This is our cover of a Bob Dylan song. Produced by Lou Ferguson at Spotted Dog Studios.

Make You Feel My Love

She’s not mine
She’ll never be mine
All those days when I thought she had time
When I feel like this, I want her near
She’s not mine, never be mine
But then time, should be on my side
I know time, should be on my side
But then time, should be on my side
But time, why does she take her time?
Where are you now? Where are you now?
It’s been 5 years now 
And I’m still not with her
Five years now and I’m still wanting her
When I feel like this, I want her near
But she’s not mine
Never be mine
Why can’t I tell her
How can I let her know
Let her know what I want
When I watched her go
Saw her go
Yeah I did
But I loved her
No, no, no, no
She’s not mine
She’s not mine
She’ll never be mine
All those days when I thought we had time
When I feel like this, I want her near
But she’s not mine, never be mine
Where are you now? Where are you now? Where are you now?
She’s not mine
She’s not mine
She’s not mine
She’s not mine
Where are you now?
She’s not mine
Where are you now?
She’s not mine
Where are you now?
She’s not mine
Where are you now?
She’s not mine
Where are you now?
She’s not mine
Where are you now?
She’s not mine
Where are you now?

Where are you now?

Heart

Act I: The Call & The Walk marks the beginning of the journey in The Burden & The Fire saga. Blending Celtic folk melodies, acoustic textures, and a melancholic yet hopeful atmosphere, this EP captures the emotional weight of leaving home, facing the unknown, and carrying a burden far greater than oneself. Perfect for listeners who appreciate cinematic storytelling.

2. Burden of Gold

This track is a mirror in slow motion.

It invites the listener into a space of stillness—where the voice is not reactive, but reflective. Here, silence is honored as the first language. Each word is held like a breath, shaped by intention, not impulse. "I Reflect Before I Speak" is not just a track—it is a ritual of truth, patience, and presence.

This is not restraint. This is reverence.

Thread Left in the Machine

I Reflect Before I Speak

✨🤍🙏🔊✨

I wrote it because I live through it and wanted to share

A Letter To Myself

Let Me Be Better Than I Was – A Song for the Heart That Still Hopes

Warm, honest, and quietly powerful, this song blends heartfelt lyrics with a soul-stirring melody that feels both intimate and uplifting. The gentle acoustic instrumentation carries a confessional tone, while the vocals deliver raw emotion without pretence—just a sincere desire to change, grow, and walk closer with Jehovah.

This isn’t a performance. It’s a prayer set to music. Whether you’re at a crossroads or simply trying to walk a little closer to your values, this song is a companion for reflection. It reminds us that progress doesn’t require perfection—just humility, trust, and a willingness to try again.

Listen when your heart feels heavy or hopeful. Let it lift you one step closer to who you’re meant to be.

Study the Bible for free at www.jw.org
Music and Vocals: Suno.ai
Lyrics: Fresh Virtual Reality

====[ LYRICS ]====

[Verse 1]
I’ve worn my flaws like second skin
Hid what I felt, kept it locked within  
But I’m tired of shadows, tired of shame  
I need your light to show me the way  

I spoke like I had all the answers
But silence was my only prayer  
Now I kneel, heart laid bare—  
Jehovah, are you there?  

[Chorus]
Let me be better than I was
Not just stronger, but guided by love  
Not just calm, but trusting your plan  
Not just kind, but shaped by your hand  
You see the heart beneath the scars  
Let me be better—just as I am  

[Verse 2]
I’ve wandered roads that led me home
To where your voice is soft but known  
When I was numb, still you were near  
Your mercy louder than my fear  

I’ve read your word through weary eyes
Each verse a whisper, a call to rise  
So here I am, not proud, just true—  
I want to walk each step with you  

[Chorus]
Let me be better than I was
Less of my will, more of your cause  
Let me reflect what patience can be  
Show your compassion working in me  
You see the soul I’ve tried to guard  
Let me be better—Jehovah, my God  

[Bridge]
I won’t pretend I haven’t strayed
But you forgive when I’ve confessed and prayed  
No crown, no worth of my own to boast  
Just grace enough to hold you close  

[Final Chorus]
Let me be better than I was
Lifted by undeserved love  
Let every failure become my prayer  
Every tear, a step toward care  
You’re not done with me—this I trust  
Let me be better than I was

Let Me Be Better Than I Was

Rides in vain

We Don't Talk Anymore

Late September Heart is a quiet story of almosts — the words not said, the looks held a second too long, the song left hanging in the air. Set against a backdrop of worn leather booths and late-night jukebox hum, this track leans into a slow-burning country-blues feel. It’s the kind of song that doesn’t raise its voice, but lingers like smoke — steady, honest, and full of the things we don’t say. For nights when something stirs, even in silence. For what almost was.

