Samples of my audiobook work and the finished quality my rights holders can expect.

Credit: Iain M. Banks, Consider Phlebas (Macmillan, 1987)

Consider Phlebas

A light interlude (Multi-Character, M/F Dialogue, British Accents -- Sci-Fi, Close 3rd)

Samples of my audiobook work and the finished quality my rights holders can expect.

Credit: H. P. Lovecraft, "The Nameless City"

A dark journey (Brooding 1st-Person narration -- Horror)

A moment of truth (Multi-Character, M/F Dialogue -- Sci-Fi, Close 3rd)

A release of tension (Multi-Character, M/F Dialogue -- Sci-Fi, Close 3rd)

An indignant drone (Comic Character Banter, Drone Voice -- Sci-Fi)

Samples of my audiobook work and the finished quality my rights holders can expect.

Credit: Penelope Lively, "The Emasculation of Ted Roper", in Pack of Cards (Penguin 1987)

Pack of Cards

Village humour (Very Close (Female) 3rd-Person, British Accents -- Contemporary Fiction)

A gullible AI (Dark Humour, Computer Voice -- Sci-Fi, Close 3rd)

The burbling prophet (Unsettling villain voice -- Sci-Fi, Close 3rd)

Samples of my audiobook work and the finished quality my rights holders can expect.

Credit: Iain M. Banks, Consider Phlebas (Macmillan 1987)

A game of Damage (High-energy broadcast reporter -- Sci-Fi)

Samples of my audiobook work and the finished quality my rights holders can expect.

Credit: M. Haddon, The Curious Incident of the Dog in the Night-Time (Vintage UK Random House, 2003)

People are confusing (1st Person Young British narrator --  Contemporary YA Fiction)

Boy, Girl, and Drone (M/F Dialogue, Vocal Ages, Dry Humour -- Sci-Fi, Close 3rd)

Samples of my audiobook work and the finished quality my rights holders can expect.

Credit: Michael Chabon, Wonderboys (Fourth Estate, 1995)

G. C. Romanko

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