All music is composed, designed, Performed and produced by Heny Maatar aka Fusam.
Except for Track 1, 5, 8 co-written with Omar Lahiani, Danny Idriss and Henry Maliani
respectively.
Words in track 2, 6, 7 and 8 are taken from Juan José Campanella's "El Secreto de Sus Ojos",
Alain Damasio, Alex Jones and Eckhart Tolle respecively.
Lyrics on "The Age of Aquarius" are written and performed by Heny Maatar aka Fusam.
This musical endeavor is released independently and under no authority or label.
This album has no commercial dimension, by buying this you just help Fusam touring,
making music and cover up the fees of production.
The tracks on this record are open-source and takes part of digital freedom,
it can be only used for personal and public use in term of awaring and sensitivizing.
All lyrical and musical rights are only reserved by the universal ethics and manners.

All The Thanks go to:  Omar Lahiani, Abdelhamid Ben Selma, Henry Maliani,
Danny Idriss, Nabil Saidi, Natalie Memhardt, Dhouha Rekik, Rochdi Kacem, Fares Lamouri,
Nihed Amara, Rami Ben Ahmed, Oussema Gaidi, Christine and Fakhri Phung Essraoulia,
Asma Haddouk, Kais Euchi, Maroua Trimeche, Mohyeddine Rouached, Marwa Ayed, Badr Abdelmoula,
Thank you all for the inspiration, the belief and the support.

The Syntactical Nature of Reality

All music produced and performed by Heny Maatar aka Fusam. 
Except for Track 02, 06, 09 co-produced by Surreal East, 18h15 and Ynflx respectively. 
"Vik" is an original track by HeklAa remade by Heny Maatar. 
"Dream City" & "Electroots" feature as the original soundtrack of "Dream City" a film of Khairi Jemli. 
Mastered by Jon Rinneby, Sound of Wool, Malmö, Sweden 
Artwork design: Ayman Bessghaier. April 2016. 

This record is an independent work that stands for those who helped creating it. Its value does not relate to any commercial purposes. Any material support of it comes in form of donation rather than sale. 
Donations would serve for sustaining the whale's frequencies and help him play in your neighborhood. 
All rights reserved to universal ethics and manners. Open-source for educational and non-profit concerns. 
Dedicated to the departed crystal soul of Oussama Kammoun.
credits
releases April 30, 2016 

Oceanic gratitude goes to: 
The Moon of the Whale Hanna Cinthio, Omar Lahiani, Dzma Anri Maliani, Cécile Nicolas, Sébastien Touraton, Oussema Gaidi, Ayman Bessghaier, Fares Amouri, Mouldi Souissi, Radhouane Addala, Malek Khemiri, Mohyeddine Rouached, Nabil Saidi, Nadine Assaf, Sandy Nasser, Bassem Daouk, Danny Idriss, Mahdi Riahi, Ramy Bouebdelli, Amine Kacem, Abdelhamid Ben Selma, Ildikó Kovács, Jowan Safadi, Nasrin Gendawe. 

Amazon mp3

52hertzwhale - Klexos [Full-Length Album]

Single Tracks

All music produced and performed by Heny Maatar aka Fusam between the years 2015 and 2017 / Kerkennah, Sfax, Lund.
Mastered by Marius Krämer aka Bassinfected, Berlin.
Öde is Fusam's second release under 52hertzwhale moniker.
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Additional bass on Clockwork Reverie by Mouldy Souissi aka Nero Crow. Artwork photography and design by Heny Maatar.
This humble work is dedicated to the departed wild soul of Ghassen Hadhri. All gratitude goes to the moon of the whale Hanna Cinthio, Marius Krämer, Bassem Daouk and all the dear friends.

Buy EP

Öde

κάθαρσις, a purificating state of mind, where I kept my stream of consciousness floating upon the surface of my daily life struggles.
Here I faced points of inner strife, and all the negative energy along with the black magic I endured during the latest years.
A self-accepting vibration, a total torus at which I stared at the geology of my soul. In restless signs of life and the stillness of a sufi's buttom,
I achieved my catharsis and honored the gods within me, the gods that grew as I walked through the haze of circumstances. I achieved my Catharsis and honored the absolutions in me; a greek minerva standing still, upon the hill with a single tree.

κάθαρσις - Catharsis (EP)

Poor are those who own a prison of golden walls and crystal roofs, Miserable are those who hibernate their souls to perish into buildings upon a pillow of feather.
Life lays on the road, like a tempting charming mermaid whom you'll never find in any harbour.
Seize the day, break your limits cause your dooms awaits you anyway.

