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Craig Leon - Nommo

Purchase from RVNG: http://smarturl.it/cleon-aifmv1-rvng
Purchase from Bandcamp: http://smarturl.it/cleon-aifmv1-bcamp
Purchase from iTunes: http://smarturl.it/cleon-aifmv1-itunes

Taken from Anthology of Interplanetary Folk Music Vol. 1: Nommos / Visiting.


Buy 

Craig Leon - Nommo

Lumineo - Praise And Sing

digital: https://boomkat.com/labels/80793
vinyl: 
http://www.redeyerecords.co.uk/vinyl/68184-bh022-marco-bernardi
http://honestjons.com/shop/label/Berceuse_Heroique
https://boomkat.com/labels/80793
http://www.juno.co.uk/labels/Berceuse+Heroique
http://www.piccadillyrecords.com/counter/search.php?search=Berceuse+Heroique&label=1
http://www.rushhour.nl/store_master.php?search=berceuse+h%E9roique&idxGroup=&SearchMode=&Submit=Searchhttp://www.deejay.de/BH021_-_Dont_Dj_-_Hexentrix_-_12-Vinyl__201751


BH21 Don't DJ - Hexentrix

Suzanne Ciani
Buchla Concerts 1975
FKR082LP
Finders Keepers Records

Finders Keepers invite you to witness the incredible first ever Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking.

This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance.

In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith.

These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then.

Suzanne Ciani - Buchla Concerts 1975 (Excerpts)

LUCRECIA DALT - OU
Care Of Editions
C/O - 5/6
 Release date: December 8th, 2015
 
Along the arc of Dalt’s music, beyond what steers her so allusively away from self-repetition, there is an undefinable forward inertia. What can explain, for instance, the near absence of her voice? Is it personal interest, renunciation, an embrace? Is she driven by a backdrop of conceptualism, or is this a lyrical wandering?

What we know, for starters, is that she made this album immersed in a cinema of her own, curatorial creation. Its filmic quality is a direct consequence of her turning her studio into a screening room for classic works of New German Cinema, pulling influence from directors such as Helke Sander and Werner Schroeter. As she works, she absorbs, and Ou results from a conscious staging of this process. The impact can be felt both at the levels of surface and structure. While the sound quality reflects these evocative, multi-layered scenarios, the larger departure from any of her previous works is the album’s spatial, mix-like composition, with each track being made up of several companion titles.



Side A /

OVER UNITY
a Meontic Voice
b Taquión

IOT
a Roto
b Quebrado
c Suelto

Side B /

FLOTO
a Diamagnet
b Cae
c Cathexis

ELEANORE


concept / recording / mix: Lucrecia Dalt
Berlin, 2014-2015

mastered by: Rashad Becker

cathexis - saxophone: Danny Meyer
cathexis - clarinet: Max Bach


preorder on bandcamp

Lucrecia Dalt - Floto (Diamagnet / Cae / Cathexis)

Anna Homler and Steve Moshier - Ee Chê 

Pre-order from RVNG: http://smarturl.it/breadwoman-rvng
Pre-order from Bandcamp: http://smarturl.it/breadwoman-bcamp
Pre-order from iTunes: http://smarturl.it/breadwoman-itunes

From the album Breadwoman & Other Tales.

©2015 RVNG Intl. / www.igetrvng.com

Breadwoman and Other Tales

Anna Homler and Steve Moshier - Ee Chê

Bulbs 
'Color Attic' 
SP066

Out february 16, 2016 on Shelter Press
shelter-press.org/sp066-bulbs-color-attic/

any promo inquiries > bartolomé sanson
shelterpress@gmail.com

B2. BULBS 'Yoke' (SP066)

From the album Plaisirs Américains coming soon on Mind Records & Bethlehem XXX 2016

Video: https://www.youtube.com/watch?v=qZH3HZzCZoc

Du sexe pas trop cher sous les tropiques,
C'est vrai que vous êtes pathétique,
Sous leurs beaux corps exotique.

Le bel amour importé du Mexique...
C'est vrai que ça vous excite...
Les scandales politiques.

Ça pénètre, ça chauffe, ça gicle, j'ai la gueule en sang...
Je les salivent de mon rétroviseur.
Sodomites en décapotable.
Voulant toujours jouer à Cache-Ca$h...

J'aurai préféré prendre la fuite.,
Et ne pas y donner une suite,
Mais maintenant je suis addicte.

Certains aiment le sexe romantique...
Certains aux rituels chamaniques...
Mais j'préfère quand c'est chaotique...

Garçons déguisés en call-girl et qui pleurent papa...
Dans les grands restaurants où photographes.
Dévorant ces princesses osseuses...
Comme des cobayes sous cocaïne.

Complètement pété sous narcotiques,
Le trou de balle rempli de beau fric,
Baisez-moi bande de sadiques.

Sous mes comportements hystériques,
Bipolaires et alcooliques,
Se cache un grand romantique!

Contretemps en devinette, constellé d'une mort...
Même les honneurs sont des châtiments.
Entre les jambes de ce jeune puceau vous chantez: 
"Money Is Wonderful!".

Diversité de valeurs, d'intérêts et d'opinions.
Je remets ma culotte souillée par ses mains gantés.
C'est honorer la corruption qui nous honore.
Jouiessements glacés sur mon cul fané.

