Name: Bad Ass Mutha - 1997 by Funk_Lab in Funk Lab
Duration: 7 min 10 s
Description: Bad Ass Mutha from the "Stuck in Texas" EP. Released in 1997.

Bangin'!!! 😎👊👊😸🐾🕊🦋🔥🧚‍♀️🕊🍭🧚‍♀️🤙

Great set!🎧🎼🎤🎶🎵🔊💃🏻

some year .. Kendall skate rink... 🤘🤘💗

Dope track!! Added to my Tampa Breaks channel 🔥🔥🔥🎧🎶🎧🎶🎧

Funk Lab

Bad Ass Mutha from the "Stuck in Texas" EP. Released in 1997.

Bad Ass Mutha - 1997

Love Song - Funk Lab Remix 2007 Edit

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Halogen Capsule - 1997

2timesdope - Them Girlz (2timesdope Rewerk)

Everything But The Girl 'Missing' (James Wolfe's 2014 Bass Remodel)

We hit the limit in less than 24 hrs. 

Thanks everyone! Limited to 1,000 downloads. Once it's closed, it's closed.



The Boogie Monster

Shake Dat Thang (Extended 12" Mix)

FREEBIE DOWNLOAD FRIDAY Sharaz "Shake Dat Thang" (Extended 12” Mix)

● Buy Link: https://www.beatport.com/es/label/twelvepoint/123570

● Artist: Fordal
● Track: All Or Nothing (Ranj Kaler's Mega Dub)
● Album: All Or Nothing (incl. Remixes)
● Label: UNSEEN Records
● Catalog: TWPT005
● Genre: Progressive House / Break Beat
● Release Date: 8th August 2025
_________________________________

● Follow Fordal here:
Soundcloud: @fordalmusic
Instagram: www.instagram.com/fordaldj/?hl=en

● Follow Ranj Kaler here:
Soundcloud: https://soundcloud.com/ranj-1
Instagram: https://www.instagram.com/ranjkalermusic/?hl=en
_________________________________

Label boss Fordal returns for Twelvepoint’s fifth outing, offering up an epic deep vocal release. The track blends atmospheric elements with a driving rhythm and an emotive vocal, creating a deep, melodic experience perfect for Forensic Records’ sister label.

On remix duties, no.1 selling electronica and breaks artist Ranj Kaler returns to Twelvepoint. Perfectly blending the vocal over his trademark breaks groove whilst giving it an uplifting melodic journey.

We are also thrilled to have Label boss Lexicon Avenue bringing us a second incredible remix to round off this release. Trademark dark beats and bass combine with a beautiful chord structure which sheds light on the ethereal vocal. main groove slams back in.
With a fantastic original and 2 incredible remixes we think this release is a must for ant discerning dancefloor.
_________________________________

● Tracklist:
1) All or Nothing (Vocal Mix)
2) All Or Nothing (Lexicon Avenue Remix)
3) All Or Nothing (Ranj Kaler's Everything Remix)
4) All or Nothing (Keep Moving Dub)
5) All Or Nothing (Ranj Kaler's Mega Dub)

▪▪▪

HOST is to support labels, upcoming/emerging artists from the wide variety of the electronic scene. Please, don't rip the tunes, with respect to the artists and labels.

Follow on Soundcloud: @host_rec
Follow on Youtube: www.youtube.com/channel/UCdgIA24igyFgQ0c6y_rb4WA

Contact email for premieres: hostmusicofc@gmail.com

Support

PREMIERE | Fordal - All Or Nothing (Ranj Kaler's Mega Dub) [twelvepoint]

A faster tempo version of Phantom Embrace, with some 808 samps. 

Phantom Embrace 125 bpm

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K5Music LLC bring you a new track from the Bad Boyz of Breaks "Fingers Up" available now..

Here is one of the Remixes from Florida Producer/Dj Union recordings TONY FALINE..remix available on Beatport..

Fingers Up - (Tony Faline remix) - Bad Boyz of Breaks

A little remix of a classic Freestyle track we all grew up with!
#trinere #miami #freestyle #305

I.K.U.L.M.

Buy Now

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FLR060 - Groove Flow
Available on 4/9/2013.

Groove Flow (2013)

Available on May 21st.
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Aphiux-Common Gavel-FUNKLAB REMIX

Klarified Music Kollective founder, Audiophile,  and lover of all music. Quality over Quantity! IF IT AIN'T FUCKIN FILTHY, IT'S NO GOOD!!

