2k15•06

Soma mainstay Lewis Fautzi returns with a prelude to his next full length on the labelwith the hypnotic, drone inspired double A, Elliptic/Tremors. Lewis signature deep, mesmerising sounds are prevalent throughout this ep and are garnering him great support throughout the Techno world. 

Exclusive to this EP is Elliptic. Fautzi uses minimalistic grooves and sparse percussion to creative a narcotic atmosphere throughout this track, brimming with seductive, effective synth hooks that ebb and flow, leaving you lost in the moment.

Taken from the upcoming Space Exploration LP, Tremors teams with dark energy. The pulse of distant entities dominate the background as searing bass tones build and swell around you creating the most unnerving tension.

Fautzi gives us a sneak peak into a project that takes us beyond the realms of what we know as Techno

*All tracks mastered by Conor Dalton @ Glowcast Mastering

Lewis Fautzi - Tremors (Soma 423d)

FRANCIS BEBEY - Funky Maringa

Squeaky Lobster recorded live on Dublab in Los Angeles, USA on October 31st, 2014.

http://squeakylobster.net

More info: http://dublab.com/squeaky-lobster-live-sprout-session-10-31-14/



Live on Dublab's "Sprout Session" - Los Angeles - Oct. 2014

With a quiet intensity over the last 12 years, Strategy has proven himself to be an incredibly resourceful and rewarding musician in both group settings and as a solo artist. In the latter guise, this Portland producer/multi-instrumentalist (aka Paul Dickow) has released a prolific amount of excellent work for quality indie labels such as Kranky, Orac, 100% Silk, Endless Flight, and Entr'acte, putting a cerebral yet sensual spin on dub, ambient, post rock, and house music. 

For his Further Records debut, Noise Tape Self, Strategy delves ever deeper into his more ambient inclinations and experiments with tape loops. Most of the six tracks bear titles more suited for a library record, but Noise Tape Self lacks library music's faceless functionality; rather, it's an immersive soundtrack to stimulating one's imagination or losing one's bearings. Dickow says he became obsessed with making tape music in 2008, after tiring of using the computer as his main instrument. Fellow Portland producer/ingenious gear-tinkerer David Chandler (Solenoid) taught Dickow “how to make a tape loop that could be put inside a cassette tape. I got really into this, and got a 4 track, knowing this would allow me to have four synchronized loops per tape. I would then run each channel through a series of effects and 'perform' live mixes using the loops. I alternated between using source material of my own devising and using whatever source material happened to be on the cassettes I was hacking.” 

Noise Tape Self kicks off with “Awesome Piano,” in which a fragment of a beautiful piano motif gets overwhelmed by a glorious vortex of static and distortion. We're immediately submerged in Strategy's alluring and disorienting world, where rupture and rapture converge. “Cassette Loop” is a gorgeous ambient piece with a lulling, aquatic quality that recalls such masters of uneasy listening as Rapoon, O Yuki Conjugate, and Aube. The self-descriptive “Ominous Lovely Piano” is a ghostly, microcosmic form of dub, an ultimate kind of headphone music of deep psychedelic interiority that's reminiscent of Paul Schütze's 1996 masterpiece, Apart. The hypnotic/amniotic ambience of “Lovely Loop” whispers of a peaceful eternity; this track could be an important step toward a new, improved strain of New Age. The album closes with “Rhen's Loop”; here's where the album really soars into the stratosphere and grows surreal wings. A five-dimensional headfuck of what sounds like analog-synth growls and whirs and desolate drones, “Rhen's Loop” is Doppler effected and disorienting, like a more somber take on Conrad Schnitzler's Ballet Statique. With Noise Tape Self, Strategy has found a way to build works of compelling, intimate grandeur with some of the humblest of sonic atoms. It's an alchemical wonder.

Cassette Loop

BLWBCK061 | Release Date : June 6, 2015
Limited to 66 copies
C40 / 6 panels J-CARD

FOUDRE! is a new experimental project created by Frédéric D. Oberland (Oiseaux-Tempête, FareWell Poetry, Le Reveil des Tropiques), Romain Barbot (Saåad) & Grégory Buffier (Saåad, Autrenoir, Mondkopf). This, their debut cassette, compiles their first meetings and rehearsals. The resulting "Magnum Chaos", almost 40 minutes of total improvisation, is like the centre of a black-hole, a total, almost oppressive collapsing of  the trio's energies. Experimental, noise, drone, dark-ambient, electronic, lo-fi, chiaroscuro, these varying aesthetics converge to create a darkened room full of flickering stars and fading shadows. "Magnum Chaos" is too dense and too rich to be considered a demo tape. It is, rather, a sincere recording of the birth of a project. A recording where unedited events and audio clips are there to document and remind that for all the hours of fine tuned arrangements there must also be the pure expressions of three musicians in a free environment.

Music improvised & recorded by Frédéric D. Oberland, Grégory Buffier & Romain Barbot / Oct.14 – Toulouse, France. (Dozen Bows & Concorde39 studios)
Mixed by Frédéric D. Oberland / Apr.15 – Paris, France. (Magnum Diva studio)
Mastered by James Plotkin / May.15
https://foudrenoise.bandcamp.com

A2 - Cellarius

First release on Archives this year is a reimagined version of Warmth's first ambient album 'Essay', with each one of the original pieces revisited by talented artists, including Alex Humann, SineRider, Wil Bolton, Robert Farrugia, Shaded Explorer, Tobias Hellkvist and Darren Harper.

