelessness being inhabited by machine-power. Witnessing how new wealth and vitality is being pumped into a corpus made him fascinate about this passive recreation. The idea of a life depending on mechanical forces, repeating and recovering, is echoing through his acoustic concept. Each track thereby communicates a different stage of a physical transitioning, thus a metamorphosis in whole.

Anima

TCV - suicd

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art by Hanna Umin

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@obelisksydney - Meta Bliss EP
[PAYNOMINDTOUS, PNMTU006, out Dec. 28th, 2022]
* featuring remixes by @ptwiggs and @sus1er *
Name-your-price download
[paynomindtous.bandcamp.com/album/meta-bliss]

The Sydney-based DJ and producer Ryan O'Rourke aka Obelisk (he/him) is an emerging name in the Australian contemporary underground club scene as an organizer of the experimental dance event series Nexus (instagram.com/nexus.eora/) and as an artist, holding releases on local compilations (@deep-scan-radio and @meganesia), and showcasing performances as both a solo artist and with the Winged Mantis duo, alongside Sydney-based DJ @index-exe. The work of Obelisk focuses on the interaction between heavy laptop electronic music and jungle/breakcore influences, mediated by a taste for raw aggressiveness and emotional grandeur that have been arranged in his debut release “Meta Bliss”, out today on our platform.

Composed of three original tracks, the release collects sharp, crystalline, and bursting compositions that feature fast and broken rhythms brilliantly juxtaposed with disfigured synths. While often indulging in the belligerent fury of knife-sharp percussions and booming distortion, the EP often crosses into spacious, euphoric melodies accompanied by frantic but cathartic, tempo-shifting drum work. Obelisk’s goal has been to investigate various ways of experiencing ecstasy and euphoria, whether by means of extreme, overwhelming rhythmic aggression, or breathtaking melodic refrains. While going through the 20-minute EP, one is brought to witness a daring descent into rush. “Meta Bliss” is the heavily cinematic sound commentary to some fast-paced, epic-scale, high fantasy encounter with angel-shaped, all-powerful beings of light under an immaculate sky.

Meta Bliss EP is completed by two remixes by the Sydney-based musician, producer, and DJ Ptwiggs (she/her) @ptwiggs and the Perth-based producer and DJ SUS1ER (he/him) @sus1er. Ptwiggs provides additional tones of darkness to “Illidan Bass” by crafting a 170 BPM deep drum and bass rework rich with clangy breakbeats, and diving deep into the obscurity of the industrial bassline. On the other hand, SUS1ER delivers the perfect closure to the release by re-arranging the opening track “Echoburst” into a 178 BPM hardcore anthem that preserves the emotional impact of the original all the way through the rawstyle finale.

Tracks 1-3 produced and mixed by Obelisk. Track 4 produced, mixed, and mastered by Ptwiggs. Track 5 produced and mixed by Sus1er. Track 1-3, 5 mastered by @wimdehaen. Artwork by K095C [instagram.com/k095c/]

Meta Bliss EP

Name-your-price DL

Obelisk - Illidan Bass (Ptwiggs Remix)

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Artwork by www.instagram.com/cavecanems

Mixdown by the artists 
Mastering by Ink Midget soundcloud.com/inkmidget 

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Label: @infinite-machine
Artist: @fausto_mercier / @trngs
Catalogue Number: IM091
Album: I'm Too Sentient
Release Date: June 25th, 2021
Format: Digital

I'm Too Sentient For My Own Wellbeing (IM091)

Taken from SBKT030: Slikback & Hyph11E - Slip B

Artwork by Sam Rolfes
Mastered by Raphael Valensi

Release date: 6th September 2019

For the first output from an ongoing exchange between East Africa and East Asia, via collectives Nyege Nyege/Hakuna Kulala (Kampala - Uganda) and SVBKVLT (Shanghai – China), we are excited to present ‘Slip A’ and ‘Slip B’, two Eps made during Slikback’s China tour/residency in April 2019.

After making first contact online in late 2018 and subsequently meeting up at CTM festival, Berlin, in January 2019, Nyege Nyege and SVBKVLT founded the beginning of a long term project exploring collaborations between East-Africa and East-Asia based artists.

For the first stage of the project, SVBKVLT invited Kenyan producer Slikback to China for a 3-week tour and residency in April 2019. During these 3 weeks, Slikback performed in 5 cities (Shenzhen, Shanghai, Hangzhou, Nanjing and Beijing), spending time in the studio with artists throughout the tour. The results of these studio sessions are now being presented in the form of two Eps, to be released simultaneously across the two labels Hakuna Kulala and SVBKVLT on September 6th, coinciding with Nyege Nyege Festival 2019, Jinja – Uganda, at which Slikback and 2 of the collaborators, Hyph11E and 33EMYBW, will perform.

‘Slip B’

The second EP, entitled ‘Slip B’, is a 5 track EP from Slikback and Hyph11E, consisting of 3 collaborative tracks as well as a remix exchange of the artists' previously released works. During his China tour, Slikback spent the majority of the time in Shanghai, spending 3 intense days in the studio with Hyph11E. As well as presenting these works at Nyege Nyege 2019, Slikback and Hyph11E will play an exclusive b2b set at Unsound Krakow in October 2019. ‘Slip B’ will be released via SVBKVLT on September 6th 2019.

______________________________________________________________________

More info on 'Slip A' and the first track 'Zeno' by Slikback and 33EMYBW here:

Hakunakulala – Album-preview-slip-a-slikback-33emybw-zeno

Slip B

Hyph11E - Black Pepper (Slikback Remix)

About Kanon EP

Any dance music scene will fall into a stereotyped and boring moment, then new party organizations and music producers will reinvigorate the scene. Loreng and Sanjonas from Yogyakarta, Indonesia are bringing some high energy sounds to the clubs there. Hi-NRG music as a genre of fast tempo disco that originated in late 1970s has a great influence to their producing, though it sounds not so ‘high energy’ now, this spirit is injected into their creation. Loreng and Sanjonas co-founded Bast Culture and completed the EP with this combination.

Kanon is about a holy pilgrimage—a quest for the ultimate answer in the desolate universe. It is the mystery and horror of the ancient existence which hidden in the cold digital sound of the machinery; It is a sense of helplessness that stands before the unknown, which slowly covers the whole body from head to toe when Abyssixsxsix begins. Not until the end of Sun Crane 1844 will you realize that the entire journey is nothing more than a futileness which with the fate of failure from the strat.

Since Sanjonas and Loreng both are visual artists, this will be an interdisciplinary picture scroll. We will get lost in the space they created.

Written by Yung Min 


Artist: Loreng & Sanjonas
Title: Kanon
Mix: Loreng & Sanjonas
Master: Loreng
Artwork：Carkultera

Sanjonas - Shaman

Debut track by @badxspin. Taken From @sadan_rec's first compilation 'Unform'.

More: https://ins-rt.net/audio/bad-spin-core-ban

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Label based in HangZhou, China.

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