About the Artists.
By the Artists.
For the Artists.
About the DJs.
By the DJs.
For the DJs.
About the Music.
By the Music.
For the Music.
Klarified Music Kollective is about quality over quantity, and embracing the music that unifies us all. As a music community, our purpose is unity, with no genre boundaries; and to share with one another from every edge of the globe, our fuel…..MUSIC. As a member of Klarified Music Kollective, you will be an integral piece, working together as an ever-evolving part; bridging the gap between genres, having peer-to-peer interaction, and delivering your professional input as a part of this culture. The overall goal is to celebrate you the artists, the DJ’s, the music, showcase new up & coming artists, labels, events, and to create a viable network to perpetuate this music culture that we all love. 
Klarified Music Kollective was an idea fueled by many artists, and experiences, discussed and now realized by 2 souls connected by music, 1 of which is no longer with us. This ideal comes from a place of spiritual purity. So many of you have been contributors to this already, which is where we’re starting.  I dedicate all that we do as a “Kollective” to my friend/brother/soulmate Adam Butterfield, as well as give back to one another through music.
I thank each one of you in advance for your participation. You all are a fabric of a lot of people’s lives.
Sincerely,
Angel Dejournett-O’Dell-KMK Founder***Special Thanks goes out to Mike Shima & Chris Mann for being an awesome mentors, I love you both tremendously! Thank you for the push. To George Miller for always keeping me grounded in many hours of professional focus and digging my heels in, and to Eddie Light for all of your additional music education, that opened up my ears to a lot of dopeness....without all of you input this endeavor may have only been a thought. 
And to my biggest contributor, my PIC, my best friend who no longer shares this earth with me....here we go Butters....LETS DO DIS!

“I'm wishing he could see that music lives. Forever. That it's stronger than death. Stronger than time. And that its strength holds you together when nothing else can.” 
― Jennifer Donnelly, Revolution

What started in the mid nineties as a mission to create funky electro beats now has become a staple of the funky/electro Florida sound. There was a blending and fusing of funky breaks and electro beats which later became known as the Funk Lab. With influences coming from their efforts as DJs within the breaks community, the two had been immersed within the sound that they had come to love. With a diverse back catalog ranging from Florida style funky breaks to the darker, moodier electro, the Funk Lab has engaged a variety of listeners from both the US and abroad.

As soon as the first release was available on vinyl, licensing requests began from such labels as Street Beat, Adrenalin, Journees, Zazoo, Pioneer, and others. Tracks became staples of electro and funky breaks mix compilations as well as backing music for MTV programming and EA's "Need For Speed IV High Stakes" for the Sony Playstation. The Funk Lab was breaking new ground and finding new fans within a diverse universe of media.

During the early years of the Funk Lab, the idea was tossed around to do a live performance, bringing the fans and artists together, exploring the music, re-editing, re-mixing, and re-shaping the tunes that had drawn them in. The first several shows were enough to propel several years worth of weekend touring, playing from San Juan, Puerto Rico to Vancouver, Ca with gigs in most major cities friendly to dance music and more especially breaks. These Live performances drove the inspiration to continue to push the limits of what could be done with live sequencing. Utilizing two MPC2000's, Zip Discs and other various hardware at the shows became the staple of the live Funk Lab experience. Manipulating the sequences, the audio, the music with outboard effects and creative mixing allowed the shows to become a life of their own. No two were ever the same. Ever.

Later the Funk Lab focused on bringing even more to the table. Starting a sub-label, Overhead Records which was an outlet for a little less familiar sounding material. Sort of an experiment with neighboring artists. While working on the sub label, C4, began to pursue the electro funky break hard house sound. Becoming the House Wrecka, he released a series of successful tunes on the Hallucin8 Trax label, run by The Monk of Hallucination Records. Darryl (B.Nice) continued to pursue the darker, electro/nu-break/funk sound with a number of releases on both the FLR Imprint and others such as Afterdark Records.

Presently Funk Lab Records has teamed up with Stephen Moon of Twin Shape in order to re-boot the Funk Lab Records label. Cory Hughes has also joined the team and will be providing label support as he continues to develop his funky-electro-dubby-breaks style. We are currently seeking new material from both new and established artists. 

Look for releases on iTunes and other fine digital retailers.

Bad Ass Mutha - 1997

Funk_Lab

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