hello <3 is it possible to have track id pls ?

26.7

friday at sustain-release 2021, 12-2am. thank you karen nicole for the photo :)

thank you @sustain-release-nyc

livwutang @ Sustain-Release Year 7

sponto b3b with @secondcousins @toniyotzi bumping wubs at noods before we all played a very lit party at strange brew in bristol last month :-) 

thanks to bex for having us on the show!

Cousin b2b Toni Yotzi b2b DJ Fart in the Club @ Noods Radio 17-06-2023

Roza Terenzi at KWIA [03 Aug 2023]

livwutang at Outra Cena, This Side, 20/01/2024

Recorded live from @RefugeWorldwide - this show inspired by Mist, all things deep, atmospheric and spacious, with some warmth and soul -- dub techno, deep house, dub-wise tracks.

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #12 Mist @refugeworldwide

The producer best known as Huerco S. accompanies One Day, our record of the year, with two hours of minimal and dub introspections.

This summer, Kansas-raised DJ and producer Brian Leeds released One Day under his revived Loidis alias. Enamoured with the restrained, loopy sounds of early '00s dance music, the album’s eight tracks linger in the air, luxuriating in dubbed-out chords, swung beats and sub vibrations. It's our favourite record of 2024 for a reason. 

It's a sound he's coined, in his typically teasing fashion, "dub mnml emo tech." All winks aside, it’s no wonder One Day became the soothing balm we all needed. In a scene overwhelmed by hard and fast trends, the softer—and Leeds might argue, more sincere—stylings of minimal and dub techno enjoyed a welcome second wind. 

Not only was One Day one of our favourites of the year (more on that this week), but it also inspired us to break our usual no-repeats rule, inviting Leeds back to the RA Podcast under a different alias after his 2019 turn as Huerco S. 

"The prevailing trends in dance music are more and more maximalist," Leeds noted. "I missed restraint, subtlety, and sensuality." Clocking in at just under two hours, RA.965 embodies that ethos in spades.

@huerco_s

Read more at ra.co/podcast/965

RA.965 Loidis

Batu closing Outburst on Saturday night at Houghton 2024.

Recorded at Houghton - Batu (2024)

@2shy2dj

For cheeky Q&A with DJ Fart in the club... 

https://pipipi.life/mix/djfartintheclub

DJ Fart in the Club - 12.7˚

Tripped-out excursions through percussive club music with the Nowadays resident.

Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction."

Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push.

RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory.

As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward.

@aye5ha
Find the interview and tracklist at ra.co/podcast/983

RA.983 Ayesha

Thrilled to be welcoming NAP aka Daniel Rincón to series, the CDMX based DJ and producer with a unique gift for capturing the wonky, hedonistic feels of the after-hours in his signature extended mix styles. Packed with sleazy twists and turns, there's never a dull moment with NAP at the wheel! Electro-fied highway rollers masterfully sliced and diced for that maximum long haul recharge! @napmusick

Q. What sounds/feelings did you draw upon when gathering inspiration for this mix, and what environments could you imagine it being best enjoyed in?

A. I wanted to make a driving mix that featured a lot of vocals but in mutated and affected ways. Either as a centerpiece of the tune or via chops and sampling, the vocals carry a lot of the tension and thread of the mix which I wanted to balance across a mix of sleazy and dubby sounds. Perfect for a night drive or an afters with some bffs.

Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much?

A. Blacklight Sleaze (Dyed Soundorom Remix) by Peace Division’. I put it earlier in the mix as it's a bit of a fire starter in getting the mix boiling. This track is also an example of the use of the human voice in a classic but psychedelic/ experimental approach; many voices swirling around atop a sexy driving groove. 

Loose Control by Dino Lenny. Been playing this one a lot and I’d like to make mention to it because it hits a lot of the things that I like when playing a peacetime burner; driving arpeggiated Italo style baselines without being too garish, some dramatic silence drops that make you think the track stopped and then the use of the human voice as a melodic element displaced from language. 

Heart Misses - Heart Misses. This one is definitely in the pocket of  sassy/ minimal sleaze tune which encompasses the vibe of many of the other tracks in the mix as per the concept I had. Perhaps this one is also an evolution of my digging from having been really into electroclash growing up and playing a lot of that stuff across my DJ experience. This hits the reference points of that sound I grew up up with but perhaps actualized? More reduced, minimal but still sexy, driving, irreverent and trippy. 

