Great stuff Fuselab. Bullet rank has a free play offer right now, you should try it out and get some plays

Thank you i deeply enjoyed this - sending all my love

Очень приятный, спасибо

FMSAO - A Mix for the Safety and Pleasure of Sofa Trips and Hangovers

ethereal mix 010: buttechno

@buttechno 

pm — dissipation (unreleased)
PDP III — Calendar of Days
Gunnar Haslam — Let A Hundred Flowers Bloom
2oo2 + Undo Despot — u ar left (demo)
Triš — april
riuqea — forms of my energy 能源
Richard H. Kirk — Frequency Band
undo despot — asterisk
Jörg Burger & Wolfgang Voigt — Elvism
Bradley Strider — untitled A2
Boards of Canada — Fonec
Call Super — Depicta
Viper Diva — Snake Does Cry
Cam Deas & Jung An Tagen — That (yGrid_D#) (Second Woman Remix)
Up-Tight — I'm Just A Dreamer

ethereal mix 010: buttechno

@nts_live monthly show curated by @buttechno

tracklist:

Pavel Milyakov — Spring rise mandolin
Ihor Okuniev — Way in the mist 
Goze — Plez
Pavel Milyakov — gtr waving
Вежа Хмар — Балада про двох лебедів
P — 290616
Valentina Goncharova — Insight
Tim Hecker — This life
Ellen Arkbro & Kali Malone — Oktober
Drew McDowall — Unnatural Channel (Part 1)
Bill Kouligas — VXOMEG
Pavel Milyakov — Moon abandoned amb v1
Ihor Okuniev — Vernal 
Caterina Barbieri — Rendering Intuitions 
M.E.S.H. — Ihnaemiauimx

NTS 07.06.2021 — Ihor Okuniev

Участники группы Электрическая Собака составили компиляцию записей со своих лайв-выступлений. Год назад музыканты осознанно отказались от совместных репетиций, поэтому всё их взаимодействие происходит во время сетов. Именно оно задокументировано в миксе – электроакустические завихрения, рассыпающиеся и тонущие ритмы, щекотание ушей электронным звуком.


------_,=.=,_ 
------,"=.-o---`\\___ 
-----/---o\\--(0-----D 
----/-o----\\---- ___/ 
----|----O--|-----\\) 
---",o---_/--o .--"------ 
-----`"`;-O--(--------- 
----------[[[[]]_..,_--- 
--------/--.--""``\\\\--- 
------."-O------.\\,,|| -- 
(---."------""`|-`""`--- 
|\\-/--O--o---__|------ 
-\\|-o--.-"----`\\------

The Elektricheskaya Sobaka band members have compiled recordings from their live performances. A year ago, the musicians deliberately refused to rehearse together, so all their interaction takes place during live sets. It was documented in the mix – electroacoustic swirls, crumbling and sinking rhythms, tickling the ears with electronic sound.

023 – Elektricheskaya Sobaka

Healing Hour host with a special episode where angelic chants, piano passages and street noise recordings slowly swirl as golden dust in the daylight.

Recorded specially for Grains of Peace - recreational zone and charity marathon on Kyiv-based 20ft Radio to help Ukrainians who have suffered from russia's aggression. 

Listen to music and stay with Ukraine: www.20ftradio.net

Grains of Peace w/ Kat @ 20ft Radio - 30/03/2022

В 37-ом подкасте Alt Radio запись лайва дуэта Keroz @keroz_one & Anna Krusser @lsirxijgz7vp, экс-участников Звуки Множ, Болшево джаз-трио. 

В настоящее время ребята делают акцент на ambient, new age звучании в сочетании с полевыми записями. Также дуэт готовит новый проект совместно с Иваном Радзиевским и Сергеем Лугининым, разрушающий нынешнее представление об авангардной музыке и переплетающийся с экспериментальным джазом.

Подробнее о выступлении дуэта в посте: https://t.me/alt_moscow/102

Podcast 037: Keroz & Anna Krusser

(live version)

‘And where should we go’ — live-recorded album by Homeless dog, the psychedelic electro-acoustic duo consisting of a screech of saxophone and electric guitar, vocals, synthesizers and ethnic instruments, in which Vladimir Sidorov and Ilya Sheyman study various forms of absurdity and chaos, scream and freeze, uprooting everything that is dug into the depths of thoughts and feelings. 

