Thanks a lot for inviting me to listen to your work, appreciate it so much! Now i'like to invite you to listen to Fripp's "under bea y manners". Hope you enjoy it!

White Noise Sound - Sunset

Introducing the first single from Italian duo, Throw Down Bones, whose debut album will be out 1st December. Those who saw them at Liverpool Psych Fest will know these guys have a unique electronica sound laden with guitars and rhythm that gets the party people moving.

Throw Down Bones' debut self titled album will be released on vinyl including deluxe edition, CD, cassette and digital. 

Available for pre-order here : http://fuzzclub.com/collections/fuzz-club-releases/products/throw-down-bones-s-t-album

Throw Down Bones - Saturator

Amanda Berry

"The White Man Is Oppressor" is the first album of original music from Liam Kenny (Bitch Prefect, Peak Twins) - a half-hour diatribe on the political self using the medium of hard rock. Privilege, guilt, the personal and the patriarchal are discussed over music influenced by Aerosmith, Ramones and The Rolling Stones. Guitars and singing were recorded at home in solitude, with drums recorded later with the assistance of Lincoln Brown (Ghastly Spats, Housewives) and Tristan Price - Brown also mixed and mastered the record. The music is bass-heavy and repetitive, and should be enjoyed while contemplating one's place in an unacceptable world.

Out on cassette through Eternal Soundcheck in 2016.

Liam Kenny - Border Fetish

'Monk' is from the Love is Hard LP out on 5/6.  Pre-order your LP here - http://wharfcatrecords.com/store/wgvvpson3q3y0ui51vqaygwzy2hsgy

Pre-order on Apple Music here - https://itunes.apple.com/us/album/love-is-hard/id1076919555

Although this Brooklyn trio is probably too goddamn youthful to care what the hell I'm talking about, there's a consistent vibe to their debut album that puts me in mind of great Cleveland bands of the last century -- from The Mirrors to Friction to Death of Samantha and onward. Something about the way Dan Wise's guitar mixes with both his singing, and that of Cory Feierman's, reminds me of naught but a Lake Erie fish fry. And the rhythm section, with Cory on bass and Will Schmiechen on drums, bears down on these twinned howls in a way that makes it possible to catch whiffs of the Dead Boys at their sharpest.

Perhaps this geographical anomaly results from the fact that Honey's line-up contains two veterans of the Wisconsin Dells water park scene and a native New Yorker, creating a mutant hybrid Ohioan in the process. But that is just theory.
The reality is that these guys are punching a lot straighter and harder than they did with previous units they've been in, and the results are a loud and royal blast. You still get a soupçon of sophisto texture deep in the interior of some of the tunes' architecture, but the main trajectory of the material has a brutalist immediacy. There are even parts where Coryʼs voice conjures up a bellow recalling the long- gone Wolf King of Lodi. But all the tunes hit your head like a fox terrier shot from a bazooka.

This is a great, hard-edged slice of rock noise that blazes with a light far more forthright than I'd dared expect. How very fucking cool is that? --Byron Coley

Honey - Monk

Wireheads-Technical Man

Between Those Different Ways

Arranged and performed by New Candys. Music and words by Fernando Nuti. Produced by Pierluigi Ballarin & Stefano Moretti at T.U.P. Studio (Brescia). Mastered by Jon Astley at Close To The Edge Mastering (Twickenham, UK). Artwork by Fernando Nuti & Diego Menegaldo.

Throw Down Bones - Saturator

Fuzz Club Records

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