Hot Digits: Year Seven

Cassan Over

Mark Brickman & Yam Who? Feat Natasha Watts - Body To Body (teaser)

So found this on a comp Id bought for something else....fired it up and....this happened.

The Emotions  - I Don't Wanna Lose Your Love (Pete Le Freq Refreq)

Here my Re-Disco of the historic band of Commodores from 1977 "Brick House". Made for a disco dancefloor with more bpm.
Grab your copy on Bandcamp: 
https://dalukas.bandcamp.com/track/brk-house-da-lukas-re-disco

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BRK HOUSE DA LUKAS RE - DISCO (SNIP)

Dream On Dreamer (Rework)

The Players' Association - Turn The Music Up (Pete Le Freq Refreq)

Sharon Redd - Somebody Save The Night 
SImple Dj Friendly Edit By PetkoTurner
DL >> https://hypeddit.com/track/qfzlb4

THIS IS ONE OF THE BEST DISCO CLUB SONGS EVER.

BEST GROOVE, SOUNDING, ARRANGMENT, MOOD, PRESSURE, LYRICS, COOLNESS AND ATMOSPHERE, CONSOLIDATED AND PACKED IN ONE JAM FOR A DISCO CLUB DANCE NIGHT 

In the midst of mounting a comeback in the early 1990s, Redd died of pneumonia on May 1, 1992. Dance Music Report magazine reported that her death was AIDS-related.

Sharon Redd was born in Norfolk, Virginia to Gene Redd and Katherine Redd. Gene Redd was a producer and musical director at King Records, and her stepfather performed with Benny Goodman's orchestra. Her brother Gene Redd Jr. was a songwriter and producer for Kool & the Gang and BMP. Her sister Pennye Ford is also a singer with two albums to her credit and known for her work as the main singer for Snap!.

She began her recording career with four singles in 1968 for the United Artists label, three written and all four produced by songwriter and record producer Bobby Susser. Susser chose the Hank Williams song "Half As Much" to be Redd's first single. Redd's vocals, against Susser's heavy-bass track, made her presence very quickly known to R&B radio stations.

Redd, as a budding actress, got a major break when she starred in an Australian production of the rock musical Hair. She was among a troupe of young African-American imports to the Sydney production, a group which notably included Marcia Hines. Redd appeared in the production from its June 6, 1969 premiere through 1971.

As Redd was becoming famous in Australia, she was interviewed by Barry Sloane on a 1971 episode of "GTK". Her popular adverts for Amoco led to her own television special. Redd and Hair co-star Teddy Williams were asked to leave Australia by the Immigration Department in April 1971 for reasons they believed were race-motivated. Aside from Hair, Redd also appeared in Ti-Jean and His Brothers and, in 1974, traveled to London to star in an American production of The Wedding of Iphigenia. In 1977 Redd played the role of Sherrye in the U.S. television sitcom "Rhoda".[9][10] 1978 also saw Redd feature as a guest in the musical Sgt. Pepper's Lonely Hearts Club Band.

In the mid-1970s, Bette Midler was looking to replace Merle Miller and Gail Kantor, both of whom had left after Midler's 1973 tour to pursue their own interests. Midler auditioned over 70 performers, but Redd landed the job, becoming one of Bette's Harlettes. Aside from performing as a Harlette, Redd also provided backing vocals for Carol Douglas ("Burnin'" and "Night Fever") and Norman Connors ("You Are My Starship"). Having ended their association with Midler, Redd, Charlotte Crossley, & Ula Hedwig released an LP, Formerly of the Harlettes, in late 1977.

In 1979, Redd recorded the disco hit "Love Insurance," released by Panorama Records under the name Front Page, her own vocals going uncredited. But she soon signed a recording contract with Prelude Records, and Redd became the label's most successful artist. Her first album, 1980's self-titled Sharon Redd, was closely followed by two more—Redd Hott (1982) and Love How You Feel (1983). Redd placed several songs on the Hot Dance Club Play chart, including "Beat the Street," "In the Name of Love," and "Love How You Feel."

