I'm afraid this all feels a little aimless to me. It could really use some distinct phrases to focus on.

The stereo version actuallly has a nice sound, I like what the oboes are doing. The mentioned lack of phrasing does bother me a bit too, though. Easy to lose focus. But maybe this should be listened to in a somewhat unfocused state ?  Never entirely sure about those things.

missing an interesting main melody but there are nice chords and harmonies

Do like the stereo version, but a bit more dynamic differences would have been nice.

Thanks for checking this and the stereo version out!

I think the music needs to pause at some moments to take a breath

Stream it on Spotify!: https://open.spotify.com/track/2X3pLqHuLdDim7ba8ntG9E?si=7fbe8f0210e6480b

Follow opi:
SoundCloud: @user-458886394
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Anyone can use the music (even commercially) on their YouTube videos or any other media creation. The only requirement is that you must correctly attribute (credit) Outertone and the artist by a link to our YouTube & Facebook pages

opi - Cloud 10 [Outertone Release]

Made using GHOST 0.3.6 for the KVR One Synth Challenge. Everything is done via synth, no samples or external modulation used.

This was a lot of fun to make as I used to spend a lot of time trying to make rock tracks using very old MIDI gear (like, SC-55 old) by manipulating them as much as I could. I went with a similar approach here.

OSC164

Entrance of Torment - OSC#164 (ChristopherWD)

Julian Olsen - Best Buddy Competition

Ableton Live 11.2.5

12 Instances of LABS BBC Symphonic Orchestra


Trombone 1 - FabFilter Pro Q3
Bass 1 - FabFilter Pro Q3, Limiter
Percussion - FabFilter Pro Q3, Limiter
Trumpet - none
Violin 1 - Utility
Violin 2 - Tremolator
Oboe 1 - none
Cello - none
Trombone 2 - none
Horns - Limiter
Drums - Limiter
Celeste - none


A Valhalla Vintage Reverb - Decapitator


Master - Shaperbox, FabFilter Pro Q3,Newfangled Saturate, TDR Kotelnikov, FabFilter Pro Q3, Youlean Loudness Meter 2

Best Buddy Competition

Julian Olsen - Best Buddy Competiton

Impossible Assembly

! NOTE ! I accidently recorded this in mono. A version in stereo is 
here

https://soundcloud.com/g-jardine/purchasingly-osc-165-impossible-assembly-now-in-stereo?si=6f166293b39b4aeca54d67caf54b6953&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

but of course that's not my entry to the competition, this is.

Cakewalk DAW

11 Instances of the BBC Discovery Orchestra

Cakewalk Pro-Channel EQs x 3
Other Stock Plugins:

Sonitus Compressor x 3
Sonitus Multiband Compressor x 2
Sonitus Reverb

Other plugin:
Oril River reverb x 2

Seemingly no master bus and so no Cliponly.

Purchasingly - OSC 165 - Impossible Assembly

A hastily-thrown-together track for OSC 166. Recorded/mixed in Reaper.

—Synth—
Wave Manuel (1 instance)

—Effects—
Vahalla Supermassive
Melda EQ
TDR Kotelnikov
Polyverse Wider
LoudMax Limiter

Moraine (OSC 166)

Music by Sally DeFord; Violin by April Moriarty

Download sheet music (pdf) for this song free at www.defordmusic.com

And His Name Shall Be Called Wonderful -  Accompaniment Track

Words and Music by Sally DeFord; Vocals by Allyse Smith Taylor; Violin by April Moriarty

Download sheet music (pdf) for this song free at www.defordmusic.com

And His Name Shall Be Called Wonderful - Allyse Smith Taylor

Crane Town Man

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Elber Florentino the name behind Lost In Moment
with a powerful, intense, and melodic sound, yet sophisticated between Techno and Electronic Music. I respect and promote diversity in music and life.

Melodik Session 86 - Lost In Moment

Words and music by Sally DeFord
Vocals by James Loynes

Download sheet music (pdf) for this song free at www.defordmusic.com

Purchasingly - OSC 165 - Impossible Assembly

Crosshatched (Side Project of The Jestream Surges)

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