Q. Tell us about the projects you’ve been most immersed in since moving to Mexico City, I know there’s a few!

A. Oh man, lots of collabs since I've been here! All a by product of new friendships and amazing connections I’ve made while being here. Stuff is still percolating and getting finished but Im very excited to put out new collab projects with Primordial Oh, Reedbriefcase and Tristan Arp; whenever the time is right. On the other hand I’ve also put the finishing touches on a collab project with my friend Pablo Arangoiz who I started jams with when he visited Mexico 4 years ago. Since then we’ve been working on a thesis on a specific type of experimental cumbia forward pieces which we’ve spent a lot of time and care on. 

As far as ACA, Phran and I have a lot of things on the pipeline which will hopefully get some releases this year. It's tough to get a lot of the projects we want to do out when we live in different places but we’re damn excited about all of them and aligning on getting a digi release out from Venezuelan Miniteca legend ‘El Mago. We also got some homie comps cooking up and some sassy merch coming up.

On the Ambien Baby tip, Soph and I have been jamming a lot every time we have the chance to but again, not living in the same place makes it a bit hard to wrap stuff up. Still the past year has yielded a lot of sick fire starter jams that hopefully we can zinch up before the end of the year. We also have a collaborative sound piece we made with our friend Florence Scott-Anderton some years ago for a show she had at the ICA some years ago. This one is a very dear collab for all 3 of us and I hope we can get it out before the end of year as well. Lots of stuff coming up and cooking up!

MDC.312 NAP

@mgmldrm

https://www.instagram.com/megmldrm

pi/live: Miscmeg at Miscellania 08-10-2025

for the love of dub

https://www.instagram.com/richardakingbehin
https://www.instagram.com/deep_creep
https://www.instagram.com/__pi_pi_pi_____



pi pi pi with deep creep b2b Richard Akingbehin @ The Lot Radio 09-18-2025

An hour of deep cuts by Kia ahead of her set at Abrupt Festival.

Abrupt Festival w/ Kia @ Kiosk Radio 10.10.2025

A stunning recording from Liquidtime at Kwia by the inimitable Cousin @secondcousins
<3

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 #16 ft Cousin: Babbling Brook @refugeworldwide (LIVE from Kwia)

🔮 Rich, atmospheric downtempo with deep basslines, intricate percussion, and captivating piano leads!
This is a demo from Episode #346 of our Live Electronic Music Tutorials, showcasing downtempo production inspired by Bicep, Autechre, Massive Attack, The Orb, and more. Perfect for producers wanting to create sophisticated, rhythmically engaging downtempo with experimental electronic textures.
🎓 FREE TUTORIAL AVAILABLE:
Watch the complete step-by-step tutorial showing how to craft this entire track from scratch in real-time! Professional templates available for Logic Pro X, Ableton Live, and FL Studio, plus sample pack included.
👉 WATCH FREE TUTORIAL & GET TEMPLATES:
https://www.wemakedancemusic.com/en/downtempo-template-for-logic-pro-ableton-fl-studio-lemt346
🔑 What You'll Learn (Free Tutorial):
✅ Crafting deep, resonant bass key compositions
✅ Designing intricate, rhythmically engaging percussion
✅ Real-time piano lead recording techniques
✅ Creating rich, atmospheric soundscapes
✅ Production tips & tricks for downtempo
✅ Experimental electronic texture design
✅ Complete downtempo arrangement
✅ Techniques inspired by Bicep, Autechre & more
🎹 Templates Available For:
Logic Pro X | Ableton Live | FL Studio
📦 Package Includes:

100% production templates for all DAWs
Deep bass key compositions
Intricate percussion programming
Piano lead elements
Atmospheric textures & layers
Experimental sound design
Samples + MIDI Pack
Professional mastering chain
Free YouTube tutorial included

#Tags:
#Downtempo #Bicep #Autechre #ElectronicMusic #IDM #LogicProX #AbletonLive #FLStudio #ExperimentalElectronic #AtmosphericMusic #ChillElectronic #EDMProduction #DowntempoBeat #MusicProducer #AmbientMusic

Get Templates

Downtempo  – Bicep & Autechre Style | Atmospheric Electronic Beats | Templates for Logic, Ableton & FL Studio

Azuma Ookami, Nanna, Captain O'Hara - Birds

a semi-regular lesbian ambient night in berlin by @isagt @jenniferloveless @mdsm_certified

next event: 3 August @ KWIA w/ special guest ROZA

Roza Terenzi at KWIA [03 Aug 2023]

FUZZY

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