Fusam - The Path [Feat Surreal East]

A journey to the edge of the universe, inciting frequencies to raise heads up in the sky and realize the real size of our existence.

Dansyndrome - Mallets, Beatmaking
Fusam - Synth, Bass, Keys

Fusam - Cosmoscope [Feat Dansyndrome]

The enchanting Tunisian sahara, a spiritual quest between the dunes of infinite grain of sands, frozen in time. Saraab or the illusion given by your visual lust, a psychedelic experience for those who learnt that satisfaction is simply saraab...
Fields recorded in Zaafrane, Douz Tunisia.

Fusam - Saraab سَرَاب

Since early childhood pyromania, I've shown a straight passion for contemplating flames. nothing has never been so fortuitous to me as flames and the smoke coming out in random motion from the top of them.
a perfect visualization of one's life, a crazy dance unpredictable defying the algorythmic aspect of destiny, just like a supervised electron.
Throw the dice, then every slice is very nice.
For Kais, my bratnia dujka.

Fusam - The Dance of The Flickering Flame

Emotions are like any organism that breathes, evolves and certainly departs.
Every electro-chemical reaction taking places in our brain, each hormone pumped up by our heart is all what this life is about. waves of friendship and fossils of love, the geology of life under the spinning wheel of time.
A moment to contemplate what we are left with in front of a wave overwhelming our sand castle.
For the memory of the crazy departed soul of Malek R.I.P

Omar Lahiani - Acoustic Guitar
Fusam - Synth, Keys, Fields Recording


Fusam - In Memorium [Feat Omar Lahiani]

Humans have trapped their vision of the world in a spider web called language, everything you know, every structure of your thought is developed
linguistically before it develops at any other scale. Your reality is condemned to the semantics of the construct of it, things wouldn't exist if they don't take part in language, as you even give the "unknown" a restricted meaning to a the word "unknown". and a galaxy wouldn't exist without the word itself.
Our divorce from nature, our failure to communicate is the fruit of an irritated spectrum to this world. Syntax and its rules is the mother of all rules
as it has been developed first by each of us. we talk in words, we think deeply in words, and small is the room left to higher forms of communication and reflection.
Language is the real matrix that shapes the depth of our reality, one thing is certainly in common; mortality.

Fusam - The Syntactical Nature of Reality

Considering a scale which reduces earth's age to 1 hour, Humans have been walking the earth for merely few seconds. take a walk around the current earth and tell me about mankind. tell me about this cattle of monsterous lambs living in shells, turning a miraculous planet into hell.



Fusam - Agnus Dei

All is built on belief, mankind is falling like an endless fall's leaves
This misery upon us and the grim in the streets
is nothing but an echo of an earth we deceived
it's never like it seemed, unmask reality it's your way to be free With a mind to perceive
spirit unleashed with the will of walking out holding on
Not to myth not to greed
Step back and grasp it all never lose the tracks of passionate rational
Fashionable's National
and the hatred you've been suffering from smash it all against the wall

I keep close to the meaning
The means give no meaning, all they do is believing
a house made of glass like a life made of feelings
walking down the ceiling
never had the courage of a man that is leaving

I came from another ground of the elite
speaking your manners of a poetry stuck to a beat
An this is not a tune from the guy next door
This is to meditate down the line walking the shore

yes I came from the realm of the extreme
Where no sins have never been ever redeemed
An this is not a tune from the guy next door
This is to meditate down the line walking the shore

Now, I'm back to the core, the best mind you've got is when you were born
no malice no scorn
Grown to be nothing but a garbage can
everybody comes throws a dirt till you're ten
it began like a dead fetus stillborn
So predictable like a facial in a porn
gone even before you came your nothing but a gene carrier
just a son.

They're making another zombie apocalypse fiction
All I see are zombies walking all directions
it happens here in the dear solar system
just because their god has an infinite erection
friction of the earth with an asteroid
is the answer full of silence and blasting void
Humanoids never thought they'd leave such a trail
The snake has finally bitten her tail...

Fusam - The Age of Aquarius

κάθαρσις, a purificating state of mind, where I kept my stream of consciousness floating upon the surface of my daily life struggles.
Here I faced points of inner strife, and all the negative energy along with the black magic I endured during the latest years.
A self-accepting vibration, a total torus at which I stared at the geology of my soul. In restless signs of life and the stillness of a sufi's buttom,
I achieved my catharsis and honored the gods within me, the gods that grew as I walked through the haze of circumstances. I achieved my Catharsis and honored the absolutions in me; a greek minerva standing still, upon the hill with a single tree.