Late September Heart erzählt leise von allem, was fast passiert wäre – Worte, die in der Kehle stecken bleiben, Blicke, die zu lange halten, ein Song, der in der Luft hängen bleibt. Der Sound: rau und warm, wie eine Jukebox in einem Diner kurz vor Feierabend. Country-Blues in seiner stillsten Form – ehrlich, zurückgenommen, und voller unausgesprochener Dinge. Für Nächte, in denen etwas bleibt. Auch wenn nichts geschieht.

Late September Heart

**About This Track**  
—an original AI-assisted song released by Rob Nelson who is “Bring Your Own Brilliance,” and Ron Cameron who is “Alien Garden.” This track blends our human creative choices with AI tools to bring our ideas to life in a unique and expressive way.

**Creative & Technical Details**  
- **Lyrics**: [All “Alien Garden” song tracks = Ron Cameron]
- **Lyrics**: [All “Bring Your Own Brilliance” = Rob Nelson]  
- **Executive Producer**: [All “Alien Garden” song tracks = Ron Cameron]
- **Executive Producer**: [All “Bring Your Own Brilliance” song tracks = Rob Nelson]
- **Vocals & Instrumentation**: for all song tracks;  Generated using TopMediAI or AIGenMusic.AI  
- **Audio Format & Editing**: for all song tracks: MP3 and WAV files generated by TopMediAI and refined using NCH Software (trims, fades, format conversions)  
- **Stem Splitting**: for all song tracks; LaLaLaLa AI  
- **Cover Art**: all song tracks; Created using Stable Diffusion 3 Online, Aiease.ai, Pollo.ai, and Pixabay artists (Creative Commons)  
- **Song Structure & Mood Profiling**: all song tracks; Cyanite AI

**CHOICES Explained**  
“CHOICES” is our code word for the creative blueprint of each track—instrumentation, vocal tone, genre, tempo, and mood. Every song starts with our direction. The AI supports our choices; it doesn’t make them for us.

**Rights & Licensing**  
As TopMediAI members, we retain full commercial and non-commercial rights to this track under their [Terms & Conditions](https://www.topmediai.com/terms-conditions/). All lyrics, arrangements, and production outputs are considered original works owned by Rob and/or Ron.

**Creative Use & Inquiries**  
We welcome musicians and producers to re-record or adapt our lyrics and music. Please credit us in any future releases that borrow from our work.

For licensing, collaboration, or industry inquiries, contact:  
Bring Your Own Alien Garden
c/o Rob Nelson & Ron Cameron  
1211 Huron Street N., Suite 202  
London, Ontario, Canada  
N5Y 4L1

**A Final Note**  
This track was created with care, creative intention, and love for music that tells a story. Thank you for visiting—your support fuels every note we share.

"Resonance Blues " [Instrumental Only] [Version # 21] [BYGO21aINSTR]

I’m one of Jehovah’s Witness. I write to think. I’m not a songwriter. I just play with ideas, and I always write for myself. I never intended to write anything for others, let alone songs for people to listen to. 

My musical skills are non existent. I am learning to play the ukulele :). When AI music came out, I saw it as a chance to experiment, but I didn’t plan to share anything with anyone. So I apologise in advance if I get the music genre wrong. I was just having fun. That’s when I got interested in lyric writing, so I started reading books on the subject.

Some of the books I’m reading include “Song Maps” by Simon Hawkins, “On Song Writing” by Aaron Espe, “How To Write One Song” by Jeff Tweedy, “Rhyming” and “Writing Better Lyrics” by Pat Pattison. I’m also subscribed to Keppie Coutts’ newsletter.

I think the music (Suno.ai) does most of the work to make these lyrics sound good. I can spend hours tweaking a song on Suno that ends up sounding terrible, only to hit on one at random that does a decent job of presenting the lyrics in music form. So, if you like a song, it’s because of random chance, not my skill.

I’d like to stay anonymous for a few reasons (including the one above), but also because I want to give all the praise and glory to our Creator, Jehovah.

I do not speak or write on behalf of The Watchtower, JW.org, or any other Jehovah's Witness. If you would like to know more, please visit the official website at www.jw.org

Let Me Be Better Than I Was

Fresh Virtual Reality

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