p*dis sampler 2019.09

Sonic Jesus - Paranoid Palace

In Love With A Killer 

Released digtally on 27th Nov

EP  Naltrexone available on cassettte and download on 21st Dec. 

free download

THE NEW FABIAN SOCIETY - In Love With A Killer

Godspeed You! Black Emperor - Asunder, Sweet And Other Distress 	
Constellation LP / CD
GYBE returns with one its most focused and best-sounding recordings. Huge unison riffage, savage noise/drone, scorched-earth transitions, oscillating overtones, inexorable crescendos.

Cannibal Ox - Blade of the Ronin					ihiphop CD
Cannibal Ox?s Blade of the Ronin is the highly-anticipated follow-up to the group?s seminal debut album The Cold Vein.  The album features MF Doom, U-God of Wu-Tang Clan, Elzhi, Artifacts and more.

Marriages – Salome							Sargent House LP / CD
Marriages Salome is a timeless 9-song monolith of a debut LP. Propulsive, frequently iridescent, the compositions find the band fully embracing their skill at crafting timeless songs with chillingly epic results.

Surf City - Jekyll Island						Fire Records LP / CD
New Zealand psychgazers Surf City return with an album of sticky summer jams, fuzzy swirls and out and out dream pop blasts.

Stearica - Fertile							Monotreme LP / CD
Torino-based instrumental trio’s powerful, adventurous 2nd album, inspired by the Arab Spring revolutions, features guests Colin Stetson (Tom Waits, Arcade Fire, Bon Iver), Scott McCloud (Girls Against Boys) & Ryan Patterson (Coliseum)

Sonic Jesus - Neither Virtue Nor Anger				Fuzz Club 2LP / CD
Shindig Magazine have called them "one of Psych’s best kept secrets". Their tremendous double debut album is out April 13th.    

Reptar Lurid – Glow							Joyful Noise LP / CD
Synth-pop dance party band Reptar returns with their second album, Lurid Glow, which continues the exploratory and arousing spirit of their 2012 debut Body Faucet.

Ava Luna - Infinite House						Western Vinyl LP / CD
Pitchfork says “…this band rules”, and DIY calls their last album “…a near post-punk masterpiece. “ Dave Fridmann (Flaming Lips, Spoon, Sleater-Kinney) mixed the new album.

The Mountain Goats - Beat The Champ				Merge Records 2LP / CD
The long-awaited follow-up to Transcendental Youth is an album about professional wrestling and much more. Includes printed lyrics, a Mountain Goats first.

GNOD - Infinity Machines (Volume 1),					Rocket Recordings 3LP / 2CD
Exploration that traverses nocturnal jazz, soothing and unsettling ambience, menacing industrial battery and opiated blissed-out undercurrents of fiery countercultural zeal and small-hours revelation.

Jeff Buckley - Its Not Too Late						FM In Concert
Rare Radio Broadcasts and performances w/ Liner notes by Broadcaster/Author Jon Kirkman

The Fall – It’s Not Repetition , It’s Discipline (The Definitive Documentary)
										Dandelion DVD
The Fall "It's Not Repetition It's Discipline"   The only documentary film to ever examine the inner workings of Mark E Smith and The Fall with great contributions fom Mark himself and filmed over twelve years.


Sonic Jesus - Lost Reprise

Landing
"Delusion Sound" (edit)
Third Sight

Catalog number: EPR034
Formats: CD/DL/LP (transparent green vinyl limited to 750 copies, includes download card)
Release date: June 17, 2016
Contact: info@elparaisorecords.com
Distributed by: Cargo Records / Forced Exposure (US)

Connecticut's Landing have specialized in a mild and rural kind of psychedelia over the course of nearly two decades. Recent releases have seen them closer to post-punk and shoegaze territory than ever, but Third Sight – recorded specifically for El Paraiso Records’ Impetus series – builds on the hallucinatory soundscapes of the band's earliest days.

There's a unique sense of motoric drift to these four long pieces, and an organic blend of rock instrumentation and analog electronics that brings to mind Eno's best collaborations in the 1970s. But the group's flair for fuzzy drones and new weirdsy commune-folk also betrays their affiliation with the experimental American east coast scene –these guys have played shows with their friends in Bardo Pond, releasing a split EP with Windy & Carl and playing numerous Terrastocks throughout their existence. 

