Pure Soul, with a capital "S" ! Thanks for sharing such good taste !

Sweet stuff Flo. !!!!   Great choice.   Love it.

"Do It, Do It Disco" from their album Broadway, remixed by Tom Noble.
http://stonesthrow.com/myronande

Click: the VIDEO

Myron & E - Do It Do It Disco (Tom Noble Remix)

My ReEdit of Roy Ayers' "Running Away" 
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Thanks. 

<a href='https://theartistunion.com/tracks/1ebd82'>Download for free on The Artist Union</a>

Free Download

Roy Ayers - Running Away (CBS ReEdit) // FREE DOWNLOAD

Lowrell - Mellow Mellow Right On - Victor Humboldt Reedit!
Slow and mellow disco from Lowrell got a reedit from Victor Humboldt, hope you like it!
Feedbacks welcome!!!! 

Lowrell - Mellow Mellow Right On (Victor Humboldt Moody Reedit)

Dayton (band)

Dayton was a funk band formed in Dayton, Ohio, USA by Chris Jones (trumpet/keyboards/vocals) of the band Sun and Shawn Sandridge (guitar/vocals) from Over Night Low. Derrick Armstrong (vocals), Kevin Hurt (drums/percussion), Jennifer Matthews (vocals) and Rachel Beavers (vocals) completed the line up. Former Sun member Dean Hummons played the keyboards on the first two Dayton albums as well.

HISTORY 

The group signed to Liberty Records in 1980 and soon released their self-titled debut album which included the memorable track “Eyes On You”. Dayton was highly respected and also toured with such musicians as Ashford & Simpson, Quincy Jones and Stephanie Mills. They recorded a second Liberty album, Cutie Pie, in 1981. Guest musicians included James “Diamond” Williams , Keith Harrison , Clarence “Chet” Willis , Billy Beck, Wes Boatman , and Vincent Andrews.

Dayton introduced Rahni Harris as vocalist/keyboard player on their third album “Feel The Music” in 1982 which included the dancefloor classic “The Sound Of Music”. The song “Love You Anyway” was produced by Zapp’s Roger Troutman. Rahni did most of the songwriting and production chores.

The group switched to Capitol Records in 1983 and delivered the album “Hot Fun ”. This record included “Krackity-Krack” with a guest appearance by Bootsy Collins and their hit remake of Sly Stone’s “Hot Fun in the Summertime.”

They released their last album “This Time” in 1985, also produced by Rahni Harris. It didn’t match to their previous efforts and effectively marked the end of Dayton.

Dayton - The Sound of Music

Got this edit recommendation to me by my friend Jonas years ago , never got around doing it . so here is a dj friendly version beats added. and rearranged, but not to much ;)

Rufus Feat Chaka Khan - Stop On By (Disco Tech Edit)

Alton McClain   Destiny - It Must Be Love

Norman Connors – Love S In Your Corner

In remembrance of Maurice White

Produced & Mixed by Volt Age for UKNOWY Music
Artwork by Maximilian Braun

https://soundcloud.com/ageofvolt
https://soundcloud.com/uknowymusic

© 2016 UKNOWY Music

Bandcamp

Earth, Wind And Fire - Runnin' (Volt Age Edit)

DJ CHIN LU SELECTION   Blacknuss   It Should Have Been Youwmv

"The label with the giant sound is back for release number fifteen, Kojak's the name and edits are the game. Having previously played host to the likes of Nicholas, Maxxi Soundsystem and Al Kent, DJ Ionik's imprint has developed a pedigree for classy edits by players at the top of the game. For release number fifteen Ebony Cuts rolls up to the party, adjusts his tie and puts the champagne on ice. 

Up first under the scalpel is Jesse Gould's "Out of Work", an uptempo disco funk track with filtered guitar matched by a bouncing bassline.  This is one of those bumping disco funk tracks for peak time enjoyment. Ebony Cuts has stitched the vocal and instrumental versions from the original P&P release together and come out of it with a raw funk bomb. Samples are slightly off and bass drums double over each other, but I don't care and neither does Ebony Cuts. A wild disco edit that can hide a shoddy mix, perfect.

On the flipside Ebony Cuts extends Roy Ayers' "Can't You See Me" into a finger clicking, shoulder popping groovathon. Thanks to a subtle restructure of the track, the smooth jazz funk of the original is given some extra dancefloor dynamics, with each instrumental break looped up for full impact. This is the classiest of cocktail disco, the kind of track Dimitri plays while he sips on a white russian."

- Piccadilly Records

"Hot new Kojak Giant Sounds release! These never hang around long and there’s no repress!"

- Rush Hour

"Two Ebony Cuts edits /reworks - Jesse Gold's killer P&P driving boogie disco groover gets its beef chunked up , flip for Roy Ayers - 'Can't You See Me' with a more percussive backing groove!"

- Vinyl Underground

"名作エディット２連発！！Al KentやKool DJ Dust、Nicholasも作品を残すフィンランドの人気ディスコ/エディット・レーベルKojak Giant Soundsから待望のニュー・シングルが到着！！今回は、1977年にJesse Gouldが名門P&P Recordsから放った名作「Out Of Work」と、近頃再発もされたキング・オブ・ヴァイブスこと大御所Roy Ayersが1978年にリリースしたガラージ/ダンス・クラシックス「Can't You See Me」を、Tropical TreatsやSelfmade Millionaire名義でもお馴染みのハンブルグのネタ師Ebony Cutsがエディットしてしまった要注意な一枚！！オリジナルの雰囲気をダイレクトに伝えてくれると共に、フロアでの機能性も重視された激キラーなエディットが施された問答無用の仕上がり！！ネタがネタだけにフロアを大爆発させてくれること間違いなしの一枚です！！！！"

- Technique

"オープニングのドラム・ブレイクを引き延ばし、中盤のインストパート→フック→本編と絶妙に再構築されたRoy Ayres「Can't You See Me」のエディットが最高！！

フィンランドのDJ Ionikが主宰するオブスキュア・エディット・レーベル【Kojak Giant Sound】の15作目は、あのSelfmade Millionaireを手掛けていたハンブルグのディスコ・フリークEbony Cutsによる2トラックEdit！

何と言っても注目したいのが「Roy Ayers / Can't You See Me」のエディットとなるB「Can't You See Me (Ebony Cuts Edits)」。原曲ではドラムブレイクから本編へとすぐに入っていくため、殆どの場合クイック・ミックスする事が多かったのですが、このエディットではブレイクが引き延ばされ、しかもそこから中盤のヴァイブ＆スキャット・ソロに至るインストパートを用意し、ループと再構築を交えて、ジワジワとしたビルドアップ感を携えて本編へと持っていけるという抜群の仕上がり！そしてAサイドには、Billy Nicholas手掛けた【P&P】産のブギー/ディスコ・ナンバーJesse Gould「Out Of Work」のエディットで、こちらもインストパートを主軸に、そのドライブ感のあるブラック・ディスコ・サウンドを構築していた、こちらも素晴しい仕上がり。オススメです！"

- Rootdown Records

Raw Ayers - "Can't You See Me" (Ebony Cuts Edit)

Bonjour everyone !!! You liked this rework of Sylvia Striplin ?

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Sylvia Striplin - Give me your love (A Young Pulse Rework)

passionate funk , disco  and soul music, welcome to my musical world
good listen .....

Norman Connors – Love S In Your Corner

funkyflo

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