How does a person exist? Of course, there are many factors that make it exist. As a social being, human seeks ways of self-expression and existence. Among these forms of expression, we encounter the phenomenon of identity. Biologically and culturally shaped identity is one of the ways of existence of the individual. Starting from Socrates' 'knowing oneself' until Freud, the phenomenon of identity occupies humanity. 

In the global structure we live in, how are we shaped within the concept of identity? Globality enables us to focus on the phenomenon of identity in today's societies. The new perception of identity and the coexistence of different identities necessitate the redefinition of identity in changing conditions. Are we talking about homogeneous or polarizing societies with globalization? This structure offers us a different perception of time and space. Spaces are narrowing and expanding in an instant. In this perspective of perception, we move in a multi-time and multi-spatial structure, on the other hand, national political borders provide us with spatial contractions. With globalism, we are trying to be immobilized in the hegemony of nationalism and political life, while talking about new discoveries of identity.

Mobile Wurzeln deals with cultural identities from a transnational perspective, in both shrinking and expanding space and time. The exhibition evaluates the sense of belonging within the current situation, in insecure areas between the majorities trying to be me with the ideas of 'the other' within us, 'me, the non-other' and 'the existence of the other and the self'. It focuses on the deformation of knowledge and the degradation of identity, with the effort of history to record the other.

The works seek to present numerous viewpoints of a singular story. We invite 4 international artists for the first round of the exhibition at STOCKWERK. In the exhibition; In Gohmert's oil painting, we see his effort to find an abstract life, desiring change, Yoshida's view of the loss of function of language, and with it, the transformation of words that lose their meaning into something else in a poetic way. It also allows us to focus on self-disconnection in the face of the absurdity of national borders separating us in Al-Khadra's work. Prkno helps us to travel with our ears to the diversity of perception, invisible borders, bridges between cultures.

Artists: 
Kathryn Gohmert, Qenji Yoshida, Moawya Al-Khadra, Josephine Prkno

Mobile Wurzeln / Mobile Roots

You can  watch  with  Graphic notation from here : http://www.csismn.com/SYN-Phon

Graphic notation and composition by Candas Sisman
Barabás Lőrinc: Trumpet 
Ölveti Mátyás: Cello 
Candas Sisman: Electronics and Objects 

Budapest Art Factory (BAF) is pleased to present to you SYN-Phon; sound performance based on graphical notation by Candaş Şişman featuring Barabás Lőrinc & Ölveti Mátyás. Candaş Şişman resided at BAF for the month of June as part of its cross-cultural fertilization residency program. SYN-Phon will be exhibited to act, as a visual linguistic delivery through a cogitation segment followed by the sound performance on June 29th. 

www.csismn.com
www.budapestartfactory.com
www.barabaslorinc.com
www.accordquartet.hu

Coming about to understand the human nature of comprehending linguistics is that of a complex take –on. The constituent elements of language, in general content, bring forward the theory of other minds sharing, with intentioned communication. 

Thought varies with the use and absence of language that comes to be found in line with the development of thinking and impulses from our daily surrounding. Eventually language creates our point of view just as much as our ideas and perception of matters, individualistically. 

Art plays a crucial role in demolishing the boarders of our comprehension our mindset is framed into by literate language. Human language serves as a rather conservative form of communication when comparison to musical language; where the freedom of space employs as a resort for that broad horizon of that, that in search of cutting-edge form of broadcast. 

Candas’s trials of combing various forms don’t necessarily imply the mere creation of a pioneering flash but rather the use of the endless possibilities in associating the known and unknown. Through the unknown, we come about with a new way of thinking that tries to substitute and make space for a new tool of self-expression. Conclusively the graphical notation gives liberate opportunity in creating one’s personal language that holds its basis on feeling the visual and sound in parallel. 

Phonation, in accordance to Candas is the presence of sound language in SYN- Phon where the structure is supported by the synthesis itself. Music in its myriad forms extends to exploiting a communicative human language, thereby making the conceptual idea much more of significant importance than the actual tool. For Candas the presence of music in positively charged negatives spaces is a key element for substitution of the unknown seeking to be expressed. By the happening of SYN-Phon the line of musician will be crossed into a rather freely inflicted composer. Lőrinc and Mátyás as the musical inputs , on trumpet and cello respectively, of the performance will attain free expression 
rightfully to the impulses in line of creating a new language.

SYN-Phon sound performance will demonstrate an articulation based on Candas’s intimate collective findings of Budapest during the month of June. Buda and Pest in the separate geographical allocation hold different quintessence natures, in addition to the anecdote of recent flooding events of Duna the performance is meant to reach out to the audience as a sensual expressive language. The sound performance will include sounds, constructed and picked up in Budapest recorded by Candas himself. 
The whole bulk graphical notation will be available in print form to be part of the introductory assimilation.

SYN-Phon

Comp music of şenol küçükyıldırım

Recorded in August 2019 at Halle 6, Munich

Dario Fariello - tubax saxophone
Alex Riva - recorders
Mikael Szafirowski - electric guitar
Ina Sagstuen - voice

ZGB with Ina Sagstuen - live at Tubax Festival 2019

Hong Kong şehrinin sembolü olan neon tabelaların geleceği ve Azuma Makoto'nun etkileyici botanik heykelleri. Konulara dair görselleri linkte bulabilirsiniz: www.studiomercado.com/post/podcast-11

Mobile Wurzeln / Mobile Roots

Gökçen Dilek Acay

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