And despite releasing one brilliant album after another the band remains appalingly under-appreciated. Perhaps because the tryyps Landing take are rooted in self-exploration. As trends in krautrock, drone, folk, and psychedelia ebb and flow, Landing remain unfazed. The door to Landing’s world is open, but there isn’t a flashing neon sign above it. These guys are far removed from the hustle and bustle of geographic cultural bubbles, both physically and spiritually.

Listening through this LP is likely to stimulate mental images of rural winds blowing across vast American fields of grass, bonfires, blue rivers and power lines sailing through rolling hills. Landing's psychedelia possesses a rare timelessness. We are proud to present this offering from the band in the El Paraiso catalog!

”the whipper snappers these days, trafficking in similar sounds, have NOTHING on their sonic elders. Dreamy, droney, poppy, psychedelic, electronic perfection!”
-Aqaurius Records

”Connecticut's Landing inhabits that amorphous space where time itself expands and contracts according to a delay pedal setting, and dream pop blurs into dream proper. Groups like Stars of the Lid and E.A.R. have wandered this same misty plane in search of the perfect drone, but Landing incorporates Bardo Pond's jam aesthetic into the journey, imparting a welcome communal feel to their lengthy, meandering compositions.”
-Mark Richardson, Pitchfork

"They’ve got integrity to spare and their career, though already spanning more than a decade already, seems to be just getting started."
-Grant Purdum, Tinymixtapes

"Some of the best avant-prog and lo-fi space rock around"
-Mojo

"If you're not yet familiar with Landing, I encourage you to fill up the peace pipe and figure it the fuck out." -Kenny Bloggins Adhoc


Delusion Sound (edit)

Way Before

(excerpt)

Next up in the Fuzz Club Session series is Austin’s Holy Wave! Following the release of their 2016 LP ‘Freaks Of Nurture’ we invited the band to London to lay down a session. Despite still being steeped in a 60s Nuggets nostalgia the material on the session see’s Holy Wave ditch the Seeds-esque garage for a more washed out, reverberating psych-pop sound. The warm analogue recording creating a blissed-out echo chamber of sun-soaked psychedelia – recorded straight to tape and committed to the wax.

Limited to 500 copies. 100 on white vinyl exclusive to the Fuzz Club store. 400 on black vinyl. All on 180g vinyl and with printed inner sleeves. Digital download included. 

Street date: July 20th, 2017.

Holy Wave - Magic Landing (Fuzz Club Session)

from the album 'equivalents' available aug16

equivalents

loscil 'equivalent 7'

Killer Classics

Confusion Then Death

REMO SEELAND - Hollow Body, LP

A1) Body Innovation (04:20)
A2) Hollow City (07:24) 
A3) Second Coming (04:29)
B1) Pulse Points Green (05:33)
B2) Whoosh Before Laya (08:19)
B3) Night Within (05:04)

Release date - Sept 13th 2019 
Catalogue nr. - HG1903
Format - Vinyl/digital

All music composed and played by Remo Seeland
Recorded in New York, Reykjavik and Zurich

Guests:
Steve Fors, trombone on “Second Coming”
Reinier van Houdt, e-bowed guitar on “Hollow City” and Rhodes organ on “Pulse Points Green”
Norman Westberg, guitars on “Body Innovation” and “Hollow City”

Digital mastering by Jeremy Cox
Vinyl mastering by Rob Viso
Mix and production by Roger Hofmann and Remo Seeland
Inlay Photo by Ralph Kuehne
Artwork and photo by Ruth Stofer

Promotion by Dense Promotion, ed@dense.de 
Distribution by Cargo Records and A-Musik
Released by Hallow Ground

///

Remo Seeland’s “Hollow Body” is a suspenseful exploration of the interaction between sound environments and individual perception. It was sparked by an intense physical experience the Swiss artist had during a residency in New York City. “The subway became a sort of ‘atonal symphony’ for me, provoking a full-body experience with the rattling of the overcrowded, airless trains,” the Hallow Ground founder explains. “However, while the old subway is not exactly beloved by everyone, it also represented for me the melancholic meta-level of the moloch above it.” The album, his first under his given name, makes this disparity audible over six tracks in which the visceral and the personal become at once abstract and universal. 

