Rolling Rolling Rolling

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

musical sketchbook
DIY, low skill, low fidelity

new release of doble cd hinge voltage in bandcamp:https://juliusgranell1.bandcamp.com/album/hinge-voltage-umbra

Julius Granell , born in july. It has been 13 years that he lives on the Island of El Hierro, Canary Islands.origen Barcelona
There, his life and music is inspired by nature, people and animals of this region. In his home studio he works on sounds , develops and records them.
His musical evolution is based on strings and their fascinating behaviour.
After having played in several bands in Barcelona, he nowadays creates his sounds, primarily ambient, in solitary. 
contact: roskotrosko@gmail.com
https://juliusgranell1.bandcamp.com/
artwork of profile head image by stella hagemann 
https://www.instagram.com/stellahagemannn/?locale=us&hl=am-et
https://www.flickr.com/photos/132613441@N02/

Miłośnik książek, Film Composer since 2012 from Poland Clients: CDU Deutschlands, MUSE - museo delle Scienze in Trento, Italy, "Kingdom Of Gods" Documentary 
More:

Dawid Jaworski, Film &TV Composer from Strzelce Krajeńskie. Jamendo & Pond5 - licenses of my music found placement in 71 clients projects, plus 8 of them outside stock music. 
Since December 2012 Composer co-work with Strzelecki Ośrodek Kultury. 
16th of February 2013 took place a Valentine's Concert where was playing his two pieces "How do you love me" and "Touch of Love"
In April 2013 he made OST for short video, for "Mind Academy" company. 
In Alvernia Studios from 25 - 29 September of 2013 in FMF's the first edition of Master Classes for Young Composers and in Film Music Festival in Cracow
January 2014 - next OST of the Short Film "The Wizard"
June 2014 "Mansarde" animation OST
August 2014 score for Alchemia Obrazu TV Production "Fabryczna 71"
April 2015 making film score for "Kingdom of Gods" documentary
February 2016 in the process of creating score for pre-production Polish Short Drama "Suma Samotności" directed by Justyna Gładysz
"Survivor" OST 2019 https://youtu.be/KrUwnk3JhGQ 
Screenplay, Director: Maciej Bednarski, Przemysław Ostrowski

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

No AI is used to generate sounds whilst journeying on these cacophonic adventures.

Electric & Acoustic Guitars, Fender Bass, Lead and Backing Vocals.

I Lead the band from the back. That's what I do.

Until I come out front. Then it's fireworks.

Arranger: Chorus & String Arrangements, Back Beats, Drums & Percussion

I'm a trap player, locked in with the drummer. That's were I live. 

In tandem with the drummer; following his moves, and him following mine. 

Always with the trap. In, on and around the trap. Yeah. 

i set up on the drummer's left, so we face each other when he's playing on his high-hat (sock cymbal).  

In synch with the drummer and his hi-hat. Playing "on the hat." 

Studio Musician, Session Player, Recording Artist. Band Leader, Sideman. Recording and Music Production.

Composer, Arranger, Music Theory Instructor, Charting, Orchestration and Scoring Instrumental Parts.

Session Musician for Last Minute Jam Productions and Regular Member of "The Bunker Band & Studio Crew at Geo Sound Studios, Philadelphia, PA.  

Arrangements for Last Minute Jam Productions. Geo Sound

Recorded with Tacony Eloi Good Karma Band.

Played with Skip Denenberg.
Performed at JC Dobbs. Prism Concert Release.

Recorded backing guitar and vocal tracks for local bands, vocalists and many different and varied musical artists over the many years.  

Played and Recorded with The Shy Dogs (Shy Dog Productions). Played John & Peter's, New Hope, PA.

Played and Recorded Live with Razz-Ma-Tazz. Velvet Lounge, Philadelphia, PA.

Recordings:

Last Minute Jam, Volume 1. 

No. 19. Roman: Go Away. All Guitars Played by Mike, and include:

Gibson D-50 Acoustic, Fender Telecaster, Rickenbacker 12-String & Gibson Les Paul Gold Top (with P-90 Humbuckers).

Last Minute Jam, Volume 2: Minutes To The Millennium.

No. Belmont Plateau: Written & arranged by Michael Stella. Produced by George Manney for LMJ  Productions.

Season's Greetings Philadelphia. Gibson SG Custom, Fender Telecaster and Rickenbacker 12-String  played by Mike.

No Electric Guitars. Acoustic & Electric Guitars played by Mike. 

Additional Recording and Live Music Arrangements & Productions by Michael Stella, for StarSongs Music, Bensalem, PA).

Saxton Road: "Love Always"
(unreleased cd).

Music produced by Bob  Schneider and Mike Stella. 
Saxton Road is Robert Schneider & Michael Stella. 

Music written and recorded early summer through late autumn, 1998. Final Mixing, November 1998.

All tracks produced and 
recorded at Saxton Sound Studio, Philadelphia PA. 

Produced by Robert Schneider and Michael Stella.
 
Michael Stella:

Gibson ES-345, Gibson Les Paul, Gibson J-45 Acoustic.
Fender Stratocaster, Fender Telecaster. Sigma Electric/Acoustic Guitars. 

Rob Schneider:

Yamaha Electric Piano, Roland D-50 Synthesizer and Electronic Keyboards, Synthesizer Bass &  Electronic Drums.

Saxton Road Bio: 

Instrumental jazz fusion ensemble that always brings an eclectic mix of alternative, jazz, soul, funk, fusion & contemporary.

Saxton Road: Live Always.
(unreleased cd).

Song Titles, Writers & Track Listings:

1. People Make The World Go Round. 7:35 (T. Bell & L. Creed).

2. Winelight, featuring Dick Noble, Alto Saxophone. 6:11 (W. Eaton).

3. You And Me. 4:54
(D. Kuramoto). 

4. Chicago Song. 5:59 
(M. Miller). 

5. Love Always. 5:17 
(B. Roberts -B. Bacharach- C. Bayer-Sager) 

6. For The Love Of You 8:41 (Arrington-Isley-Isley-Isley-Isley-Jasper-Isley).

7. Song For Shea, featuring Michael Quaranto, Yamaha SPD-1 7:53 (M. Stella). 

8. Since I Lost My Baby. 7:56 (W. Robinson, Jr & W. Moore).

9. One Thousand Days 5:19 (B. White)

10. People Make The World Go Round (alt. keyboard mix. All instruments played 
by Rob Schneider). 5:29 
(T. Bell & L. Creed).

11.Love Always (Solo Guitar Mix). 5:29 (B. Roberts -B. Bacharach- C. Bayer-Sager) 
 
12. For The Love Of You (extended mix). 9:49 (Arrington-Isley-Isley-Isley-Isley-Jasper-Isley).

13. Song For Shea 7:57 (alt. mix, Bob Schneider, Electronic Drums). 

14. Chicago Song: Alternate Mix.  5:35
(M. Miller).

The world around us is inexorably changing and all this is happening not without the help of the human race, the Earth is our home and now it is not just a big anthill in outer space, but the starting point of the mind, from here and into distant worlds.
kgdkun@gmail.com

Rolling Rolling Rolling

FuWatt