"Herencia: homenaje", dedicada a Maribel Alonso, es una obra que se centra en nombrar a compositoras de diferente procedencia, quienes sentaron las bases para la composición de esta obra en particular. En ella, se utilizan citas de su música, que exploran sonoridades tanto melódicas como tímbricas del fagot; se incluyen momentos improvisatorios en los que Maribel puede hacer sonar su voz tomando en cuenta la influencia de dichas compositoras, y también se propone una síntesis de las citas musicales, con el fin de concertar a estas compositoras tan diversas en una misma obra. Herencia: homenaje hace énfasis en los nombres de las creadoras que inspiraron la pieza, rescatando la idea de que “lo que no se nombra, no existe”. 

Citas musicales de: Valeria Rubí, Michele Abonadno, Tania León, Jenni Brandon, Adrienne Albert, Helga Warner-Bulhmann y Olga Neuwirth.

Herencia: homenaje | 2022 - Performed by Maribel Alonso (bassoon & electronics)

Música original para saxofón tenor solo y con medios electrónicos de compositoras, intérpretes e investigadoras mexicanas que busca la visibilización del trabajo de las mujeres músicas en México.

Compra aquí tu copia física, incluye fotografías, notas e ilustraciones exclusivas: https://lasmontoneras.bandcamp.com/album/m-sica-para-saxof-n-tenor-y-medios-electr-nicos

11. En El Exilio - Nubia Jaime (Bonus Track)

Canto primitivo
para fagot solo
Maribel Alonso, fagot

Canto Primitivo

Here is the video of performance:
http://www.youtube.com/watch?v=C5T8c05_Mk8

This piece was composed for a project "ARTинки с выставки" with the support of Kandinsky prize. The idea is to ask 6 composers to choose an object of art on the exhibition of nominants of Kandinsky prize (2013) and to write a piece on it.

So, I chose two objects:
- "To friends. Post Restante." by Nikolay Nasedkin
- "Letter F" by Recycle Art Group

Both of them joined in my head under one theme of communication, virtual and real space, relationships between people. 
Sometimes the tension of some situations becomes the cause of the emission of a kind of poison. 
scorpion inside of a person
on the verge of patience
on thin ice

performers:
sasha elina - performer
daniel shavyrin - cello
evgeny barkhatov - clarinet
vladimir urbanovich - home swinger
yelisei dregalin - home swinger

Moscow, 20.12.13.

Stop at the next cloud or I'll turn into a scorpion

Lucia D'Errico - Madonna Il Poco Dolce

For Double Bass Solo.
Recording performed by Florentin Ginot.
Commissioned by Casa da Musica, Porto.
First performed 24 september 2006 in Musica, Strasbourg by António A. Aguiar.

Fury (2005)

For Clarinet in Bb, Electric Guitar and Violoncello. 
Recording performed by Ensemble Musikfabrik. 
Commissioned by Münchener Biennale. 
First performed 17 March 2004 at Klangspuren Concert Series München, by Ensemble Triolog.

Stirrings Still

Vermilion (2003)

For Two Double Basses
Recording performed by Corin Long and Michael Tiepold.
Commissioned by Konzerthaus Dortmund
First Performed 17 February 2006, in Konzerthaus Dortmund, by Corin Long and Michael Tiepold.

Blue And Gray (2005)

Nov 08, 2017 Yu Nishiyama, alto saxophone

Nardis

Asymptotic Freedom I - for six electric guitars

This is the first version of the piece (Asymptotic Freedom II – is going to be a one-hour long piece and performed in different rooms of the same building). 

The piece is created in close collaboration with my friends, wonderful musicians Chris Moy, Ruben Mattia Santorsa, Francesco Palmieri, Samuel Toro Pérez, Giuseppe Mennuti and Alejandro Tentor.

Special thanks to Yaron Deutsch for his support and curation of the project.

The project is commissioned by the studio la Muse en Circuit, Darmstädter Ferienkurse and Wittener Tage für neue Kammermusik.

Elena Rykova - Asymptotic Freedom I [six electric guitars] - headphone mix (2020)

Ruben Mattia Santorsa, electric guitar

Recorded in Paris on 24/02/2020

À fleur de peau

"À fleur de peau" by Giulia Lorusso

Compositora mexicana.
Mexican composer.

- 
Motivada por las búsquedas tímbricas e involucrada con la improvisación utilizando la guitarra eléctrica y pedales de efecto como elemento central para esta búsqueda personal. Interesada especialmente en las prácticas y creaciones colaborativas, así como en la música china. 

Es integrante de la colectiva Las Montoneras, dedicada a la difusión y promoción del quehacer musical de mujeres mexicanas. Fue coordinadora del Festival Expresiones Contemporáneas sede CDMX, y de Female FEC Artists: mujeres compositoras, intérpretes y artistas sonoras del Festival Expresiones Contemporáneas.

Recibió su formación musical en el Centro de Investigación y Estudios de la Música (CIEM); es Licenciada en Teoría Musical (LMusLCM) por University of West London y en Composición Musical (LTCL) por Trinity College London. Estudió con la compositora e intérprete de laúd chino Gao Hong. Actualmente cursa la maestría en Composición en el Conservatorio de Música de Tianjin, China, bajo la tutela del profesor Xu Changjun. 
-
Mexican composer, motivated by timbric explorations and currently involved with improvisation, having the electric guitar and effects pedals as the main tools for her expression.  Interested in collaborative practices and in Chinese music.

She’s a member of Las Montoneras collective, dedicated to the promotion of Mexican female musician’s work. She was coordinator of Festival Expresiones Contemporáneas’ Female FEC Artists: women composers, performers and sound artists. 

Licentiate in Music Theory (LMusLCM, University of West London) and in Music Theory (LTCL, Trinity College London), studied at CIEM (Center for Music Research and Studies; Mexico City). She took tutoring lessons with Gao Hong, Chinese composer and pipa performer. She’s currently pursuing her master's degree in Composition at Tianjin Conservatory of Music, China, under the mentorship of professor Xu Changjun.

Herencia: homenaje | 2022 - Performed by Maribel Alonso (bassoon & electronics)

Guadalupe Perales | Compositora - Composer

Related tracks