Fusam - κάθαρσις - Catharsis

Produced and performed by Heny Maatar aka Fusam, Tunisia.
Mixed and pre-mastered by Bassem Daouk - Viron Studio, Lebanon.
Additional Bass and guitar by Bassem Daouk.
Intro poem is Sghair Wled Ahmed, Tunisian poet.
Lyrics written and screamed by Fusam.
Dedicated to the Syrian people and civilization.

born in the asylum of faith
INDOCTRINATION
conjurate the sleeping hate
INSEMINATION 
of the countless prophecies
AND SEPERATION 
of the Man out of his being
DETERMINATION 
of naked conspiracies
SUFFOCATION 
it's the truth that suffocates
RETALIATION 
of the Zionist Arab spring
DOMINATION
until the bones of the children
are all that remains...

Disease is divine
your silence's a crime
Humanity demise is a question of time

Sworn to an elegy of weak
No LIBERATION
In the cage of your beliefs
FRAGMENTATION
of the lost identity
ISLAMISATION
is like infecting a disease
HORRIFICATION
Is the only strategy
MANIPULATION
of the mass of fallen sheeps
SANCTIFICATION
Gives you a way to blasphemy
MORTIFICATION
the civilization of tadmur
will not bow or kneel.

Fusam - The Zionist Arab Spring

Retrospective, Introspective.
Combinating the future and the past. A tribute to the most epic world in the universe and the majesty of heavy metal music. With something in hand, a renaissance, a reconciliation beyond the scam of the mortal commun...where instincts embraces algrythmic processors.
I dedicate this cyborg to the gods of heavy metal music.

Fusam - Kardiac Katamenia

This track is an embryo of an upcoming project developed by George Flett and Heny Maatar. Stoner Sufi can be considered as a demo.
Another boundary is subtly broken.
www.fusam.net
www.gore-tech.net

Fusam - Stoner Sufi (Feat Gore Tech)

All music written, performed and produced by Heny Maatar aka Fusam.
Lyrics scripted and spit by Malek Khemiri aka Malex (Armada Bizerta).
Intro/Chorus poem and voice of the great Henry Charles Bukowski.
Vocals recorded by Gal3i.
Mastered by Bassem Daouk at Viron Studio, Beirut Lebanon
PLEASE FIND THE LYRICS HERE:
https://fusamtext.wordpress.com/2015/11/07/first-blog-post/

Fusam - Eastinzaf اِستِنزاف [Feat Malex]

An original track by Sébastien Touraton aka HeklAa from France.
Originally a piece of piano solo.
This is 52hertzwhale remake of it.
Sample: El Secreto de Sus Ojos.

HeklAa's Vik [52hertzwhale Remake]

This is the first and the most sarcastic track I ever wrote.
Sample from Elia Suleiman "the time that remains".

Circus Araby

Your life is written in indelible ink. There's no going back to erase the past, tweak your mistakes, or fill in missed opportunities. When the moment's over, your fate is sealed.

But if look closer, you notice the ink never really dries on any our experiences. They can change their meaning the longer you look at them.

Klexos.

There are ways of thinking about the past that aren't just nostalgia or regret. A kind of questioning that enriches an experience after the fact.

To dwell on the past is to allow fresh context to trickle in over the years, and fill out the picture; to keep the memory alive, and not just as a caricature of itself. So you can look fairly at a painful experience, and call it by its name.

Time is the most powerful force in the universe. It can turn a giant into someone utterly human, just trying to make their way through. Or tell you how you really felt about someone, even if you couldn't at the time. It can put your childhood dreams in context with adult burdens or turn a universal consensus into an embarrassing fad. It can expose cracks in a relationship that once seemed perfect. Or keep a friendship going by thoughts alone, even if you'll never see them again. It can flip your greatest shame into the source of your greatest power, or turn a jolt of pride into something petty, done for the wrong reasons, or make what felt like the end of the world look like a natural part of life.

The past is still mostly a blank page, so we may be doomed to repeat it. But it's still worth looking into if it brings you closer to the truth.

Maybe it's not so bad to dwell in the past, and muddle in the memories, to stem the simplification of time, and put some craft back into it. Maybe we should think of memory itself as an art form, in which the real work begins as soon as the paint hits the canvas. And remember that a work of art is never finished, only abandoned.