After these releases, Sharon Redd returned to her successful career as a background vocalist, most notably with the group Soirée, which also included among its members Luther Vandross and Jocelyn Brown. Following the UK top 20 success of a re-recorded "Can You Handle It", she recorded a single entitled "All the Way to Love", with Les Adams. The song remains unreleased. This was to be her last solo recording.

In 1993, Pennye Ford dropped the 'e' from her name and released the album Penny Ford, which featured a duet with her sister entitled "Under Pressure."

Petko Turner Edit

Free Download

Sharon Redd - Somebody Save The Night (Petko Turner Edit) Disco Boogie Free DL

Another tribute Edit I made for one of my beloved Disco Tracks in the 80s.

U Dazzle Me (Motte Edit)

DOWNLOAD

WAV available on BandCamp: https://rafaelcancian.bandcamp.com/track/labelle-messin-with-my-mind-rafael-cancian-70s-imperfect-rawedit

Labelle was an American all-female singing group who were a popular vocal group of the 1960s and 1970s. The group was formed after the disbanding of two rival girl groups in the area around Philadelphia and Trenton, the Ordettes and the Del-Capris, forming as a new version of the former group, then later changing their name to the Blue Belles (later Bluebelles). The founding members were Patti LaBelle (formerly Patricia Holt), Cindy Birdsong, Nona Hendryx, and Sarah Dash.

As the Bluebelles, and later Patti LaBelle and the Bluebelles, the group found success with ballads in the doo-wop genre, most notably "Down the Aisle (The Wedding Song)", "You'll Never Walk Alone", and "Over the Rainbow". After Birdsong departed to join the Supremes in 1967, the group, following the advice of Vicki Wickham, changed its look, musical direction, and style to re-form as Labelle in 1971. Their funk rock recordings of that period became cult favorites for their brash interpretation of rock and roll and for dealing with subject matter that was not typically touched by female black groups. Finally – after adapting glam rock and wearing outlandish space-age and glam costumes – the group found success with the proto-disco smash "Lady Marmalade" in 1974, leading to their album Nightbirds, which achieved gold success. They are notable for being the first contemporary pop group and first black pop group to perform at the Metropolitan Opera House. They were also the first black vocal group to appear on the cover of Rolling Stone.

The group members each went on their own after the end of a tour in 1976, going on to have significant solo success. Nona Hendryx followed an idiosyncratic muse into a solo career that often bordered on the avant-garde;[1] Sarah Dash became a celebrated session singer; Patti LaBelle enjoyed a very successful Grammy-winning career, with nine top-20 R&B hits between 1963 and 1976, and lifetime-achievement awards from the Apollo Theatre, World Music Awards, and BET Awards.

LaBelle - Messin' With My Mind (Rafael Cancian 70's Imperfect RawEdit)

The Tymes - All You Ever Wanted To Know About Love (FunkyDeps Re-Edit) 122 BPM
Original Track release on 1976 (Album Turning Point) on the label RCA Victor
Available on BANDCAMP high-quality DOWNLOAD in MP3, FLAC and more here:
https://funkydeps.bandcamp.com/

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The Tymes - All You Ever Wanted To Know About Love (FunkyDeps Re-Edit)

The Look Of Love (Alex Millet 2020 ReWork)

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Biography:

Dj Cédric Funkydeps was born in France. Passionate about music since then. Loving mixing technics and influencing the clubbers. Funkydeps decided to buy his first turntables at the age of 17 . He then started to play from 2004 onwards.

To say a few: Africasnism, Defected, Purple Music, Soulfuric Record, Hed Kandi  as well as Joey Negro, Dimitri From Paris, DJ Spen, Larry Levan are on his favourite list of labels and Producers.

My passion for disco and funk pushed me to start re-editing some classic tunes since 2015.

The Tymes - All You Ever Wanted To Know About Love (FunkyDeps Re-Edit)

FunkyDeps

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