Based on field recordings from both urban and rural environments, “Hollow Body” aims to mirror another of Seeland’s psychosonic encounters. “In the highlands of Iceland, I noticed my pulse lowering and my breathing decelerating,” he says. “Just shortly after that, a single insect’s buzzing seemed so loud to me that I became even more aware of the silence surrounding me.” Silence, perception, order and the curious dialectics of the outside world and the inner workings of the human psyche are the central questions of “Hollow Body”.

Recorded in New York, Reykjavík and Zurich, “Hollow Body” draws extensively on field recordings and sees Seeland collaborating with Hallow Ground-affiliated artists Norman Westberg (Swans, guitar on “Body Innovation” and “Hollow City”) and Reinier van Houdt (Current 93, e-bowed guitar on “Hollow City” and Rhodes organ on “Pulse Points Green”), as well as the Swiss-based US-American musician Steve Fors (Deaf At Sea, trombone on “Second Coming”). The diversity of the source material is mirrored in the stylistic richness Seeland lays out with this LP. From the lush, bass-heavy drones of the opener “Body Innovation” to the downbeat-driven “Second Coming” and, finally, the haunting organ sounds of “Night Within”, “Hollow Body” forms a holistic entity that integrates idiosyncratic compositions into a coherent narrative.

“Hollow Body” was also conceptually inspired by Seeland’s research as a cultural scientist with a focus on Southeast Asian cultures, specifically the anomic tantric cults of India. It thus serves as a mediator between not only the individual experience of site-specific sounds and general ideas of sound production in and about space, but also between different compositional techniques ranging from drones to synthesized vocals and more primitive forms of ritualistic music. Its sonic abundancy is to be understood as a direct result of its underlying idea: at its most challenging, this record also makes the most coherent statements about the order of space, sound and their cryptic relationship with the human body.

Hollow Body

REMO SEELAND - Hollow City (feat. Reinier van Houdt and Norman Westberg) - HG1903

"Skin Game" is the first single from DIIV's forthcoming album, 'Deceiver', out October 4th, 2019.

Deceiver

DIIV // Skin Game

Premiering on @selftitledmag

http://www.self-titledmag.com/2019/07/22/petra-aunis-album-injazero-records/


Pétra is a new collaborative music project from Brian Allen Simon (aka Anenon) and Chantal Chadwick.

The duo’s debut album ‘Aunis’, released 20th September via Injazero Records, incorporates electronic and acoustic instrumentation which draws the listener into dream-like soundscapes and blends ambient sounds, modern composition, and abstract vibrations.

Primarily written, performed, produced, and recorded on the volcanic island of Nisyros, Greece in late 2018, Pétra means ‘stone, rock’, and the name of the project was inspired by a chance encounter with the photography of Daniel Boudinet as well as the geological formations of Nisyros. With additional work on the album completed in Loire, France and Mexico City, Mexico, the music is a site-specific reaction to all locales and was arranged in a free-form variety of methods with an improvisational energy being the driving force.

Compositions such as the reverberating ‘Aunis’ rely on ethereal sounds and deep repetition while the fluid ‘Landes’ is a weightless moment of sonic beauty and emotional depth.

Elsewhere, the reactionary ‘Fuzz’ and the meditative, hazy sound explorations of ‘Obsidian’ are hauntingly beautiful, while ‘Tavel’ is reminiscent of the melodic repetition of minimalist pioneers like Steve Reich. 

Los Angeles native Brian Allen Simon, aka Anenon, is a multi-instrumentalist and producer who has received critical acclaim for his work from the likes of Pitchfork, The Wire, The Guardian, and more. 

Since his 2012 debut ‘Inner Hue’, Simon has continually and consistently proven his status as an innovator by co-curating an ambient music series at The Museum of Contemporary art in Los Angeles, and releasing critically acclaimed records such as 2016’s ‘Petrol’ and 2018’s ‘Tongue’. An officially sanctioned remix for Ryuichi Sakamoto in 2018 has only cemented this status further.