Mastering by Rob Small. 
Archives31 // ArchivesCD012 
Archives / 2017

Buy CD/Digital

Warmth - Essay (Alex Humann Remix)

Docetism - Potential Natural Vegetation [SSX08]

A1. Dentario enneaphyllidis - Fagetum I (>)
A2. Dentario enneaphyllidis - Fagetum II
B1. Querco - Pinetum I
B2. Querco - Pinetum II

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https://soundcloud.com/docetism

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The Silent Season 10 Year Anniversary compilation celebrates a decade of deeper electronic music. The vinyl series features artists whose music continues to inspire the Silent Season journey (2007-2017)

http://silentseason.com/ssx10/

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info@silentseason.com
www.silentseason.com

Potential Natural Vegetation [SSV08]

Juno Records

Docetism - Potential Natural Vegetation [SSX08]

ÓLAFUR ARNALDS & NILS FRAHM - 'a2' from their forthcoming collaborative EP 'STARE'.

ORDER the Ltd. Edition 10" Vinyl/Download HERE and receive an Erased Tapes 5th Anniversary sticker with it:
http://www.erasedtapes.com/store/index/ERATP042

'A hazy slow-builder that sits nicely equidistant between Arnalds’ solo work and his excellent Kiasmos project' – The Line Of Best Fit

CONTENT

Erased Tapes label mates Ólafur Arnalds and Nils Frahm record and mix their first collaborative record between Reyjkjavík and Berlin as a surprise release for label founder Robert Raths.

The ambient/electronic work ‘Stare’ is a true family effort from Ólafur Arnalds and Nils Frahm with Anne Müller joining in on cello and all graphics by close label-friend and now in-house designer Torsten Posselt of Feld Studios.

This release will be strictly limited and exclusively available on Record Store Day 2012, April 21st. Coinciding with the 5th Anniversary of Erased Tapes, it’s also available from the official Erased Tapes online store and sure to become a must-have for fans of the label and these two artists.


CONTEXT

Words by Nils Frahm: 
‘I heard ‘Eulogy For Evolution’ for the first time 6 years ago and I was totally captivated. Impossible to know back then that I was supposed to meet Ólafur many years later as my label mate. Later when he took me along a tour of his we also noted that we kind of like hanging out together, doing important things like cover versions of long forgotten songs or eating veggie pizza. Also he would join my live set for a jam and I would return the favour by playing along with his set. 

All in all, I fell for Óli and after one memorable jam session we had in Berlin at Roter Salon in 2011, he finally proposed the idea to visit me in my studio in Berlin to work on 'some music'. I was happy and delighted about that idea, so we got together in April 2011 and after having a big pizza, I plugged in some old analogue synths and we played for four days until late in the night. Also queen Anne Müller stopped by after a show with Agnes Obel to record some cello at 5 am in the morning for ‘b1’. Making music together with people is lovely! 
 
The time I spent with Óli in Berlin made me very happy and the music wasn't like anything I have heard before. It was all very reduced and minimal and I felt like I couldn't have done this alone. So we decided to do another 4-day jam at Óli´s E7 studio in Reykjavik. So I flew there in the end of October to repeat the trick and record some out of this world ambient music. It didn't take us too long to write ‘a1’ and ‘a2’.  I can’t wait for the follow up!’

Words by Olafur Arnalds:
 ‘After having toured together and having had many inspiring late night conversations, I decided to visit Nils in his Durton Studio in Berlin for a weekend. We didn't have anything specific in mind, we just wanted to hang out, jam and eat some falafel. That's what we did, but somehow we also made 25 minutes of ambient bliss that weekend. 

After that we quickly decided we had to do the same in my studio in Iceland. Just hang out for a weekend and possibly make some music. So the album became kind of an Iceland vs. Berlin thing. I think you can hear it very well in the sound (side a vs. side b) and that is the most interesting thing about this record for me: that subtle but significant different in the characteristics of the music two people made in Iceland against what the same two people made in Germany. 

I'm not sure why we decided to keep it secret, it just happened. But it sure was fun! I remember a party at Robert's (Erased Tapes founder) flat in Berlin, where me and Nils stood in the corner the whole night whispering about the project. We then delivered the fully mastered record with finished artwork to Robert around the 5th anniversary of the label. It would have been nice to be there to see his face…"

The live video of Nils and Ólafur’s spontaneous improv live set in Berlin last summer won them many fans since, including UK electronic music producer Max Cooper who is now remixing two of his “absolute favourite artists”. Nils and Ólafur will be touring together throughout Europe this spring.

You can watch it here: http://vimeo.com/28631568
 


LABEL: ERASED TAPES RECORDS    UK RELEASE DATE: APRIL 21, 2012
CAT.NO: ERATP042 EP/DL   EAN: 4050486068137

TRACK LISTING:  1. a1  2. a2  3. b1

OFFICIAL WEBSITES:   OLAFURARNALDS.COM   DURTONSTUDIO.COM   ERASEDTAPES.COM 

Stare

Ólafur Arnalds & Nils Frahm - a2

I Like To Sleep - Circles

Saturday Night by Cold Chisel Refascinated

Saturday Night Refascinated [FREE DOWNLOAD]

Live for two hours was Denis Ayler of @22amusic -  lots of dusty hip hop, contemporary jazz and liquid coming up in the next 2. Selections from Al Dobson Jr and Kamaal Williams to Calibre and Commix

Dennis Ayler - June 2020

Olta Karawane show continues with Part 2: Marc Ribot, Arto Lindsay, John Zorn, Steve Beresford and other hungry friends of John are waiting for him on the shore.

Cassette Loop

Further Records

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