The musicians of the duo speak about the album as follows: 

“The war has come, which we did not want, were afraid of, which we are fighting against and which we hate. Up to this day, it keeps us awake at night, haunts us on the way to school or work, guards nearby grocery stores and on the subway, seeps into people's faces and rots, infecting their internal organs. Others lose their homes and loved ones, migrating all over the world in search of space and safety and do not know where to go. 

We don't know where we should go either. This live recording is our hour-long story about the feeling of being lost and empty, when there is nothing you can grab onto and everything disappears: the former world that you loved and tried to protect, but could not save, because there are people vaster than you and more terrible” 

The release is already available on digital platforms, a little later in audio cassette format. 

Track list: 

1. jam number Zero (03:41) 
2. inquiry (2:02) 
3. hang on a sec, they are killing me (2:19) 
4. red-blue day obscurity (3:37) 
5. crawling home (6:14) 
6. bastards live (5:18) 
7. fever of a hundred (4:43) 
8. lullaby (3:57) 
9. improv (4:59) 
10. slug’s destiny (3:57) 
11. butterfly death (5:58) 
12. he will surely die (5:05) 
13. entertaining mathematics (3:01) 
14. we're still dancing (3:42) 

--- [rus] 

"И куда нам деваться" — live-альбом Бродячей собаки, психоделического электроакустического дуэта в составе скрежета саксофона и электрической гитары, вокала, синтезаторов и этнических инструментов. Участники проекта Владимир Сидоров и Илья Шейман изучают различные формы абсурда и хаоса, кричат и замирают, выкорчёвывают всё, что врыто в глубину мыслей и чувств. 

Авторы рассказывают о содержимом альбома так: 

“Наступила война, которую мы не хотели, боялись, против которой мы боремся и которую ненавидим. Она по сей день не даёт нам спать по ночам, преследует нас по пути на учёбу и работу, караулит у продуктовых магазинов и в метро, просачивается в лица людей и гниёт, заражая их внутренние органы. Другие теряют дома и близких, разлетаются по миру в поисках воздуха и безопасности и не знают куда им деться. 

Мы тоже не знаем куда нам деться. Этот лайв — наш часовой рассказ об ощущении потерянности и пустоты, когда не за что хвататься и все пропадает: тот прежний мир, который ты любил и оберегал, но не смог сохранить, потому что есть люди выше и страшнее”. 

Альбом складывался весной и летом 2022-го года, был записан живьём для TESTFM в сентябре. 
credits
released December 20, 2022 

Написано и исполнено: Владимир Сидоров и Илья Шейман 
Мастеринг: Сергей Подлужный 
Фото на обложке: pillside 
Дизайн кассеты: Ирина Добромыслова

Buy: https://testfm.bandcamp.com/album/-

TSTFM010: Бродячая Собака — И Куда Нам Деваться (live version)

Kosaya Gora b2b

http://www.instagram.com/kosaya.gora

2MR TRANSMISSION with Kosaya Gora (Kedr Livanskiy and Flaty)

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

For our first mix of the year we invited Alexander "Savier" Khmelevsky aka Burago — Moscow based artist, musician, and founder of NII, one of Moscow’s most interesting and phenomenal venues ever existed. First released extremely rare LP “Buma” in 2013 and then appeared on Johns’ Kingdom with “Kabardian” tape, Savier then kept a 5 year silence. In 2019 he was back on the track with a great 12” on Japanese St.GIGA boutique imprint and now he just released “TAEGEUK” EP on Helpful Music.
In this mix he mostly selected ambient productions which represent the world of Burago in a very accurate and deep way.
https://www.nts.live/shows/buttechno/episodes/rassvet-records-20th-january-2020

RASSVET x NTS monthly show w/ Burago

So here is absolutely enchanting b2b-set between Polina Matskevich (@mlinpatz) and Ganna Brizhata (@gannabryzhata), both members of psychedelic/dub/surf-band Chillera from Odessa. 

Deliciously strung hypnotic dancefloor trip with a dash of the beautiful breezy vibes.

Recorded in Kyiv at PG Showcase this February.

FMSAO - A Mix for the Safety and Pleasure of Sofa Trips and Hangovers

Fuselab

Recent comments

digit+lion_audiosistema

Frrra

Frrra

maybelleene

Related tracks