Chantal Chadwick is a musician, dancer, and founder of Assortment, an agency that supports artists working in photography, motion, and sound with an independent publishing branch for fine art books. 

Prior to founding Assortment, she was co-owner of a small gallery in New York City focusing on emerging contemporary artists. She has been quietly making music under the name Bed for close to a decade, but Pétra will be her first release. She is currently working between Mexico City and Los Angeles.

Mastered by Rafael Anton Irisarri at Black Knoll Studio.
Cover by Em Kei at Oddd Studio.

Pétra - Aunis

Erased Tapes present 'Handfuls of Night' — the highly anticipated follow-up to Penguin Cafe’s much applauded 2017 album 'The Imperfect Sea' — inspired by the Antarctic, Arthur Jeffes’ journey following in Scott’s footsteps and our penguin friends that reside there.

Using gut-stringed violins, viola, cello, bass, percussion, upright and grand pianos, synthesiser, harmonium and more, Arthur Jeffes and his cohorts have crafted a vivid series of panoramic sonic landscapes, that are as rich in cerebral poignancy as they are in emotional depth.

Handfuls of Night began life after Greenpeace commissioned Jeffes to write four pieces of music corresponding to four breeds of penguins, to help raise awareness for the endangered Antarctic seas . A fundraising evening at EartH in Hackney followed, where Penguin Cafe premiered the four songs named after their feathered counterparts to a sold out audience; the rousing contemporary folk inflected ‘Chinstrap’, the mournful and minimalistic ‘Adelie’, stoic and rhythmic ‘The Life of an Emperor’ and the wistful, string-laden ‘Gentoo Origin’.

“This record started with a core of pieces I wrote specifically about penguins in the Antarctic for a project with Greenpeace in autumn 2018. There are four native Antarctic penguin species – each with their own individual characteristics and natures. I carried on from there to envisage a whole anthropomorphised world, where these penguins had narratives and adventures that we soundtracked”, says Jeffes. But both the album and Penguin Cafe as a project have origins that reach further back:

“In 2005 I was asked to join an expedition re-creating Scott’s last Antarctic trip in 1911 for the BBC, using the same Edwardian equipment. I’m no explorer but I was keen, especially as there’s a family link – Scott was married to my great grandmother before she married my great grandfather. 

Antarctica by this stage being a protected environment, we swapped to the Arctic circle where we spent 3 months on the Greenland ice sheet, first dog-sledding and then man-hauling just short of 1000 km at 10,000 feet, across ice fields and glaciers. 

I had lots of time to ponder my life back home. It was then that I decided to get my Master of Music degree and focus on composing music, and also then that I realised that even in the most remote silent places, music can still be a huge part of one’s internal world and imagination.  Whilst on the expedition. I spent days playing things back in my head and also writing new things, which I would then try and write down at the end of the day.”

Handfuls of Night’s tones, textures and melodies evoke otherworldly expanses, which at different junctures are either foreboding, awe inspiring or peaceful. There’s subtly morphing rhythmic repetition throughout, somewhere between minimalism, krautrock and the piano-cascades of label peer Lubomyr Melnyk. Jeffes creates a kinetic, circling motion, which drives the album forward in the form of a musical trip that mirrors the physical journey it was inspired by.

Penguin Cafe was founded by Arthur Jeffes in 2009, after bringing together a talented and disparate group of musicians including members of Suede and Gorillaz, to perform his father Simon Jeffes’ legacy of world-renowned Penguin Cafe Orchestra music, ten years after his untimely death in 1997. A full biography is available here.
Handfuls of Night is out this autumn amid a string of UK live dates, before taking the album on a worldwide tour in 2020 with more dates to be announced.

· pre-order 'Handfuls of Sound' on LP/CD/DL: https://idol.lnk.to/HandfulsofNight

Handfuls of Night

At the Top of the Hill, They Stood...

Buy LP/CD/DL

Penguin Cafe - At the Top of the Hill, They Stood...

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



Confusion Then Death

Fuzz Club Records

Recent comments

JJ:UNDERSOUND

Related tracks