The Dictionary of Obscure Sorrows
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Co-produced and written by Cécile Nicolas aka 18h15 and Heny Maatar aka Fusam

Klexos [Feat 18h15]

The soundtrack of same titled documentary about a morrocan young boy named Ayoub living in a ghetto in spain. A film by Khairi Jemli.
Innocence, society, immigration, integration and future...

Dream City

n. the frustration of being stuck in just one body, that inhabits only one place at a time, which is like standing in front of the departures screen at an airport, flickering over with strange place names like other people’s passwords, each representing one more thing you’ll never get to see before you die—and all because, as the arrow on the map helpfully points out, you are here.
The Dictionary of Obscure Sorrows

Onism

The geometry of time, a vortex of a transient permanence.
Illusions and allusions of change. Contemplating an infinite loop as your brain craves for a nostalgic minor shift and starts adding elements to fill the void. Nature hates the void.
It is about the most supreme force in the universe, the tickling of an ungraspable clock. The answer to all human hopeless attempts towards the hell/heaven of eternity.

Sample voice from text of H. P. Lovecraft

Transient Permanence

This track has been originally written as a theme by Anri Maliani back in 2011. It was forsaken and orphan despite how much content and spirit it has. Originally titled "Children of The Apocalypse".
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This track is about the fatality of solitude, and the alchemy of human autonomy as a lonely creature within the tsunami of digitalism of life.
Bibles and people tend to think the apocalypse is something that happens outside, while for my perception it's rather something that happens inside one's psyche. Apokalipsis Shvili is georgian for Children of the Apocalypse.

Sample 1# quote of Blaise Pascal.
Sample 2# extracted from "I am Legend" the movie.

Apokalipsis Shvili [Feat Surreal East]

"Inventamos una montaña de consumo superfluo, y hay que tirar y vivir comprando y tirando. Y lo que estamos gastando es tiempo de vida, porque cuando yo compro algo, o tú, no lo compras con plata, lo compras con el tiempo de vida que tuviste que gastar para tener esa plata. Pero con esta diferencia: la única cosa que no se puede comprar es la vida. La vida se gasta. Y es miserable gastar la vida para perder libertad."
José Mujica
English Translation-----------------------------------------------------------------------------------
We have invented a mountain of superfluous needs. Shopping for new, discarding the old... That's a waste of our lives! When I buy something, when you buy something, you're not paying money for it. You're paying with the hours of your life you had to spend earning that money. The difference is that life is one thing money can't buy. Life only gets shorter. And it is pitiful to waste one's life and freedom that way.
José Mujica

Detrás Diluvio

I was enjoying Katharsys latest EP Metallicity when I felt like there could be more Metal into this than the title itself. Hence, I grabbed my guitar and improvised riffs right upon the original mix of "Subsiders", with some re-arrangements and additions to some of the rythmic structures we got this grinding mix!!
I believe Katharsys is one of the most distinct Neurofunk and Drum n Bass producers out there, and it comes in the shape of the heaviest and grooviest electrock n roll.
Original track/mix  by Katharsis  / Metallicity EP 2017
Enjoy them here: https://soundcloud.com/katharsys
Facebook: https://www.facebook.com/KatharsysDNB

Peace off!!

Katharsys VS Fusam - Subsiders [Metal Smash Up/Remake]

Produced and performed by Heny Maatar aka Fusam between the years 2015 and 2017. Lund, Kerkennah, Sfax.
Mastered by Marius Krämer aka Bassinfected, Berlin.
Öde is Fusam's second release under 52hertzwhale moniker.
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Artwork photography and design by Heny Maatar.
This humble work is dedicated to the departed wild soul of Ghassen Hadhri. All gratitude goes to the moon of the whale Hanna Cinthio, Marius Krämer, Bassem Daouk and all the dear friends.

Öde (EP)

Prolapse Elapse II

Produced and performed by Heny Maatar aka Fusam between the years 2015 and 2017. Lund, Kerkennah.
Mastered by Marius Krämer aka Bassinfected, Berlin.
Öde is Fusam's second release under 52hertzwhale moniker.
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Artwork photography and design by Heny Maatar.
This humble work is dedicated to the departed wild soul of Ghassen Hadhri. All gratitude goes to the moon of the whale Hanna Cinthio, Marius Krämer, Bassem Daouk and all the dear friends.

