❤️❤️❤️❤️❤️❤️❤️❤️

بوک تایم

Directed by : Theodoros Angelopoulos
1998

Eleni Karaindrou - Eternity And A Day (Full OST)

 Poetry Of Komitas 

CYPRESSES AND CEDARS

Over the ascending road
Somber cypresses, engulfed in the mist,
Fierily tending towards heavens
With their sharp edged and green hope,
With their conical branches,
As if being a mirthful lot...

Cedars with immaculate leaves
Widows fecund with hope,
Staring their needles towards the eye,
Reminiscing of sunny days
When they sprouted out of the stones
To peak into the bosom of the clouds...

▶ Komitas- Armenian Spiritual Music

Bruno Coulais is a French composer, born in Paris on 13 January 1954. He has a father from Vendée and his mother is an Iraqi Jew. He is most widely known for his music on film soundtracks.

Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais was particularly influenced by director François Reichenbach, who asked him in 1977 to write the soundtrack to his new documentary Mexico Magico. The first full-length production he composed the score for was the 1986 film La femme secrète by Sébastien Grall. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal’s 1992 film Le petit prince a dit, and Agnès Merlet’s Le fils du requin in 1993.

In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière Esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le comte de Monte-Cristo, Balzac, and Les nuiteux.

The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais’s name was to be found on most new French blockbusters, such as Belphégor and Vidocq.

After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton’s group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber’s film Don Juan in 1998.

In 2002, his name was found on the ending credits of the animation L’enfant qui voulait être un ours, and in 2004, on Frédéric Schoendoerffer’s Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Baratier, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. Since then, Coulais’s collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.

Bruno Coulais’s musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and mixing different musical cultures, and finally, a certain tendency to give preference to the ambience created by lighting rather than the film’s narration.

Coraline Soundtrack Song  Exploration

“So, inspiration guided me this morning. I decided to record a vocal-guitar track and make a music video of my original, self-written song 'Broken Miracles', which I wrote back in 2011, and is a personal, melancholy song about remembering a lost love and all the emotional memories that this certain, special person can still bring into effect, after all these abandoned years, these reoccurring flashbacks of recollections from different times and old moments that still erupt a struggle in your heart and emotions, and that still captivate your mind and thoughts. My voice felt strong singing on this beautiful story song.” (September 24, 2025)

Broken Miracles
written by: Jenn Lynn Jody

Capo: 2

E/F#m/Asus2/E

                                       F#m
I drive by that restaurant off the highway
                                                       Asus2                E        
Where we tasted sweet peach pie on that Friday
                                                      F#m
When we walked to the edge of the blue ocean
                                             Asus2                                E
Barefoot in the sand, we reached the rocks laughin’
                           F#m                                         Asus2/E           
The wind blew through us like turnin’ the last page

Chorus:
                                              F#m
I feel strength in the measure of my struggles
                                               Asus2               E
I find comfort through my resistin’ troubles
                                           F#m       
I still see your face; you give me wings to soar
                                           Asus2               E
I realize these scars are what I’m livin’ for
                     F#m                               Asus2/E     F#m/Asus2/E
But I won’t be torn by broken miracles

                                       F#m
I opened my heart to you ‘neath the June sun
                                          Asus2            E
Said it was not like you to believe in love
                                                 F#m
The clouds colored to gray, your words fell like rain
                                                    Asus2             E
Your weakness caught me in the places of pain
                          F#m                                   Asus2/E           
In my dreams, you notice me, where I hurt from

(repeat chorus)

                                      F#m
Lost in the corner of my thoughts, you haunt me
                                                Asus2             E
Those secrets you told me are pieces of me                         
                           F#m                                 Asus2/E     F#m/Asus2/E
An’ now, more than ever, I need you, baby

(repeat chorus)

                                           F#m
I still see your face; you give me wings to soar
                                                Asus2             E
These secrets you told me are pieces of me                         
                           F#m                                 Asus2/E
An’ now, more than ever, I need you, baby
                     F#m                               Asus2/E     F#m/Asus2/E
But I won’t be torn by broken miracles
                          F#m                                Asus2/E
‘Cause I won’t be torn by broken miracles

Broken Miracles

Khachatur Avetisyan- ImAnushHovik

Shahrzad

The pianist (soundtrack) - Nocturne in C Sharp Minor

Howl's Moving Castle Soundtrack  -Flower Garden-

Eleni Karaindrou - I Timi Tis Agapis

Dikkat Kan Aranıyor (1970) Film Müziği
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Mikis Theodorakis - To Yelasto Pedi [ Finale ] (1969) | Yeşilçam Film Müzikleri

Epilogue

Dance me to the End of Love

Maria-Farantouri-amp-Mikis-Theodorakis-Untitled(muzofon.com)

Someone Who Forgot His Watch

برگ برگ سند عمر تو گر مثل درختی باشد
من به جز سرو، به جز کاج نمی‌بینم چون
که به هر باد، به هر خاک، به هر زمزمه‌ای 
گوش جان داده و روییده‌است در آتش و خون
به بهاران پر از اسرار طلوع خورشید
به خزان سبز و بلند و پر نجوای امید
که اگر سوزه سرمای زمستان به در منزلمان روی آورد،
تو همیشه هستی
تو همیشه بودی
تو همیشه روی بر طاق ثریا
دست مشغول دعا،
عشق باریدی همچون مادر
دست بر شانه و سر
مهر از روز ازل
آنچه در دست و دلت بود نثارم کردی.
ولی امروز پس از چند هزاران سالی
رنگ و رخسار تو انگار ندایی دگر است
پوششت بیشتر از پیش بسی سوزنی و
دور تا دور تو دیوار و حصار و سپر است
تو درختی خوش قامت و آزاد و بلند
چه نیازت بود این باغبن دوز پسند؟
باغبان اوست که در خدمت گل
لانه بلبل خوش‌خوان سازد
نه ز ترس تیغ ساقه او
نسترن را خشک خرمن سازد

شعر: آیدا شاه قاسمی

Eleni Karaindrou - I Timi Tis Agapis

fuatcang_

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