Nous sommes les garçons pourrissant au soleil...




Boys' Trottoir

An exclusive @ivdb track, taken from @modern-obscure-music's upcoming 'Ritual Rhythms' compilation

Release Date:
February 24, 2016

Ivy Barkakati - "Mango Sheen"

2nd track on 'Intact' (Jj funhouse, 2016)
http://www.jjfunhouse.com/catalogue/jj010

Data

Poetry, speech, melody and electronics combine on this limited tape from new sub-label ‘Purely Physical Teeny Tapes’.

A change of pace for PP, ‘Figures’ is also a divergence for the two artists involved. Emerging from Melbourne, 'Figures' is a rare artefact for devotees of both poetry and electronic music. The release marks a protean coming together by two figures with curiosity for each other's practice, forming a union between sound and speech to explore themes of bodies, time, language and power.

Lucy Van, who works as a post-doctoral researcher in English and Theatre studies, offers her poems in spoken form and also transcribed in full for the poster in the release.

Laila Sakini, a DJ who has recently emerged as a songwriter-producer, shapes music around each poem intuitively, adding context with restraint, in an experimental, yet pop-conscious process.

Initially developed as a one track hobby project for a noise and spoken word poetry night (which was cancelled), 'Figures' continued to evolve into a more complete body of work, with Laila leaking the demos on her NTS guest slots, leading to this eventual, finalisation of an EP.

The release is presented on a pro-dubbed all clear tape, packaged with an A2 double sided fold-out newsprint poster, all housed within a PVC heat sealed pouch.

Out June 2nd, 2017.

Mastered by Rashad Becker.

Edition of 100.

Laila and Lucy:

Lucy writes about poetry and photography. She is a post-doctoral researcher in the English and Theatre Studies program at the University of Melbourne, and an editor at Cordite Poetry Review. Lucy also writes lyric and prose poems, and has spoken at venues including The Slow Canoe, Station Gallery, and the National Gallery of Victoria.

Laila's role as a DJ and emerging producer/songwriter has seen her traverse between her home town of Melbourne and London. She has performed across clubs and festivals in  Melbourne and in various venues throughout London, Paris and Belgium along with art spaces including The National Gallery of Victoria, Carriageworks and The Australian Centre for the Moving Image. She presents semi-regularly on NTS Radio, has appeared on Boiler Room and has opened for the likes of Dopplereffekt and Optimo. Laila has recently begun producing, writing and performing live solo and collaborative works.

Laila Sakini & Lucy Van - False Ceiling

Taken from the Maximum Joy compilation "I Can't Stand It Here On Quiet Nights: Singles 1981-82", forthcoming on Silent Street Records. 

Pre-order 2x12" here:
https://silentstreet.bandcamp.com/album/i-cant-stand-it-here-on-quiet-nights-singles-1981-82

Lyrics: Wrafter; Music: Maximum Joy
Produced by Dick O'Dell, John Walker, Pete Mayburn
Originally released on Y Records (12Y 11, 1981).

I Can't Stand It Here On Quiet Nights (SSR001 - Mastered WAVs)

Maximum Joy - Silent Street / Silent Dub

The B2 to the Recast EP featuring Mike Ink, DJ Guy, & Terrestre aka Murcof released 11/09/2017 on Future Primitive.

A second release for London's Future Primitive Records brings to the fore a new hand-picked selection of hard to find - if not overlooked - tracks from Wolfgang Voigt, DJ Guy and Fernando Corona, aka Murcof. All of the music to feature on this four-track Recast EP was previously subject to tape or CD only release.

Lifted from his only album as Love Inc., Wolfgang Voigt's "Income" sits primo as the A1, holding firm 22 years after its original release. Predating Voigt's work as GAS, its caustic chords, shimmering melodies and chilled 85BPM vibe render it a production borne from the classic dub techno blueprint of the early-to-mid '90s. An early take on "slo-mo" techno.

The cassette tapes of DJ Guy have again been raided, with Future Primitive joining a select cast of followers to rejuvenate the Welshman's productions with an edit that appeared on his tape for Crisis Urbana.

Both B-side tracks "Botas De Oro" and "Secondary Inspection Theme" come from Murcof's one-time Terrestre alias, a project from the early-2000s which fuses textural, slow-motion and minimal house sensibilities with Mexican Banda and NorteNo music - aka Nortec, a micro-sub-genre to come out of Tijuana. Loose percussion, swung drums and winding rhythms are made all the more esoteric through the subversively climactic nature of Terrestre's music.
12" due mid-September 2017.

Terrestre aka Murcof - Secondary Inspection Theme (FPR002)

Delia Derbyshire (Falling)

From the upcoming album, 'Ambivalence', out Oct 26th on Smalltown Supersound.

Yoshinori Hayashi - Bit Of Garden

Freedom

contact: info@futureprimitiverecords.com
FPR005 Bluetrain aka Steve O’Sullivan - Babylon Paralysis (12" sold out)
FPR004 Archetype - Abstract Analogy (12" sold out)
FPR003 CN - The Expedition Beyond (LP sold out)
FPR002 Mike Ink/DJ Guy/Terrestre aka Murcof - Recast (12" sold out)
FPR001 Leo Anibaldi - 94-96 (12" sold out)

Terrestre aka Murcof - Secondary Inspection Theme (FPR002)

Future Primitive Records

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