Produced and performed by Heny Maatar aka Fusam between the years 2015 and 2017. Lund, Kerkennah, Sfax.
Mastered by Marius Krämer aka Bassinfected, Berlin.
Öde is Fusam's second release under 52hertzwhale moniker.
Additional bass by Mouldy Souissi aka Nero Crow.
--------------------------------------------------------------------------------------
Artwork photography and design by Heny Maatar.
This humble work is dedicated to the departed wild soul of Ghassen Hadhri. All gratitude goes to the moon of the whale Hanna Cinthio, Marius Krämer, Bassem Daouk and all the dear friends.

Clockwork Reverie

Walkway to Eden

Available on/disponible sur: itunes, spotify, deezer, amazon, bandcamp and google play here: 
http://merchlinks.com/fusam

The original song is a Tunisian folk song. 
This remake is the fruit of a spontaneous exchange between the artists.

Singing and emotions by Lobna Noomen 
Oud and pre-arrangement by Mahdi Chakroun/Hess 
Produced and arranged by Heny Maatar aka Fusam 

Vocals recorded at Lobna and Mahdi's flat in Ez-zahra, Tunis 
Mixed by Heny Maatar
Mastered by Marius Krämer aka Bassinfected, Berlin - Germany 
Artwork photography Oussema Dridi / Graphics: Khorda

© DONDADA - SWEDEN 2018

Fusam Ft. Lobna Noomen & Hess - Yamma Wajatuha

Written and produced by Heny Maatar aka Fusam
Lyrics and vocals by Malek Khemiri aka Malek Armada
Additional vocals by Mouhannad Ahmad
Vocals recorded in Blech 7ess by Mouhannad Ahmad
Mixed and produced in Studio Wakr Al-Thaalab, Lund Sweden
www.fusam.net

Fusam - Sound of Discordance صوت القطيعة (Feat Malek Armada)

Poetry written and performed by Nizar Kabbani.

Fusam - Yabkun (With N. Kabbani)

شكرا نبيل
شكرا طريق
--------------------------------------------
كحلة السماء
النجوم تقطر
كل شي بدا اليوم الطريق مسطر
شجر معنق بعضو الفوق
وتحت التراب عروقو تذكر
نسيت الظلام
لا عاد لا خوف لا أمان لا إحساس مشطر
كاينو كل كائن حي وكل شي واحد
كايني الخطوط إلي صورتنا فتاحت

مسرح حقيقة كاملة في مشاهد
تصاور تزرب أجسام تتحل تكبار تتسل تشرب
كل شي مربوط ببعضو
هذا يموت بش لاخر يحيى
خيوبية القفى لزين الوجه سبب
تبكي بش تضحك
تخاف بش تتشجع تحب

كاينو كل ماهو حي وكل شي واحد
كايني الخطوط إلي صورتنا فتاحت
كان نذوب فالكون تكف أفكاري نرتاح
كان جات الروح تهون راهي بسرها باحت

حد ما با يجاوبني
والا كلامي ماهوش مفهوم
شي ما مازال شاددني على الضياع وسط الكون
نسيت نعاود نبني جسور لمنطق ناس قوامها غير الإحساس
شي ما مازال شاددني بدات الروح تهون
تمنيت كان دفاك دوب ما كفاني الليل

Tack Till Nabil

This is originally a demo track from another Ambient/Post-Rock project that gathers Heny, Henry and Natalie. 
Dedicated to my musical soulmate Henry Maliani, 
And to Natalie Memhardt, the human.

Heny Maatar - Guitars, Bass, Drums
Henry Maliani - Piano, Synth

Fusam - The Apostasy [Ft Surreal East]

"There is nothing on Earth, that's worse than religions"
Heny Maâtar

For the geographically missed brother "Montassar Alibi".

Fusam - Al Janna Is Vagina

(Original Song by the Swedish Post-Thrash freaks MESHUGGAH)

Fusam - Bleed (Meshuggah Remix)

Dedicated to every drop of blood, tear and sweat of the graceful Tunisian People.
Dedicated to every voice screaming against injustice and unhumanity.
Dedicated to every crying eye from bereavement or from Lacrymogène.
Dedicated to every rising hand, every thinking head of my people.
Tunisia, que la marche continue...

Fusam - Dubbuka

Fusam is the solo-project of composer and multi-instrumentalist Heny Maatar.
A cinematic experimental venture fusing electronic elements with ambiances and other instruments.
In denial of boundaries, Fusam is a quest tending to grasp the universality of the phenomenon of sound.

Fusam - 52hertzwhale

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