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melancholic

New album in-stores July 19th. 

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In the Mountain in the Cloud

Sleep Forever

Prod. by purpdogg

Download - http://www.mediafire.com/download/68y8pffksb0l3yt/Bones+-+SoThereWeStood.zip

Bones - Sodium (Prod. by Purpdogg)

OFFICIAL VIDEO: https://www.youtube.com/watch?v=0l7-WRHSfHo
FREE DOWNLOAD: https://suicideboys.bandcamp.com
https://G59Records.com
G59Records@gmail.com

7th or St. Tammany

DEAD BATTERIES

Big Jet Plan - "Down The Way" album by Angus & Julia Stone
Download on iTunes - http://smarturl.it/bigjetplane

Angus & Julia Stone - Big Jet Plane

OFFICIAL VIDEO: https://www.youtube.com/watch?v=4mNpcG4Jag8
FREE DOWNLOAD: https://suicideboys.bandcamp.com
https://G59Records.com
G59Records@gmail.com

YUNGDEATHLILLIFE

FREE DOWNLOAD: https://suicideboys.bandcamp.com
https://G59Records.com
G59Records@gmail.com

High Tide in the Snake's Nest

MOUNT SINAI

DOWNLOAD: https://rvmirxz.bandcamp.com
https://G59Records.com
G59Records@gmail.com

SARCOPHAGUS II (FEAT. $UICIDEBOY$) [Prod. Baker Phonk]

FREE DOWNLOAD: germjeezus.bandcamp.com
PROD. BUDD DWYER
ENGINEERED MIXED/MASTERED: @CASHMERECHASE

FUCK Y'ALL HOES (FEAT. $UICIDEBOY$)

Open Season - High Highs

https://G59Records.com
G59Recordsbooking@gmail.com

[Verse 1: Ruby da Cherry]

wake up with an ache that fades
pop two pills with gatorade
round my neck hangs gator fangs
might reveal more at a later date, but i don't know
Yung $now kind of go with the flow
bring a hoe back stage
tell her "tell me everything you know about life"
then i bounce
Roxy's hitting hard
i'm feeling fucking sick
ima have to smoke a half an ounce just to balance it out
Ruby backing out
Ruby blacking out
falling fucking deeper 
I think Ruby cashing out
the grass is always greener when the gave is lacking crowds
look who's laughing now
an audience cracking up
you can let the curtains down now
i wallow in sorrow
ain't no tomorrow
missed a call from $lick and woke up in a gown, how?

[Verse 2: Lil' Remains]

i just bought 10 Roxys
call up Oddy then i crush it up
Chronic laced with something
I'm like fuck it let me hit the blunt
rolling down your block 
it ain't shit for the set to crush it up
told that bitch "get out my ear"
she need to chill and hit the blunt
xanax bars up in my drink
before i pour 'em, crush it up
we never fucked with you fuckboy
don't act like you can hit the blunt
take that motherfucking bat upside your skull and crush it up
so full of them drugs, i might throw up
i knew i shouldn't have hit the blunt

Eternal Grey

O PANA!

https://G59Records.com

[VERSE I: LIL REMAINS]

we be them gorillas creepin' inside your motherfucking mind
germ got the axe
watch him lift it up and then swing it from behind

[VERSE II: GERM]

who is he?
that fucker a beast
came with the fleet, knock you out your fleece
cold summers with them long winters, if need be
fuck the world, bitch, i'm balls deep

[VERSE III: LIL INFECTED]

demons surround me
i'm drowing
i'm fiending for opiates
scheming
i hope it gets colder
the seasons they change but we holding
defeating the opposition
opposite of the competition

[VERSE IV: LIL REMAINS]

we start a fucking riot
don't try me
i strike like lightning or tyson
do drive by's riding on bikes, man
i swear that murder excitin'
i'm expediting your life's end
we multiplying alliance
you biting? well, i'm delighted
welcome to hell, i'm your guidance

[VERSE V: GERM]

hold on
call on me
diamonds dancing, homie
running for office
offensive and lawless
balls of the rawest in jaws of the new elect
fucked up be my set like ratchets with hatchets wilding
catching necks.
i'm bout bad shit like where the plague at?
that guy with the lost cause
fifty one fifty
spazzing, screaming where the flame at?

[VERSE VI: LIL INFECTED]

flame on
plague calm
stained palms
pop eight pills now the fucking pain's gone
slaying yall
chain flawed
same song
change long
long mane
raised kong
trained kong to slay them broads
reign strong

[VERSE VII: LIL REMAINS]

dirty nasty up the ante
drop top, dat way
mr. pop off on a banny

[VERSE VIII: GERM]

i got a bottle of thompson
bunch of shitty whiskey in me
gentilly with the 7th ward lord
razor blades slice the vocal chords

[VERSE IX: LIL INFECTED]

from new orleans to atlanta
sip a dirty big shot fuck a fanta
sell out a show in santa ana
dirty nasty propaganda

DIRTIERNASTIERSUICIDE

$UICIDEBOY$ x GERM - SLIP ON A BANANA CLIP

[VERSE I: WHO BOY BOY]

definition of the living dead
got a dead bitch giving head
tulip flowers growing on my bed
rust and blood settle on my lead
broken soul but i'm breaking bread
head dreaded boy from Waggaman
Petey Pablo shirt off
but no swinging like a helicopter
got it covering this chopper
spitting out them yoppas
got the drama with the lama
i can get you to nirvana
run them pockets proper
we create our own karma
balboa out the magnolia
northside soulja
need the keys to the rover
yung scarecrow

[VERSE II: LIL WAAAAAA]

ruby the fucking ape
ruby the fucking orangutan
mumbling nothing
just the discussion of public destruction
i'm up in flames
the soulja by the lake
feeling like i'm in the navy, but i pull up in the tank 
sipping the tang out of an AK
kangaroo the next lane
lame move you looking plain
can't redo the flex mane
camo on my body like i just got back from war
i heard a bang in the bank
ben frank on the floor
back in New Orleans, now everybody wanna score
i'm trying to finesse the lesser into something more
i'm drawing a blank on who the fuck you is

KILL YOURSELF Part XII: The Dark Glacier Saga

AUDUBON

Grey Gods (Feat $uicideboy$) [Prod.By Tacet]

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

LTE

$UICIDEBOY$

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