NEW ALBUM!
https://newtoday.bandcamp.com/album/let-me-forget

Hatefuck

I see you, I hear you
I know you, I don't fear you
As below, so above
As we know, all is love

Contact -all is love

Side A on the new tour single for Makthaverskan. Out digitally now!

Out on 7" March 3rd in Scandinavia, April 18th in the US. 

Makthaverskan - Witness

1st album 'HORIZONS'
Release date : May 25th, 2015
Label : Requiem Pour Un Twister
All tracks written, recorded and performed by FUTURE
Mixed by Bernard Marie
Mastered by Mathieu Berthet
Artwork by Marion Constentin

CONTACT :
- Management / Promo :
Steffybeckett@gmail.com
- Booking :
futurebandclub.contact@gmail.com
- Facebook : 
facebook.com/Futurebandclub
- Twitter :
twitter.com/future__band
- Website :
futurebandmusic.com

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Taken from the album, Dissemble, out 21st August 2015

'Immaterial Man' is taken from the debut album, Dissemble, out 21st August 2015. 

Pre-order ltd ed. transparent vinyl - http://smarturl.it/Dissemble.LP
Pe-order iTunes - http://smarturl.it/Dissemble.iTunes

Dissemble press release:

“I don't have any repressed emotions that I know of. The world I write about is a jaded version of reality, but where it comes from isn't quite apparent to me yet”

Following the release of two self-titled EPs over the past 12 months, AUTOBAHN announce details of debut album, Dissemble, out on 21st August via Tough Love. Dissemble was recorded with Matt Peel at The Nave, a hometown studio situated in the wholly appropriate setting of a disused church. The band co-produced the record with Peel over six intense weeks at the start of 2015, dedicating all of their time to the studio and taking potentially unhealthy cues from the legacy of notorious obsessive, Martin Hannett. The result is an album that pushes the band through various degrees of light and shade, but ultimately into new, unexpected sonic spaces.  

“You need to remember all of this world I write about is a warped reality of people I've known or experiences I've been in. I think you can just tell when a bands from Leeds, can't you?”
Motivated by the encouragement of a supportive local scene, AUTOBAHN formed in Leeds in early 2013, and immediately began playing live across the north of England. Those early forays across the Pennines were vital in not only helping the band form their own sound, but also hold a symbolic role in understanding their genesis. The North as both idea and identity is integral to what AUTOBAHN are, where post-industrial landscapes intersect with sudden wide open spaces, a place where community is central, but loneliness can be palpable. There’s a dark, oppressive edge to their music, but a hopefulness too. Sisters of Mercy, yes, but also brothers in arms. 

“The first track was intended to be a link to the past records. We leave the past behind after that.”

AUTOBAHN first came to the attention of Tough Love via a local support slot with Tampa romantics, Merchandise, and reached the wider world with the release of two now sold out 12”s. Those first recordings suggested a classic modern punk band with a penchant for death and glamour, and an impatience to be heard. Time and touring has afforded them the ability to shift gear significantly, and the renewed ambition of Dissemble stands as testament to that. The band were immediately a thrilling live force, but on this album they’re wider, more urgent when they want to be, more thoughtful when required. Dissemble is an appropriate title (meaning to conceal one’s true motives), because there’s something canny at work here. The surface suggests despair, but scratch deeper and the lyrics display a lightness of touch that skewers the over-earnest and overly-serious.   

“Dissemble is a twisted romantic view of how AUTOBAHN think: don’t take life too seriously”

Life is a joke, but AUTOBAHN aren’t laughing. How could they?




Vinyl

AUTOBAHN - Immaterial Man

Artist(s): Flaamingos / The KVB
Album: Flaamingos / The KVB Split 

A split EP featuring an established felte act (Flaamingos) paired with an aesthetically and musically like-minded friend (The KVB) of the label

The KVB - I Call First

Secret Gardens (DIV)

03 Automata

Go Low

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released in February 2013, their second album 'The New Life' is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, 'The New Life' is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

Having released a series of singles and EPs on various independent labels, Girls Names made their first significant impression on the wider world in 2011 with their debut album, 'Dead To Me,' earning plaudits from the likes of Pitchfork, NME and Loud & Quiet amongst a host of others. And yet, despite all the praise heaped on it, as soon as that record was released Girls Names were already moving into a different headspace. 

The band’s performance at this year Primavera festival provided them with their first real opportunity to showcase the songs that were to comprise 'The New Life.' The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains: 

“'The New Life' is not an over night change for Girls Names - just over two years in fact. 'Dead to Me' literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, 'The New Life' is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. 'The New Life' is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream today - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, 'The New Life,' stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

"The New Life" will be released on February 18th, 2013 on Tough Love (UK) and February 26th, 2013 on Slumberland Records (US).


Pittura Infamante

Taken from West Coast Noise vol. I compilation
Velouria Recordz 
Date of release: November 20th, 2020

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FTR

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