daso - meine в беларусской обработке 🏆

Nicola Cruz and Cosmic JD from Ecuador transmitting dub frequencies live from The Lot.

@nicolacruzz @cosmicjd

House / Techno / Dub

Nicola Cruz & Cosmic JD @ The Lot Radio 08 - 13 - 2022

RADIO.D59B / LA VIDA SALVAJE #10 w/ Iva Arifaj

b2b set with  @bjorn-torske  recorded live at Cafe Opera Bergen, 27-11-2022 
at Svitanok Festival after party
mastered by @leftie

Bjørn Torske b2b Pavel Plastikk – Svitanok Afterhours @ Cafe Opera Bergen

A two-hour special we did prior to our LOW Party at Opium in Vilnius. The first hour is a Pavel b2b Philipp and the second one is covered by the guest of the night DJ Strangefruit from Oslo.

Radio Vilnius. LOW 14 Years w/ Strangefruit, Markovich, Plastikk (Apr '23)

Follow artist and formation:

https://soundcloud.com/wieloroman
https://instagram.com/dr_pivnenkorom

https://soundcloud.com/regulardisco 
https://instagram.com/regulardisco

Support us:

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REGULARDISCO W/ WIELOROMAN 16/04/2023

This podcast was recorded in summer 2012 for clubberia.com  ...special extended version out here!

Clubberia Lawrence Extended Podcast

busy-easy winterXX15

@analogueattic founder Alex Albrecht (@melquiadesmusic) shows off his celebrated musical vision in an hour long live takeover of the show. Highly recommended. - - Full show here: https://soundcloud.com/willoirson/sets/analogue-attic-recordings

Alex Albrecht (live) _ The Something Something on Red Light Radio #40 pt. 2

Recording of @lipelismusic's set at Dekmantel Festival 2019.

Dekmantel Festival 2019

Lipelis at Dekmantel Festival 2019

Coming in from across the ocean it's our pal DJ D.Dee (@derekdee) with his 'Sounds From The Patio, For The Patio' mix. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Dee, great to have you on board! Living in Vancouver since 10+ years, could you name some of the city's most relevant cultural changes? 

DD: Happy to be here! Hmm, tough one. I’d say the biggest one for me has been the natural growth and progression of the underground scene. When I was first introduced to the scene here it was quite small and consisted of a dedicated core of like-minded individuals with a penchant for deeper music. Since then it’s grown and grown and there’s scenes within scenes and it feels like there’s more of a place for everybody to do their thing, which is nice. Then again, it may have always been this way and I just didn’t notice, scenes are so subjective and everyone here tends to live in their own little bubble. It can be quite an isolating place, especially in the winter months.

MFM: You've been running Pacific Rhythm since 7 years, did you expect/plan it to be where it is now?

DD: Honestly I’m still figuring it all out and learning along the way. When we started we only put out a record once a year and this year it’s looking like we’ll put out at least 6. I’m very grateful to have so many other friends who run labels now, when we first started I didn’t really have anyone to go to for advice that wasn’t also learning the ropes themselves. It’s a tricky industry to navigate, especially from Vancouver where you’re so far away from the manufacturing, distribution process, and frankly most of the places that actually stock your releases. People really aren’t buying records like they used to and honestly I feel like the whole process of creating them is a bit archaic and convoluted. Pacific Rhythm will always produce physical artifacts because I think that’s important but I could see us drifting away from producing vinyl in the long-term. The reality is there are so many better ways to share music in the modern world and we’re often all kind of just caught up in this nostalgic haze. 

MFM: What is it like being both a DJ and promotor, and could you share some of your highlights with us? 

DD: To be honest I think way more DJs in North America have to do both if they want to make a living in dance music. There’s way more of a club and festival infrastructure in Europe and in my experience most good events in North America are a lot more DIY and grass roots, especially in underground music. I started being a promoter because there weren’t really other people around that were interested in the kind of music I wanted to hear and I’ll likely continue being a promoter for that same reason until I inevitably age out of the scene and focus on something more daytime oriented. I just got home from touring Australia and that was really something special. They have such a well developed scene down there and a lot of really open minded dancers, very refreshing! Big love to Mike (Planet Trip) and Jamie (Crown Ruler). Most recently I’ve got my US visa and I’m looking forward to playing more there. I’m also planning on spending the bulk of the summer in Europe and have some interesting dates scheduled here. Truthfully though! Who knows. I think our scene is going to go through some major changes post Covid-19 and things may not normalize for quite some time.

MFM: What can you tell about the mix?

DD: I’ve been asked to self-quarantine for two weeks by the Canadian government and this mix was recorded smack dab in the middle of it. I’ve been pretty deep in the self-reflection zone and doing a whole lot of the “deep listening” thing. I wanted to record something to help people pass the time and share some new music from friends and toss in some percy’s to round it. The approach was very easy going, not so much mixing, more about trying to let the tracks breath and staying out of the way. 

Stay in mate, it feels great!

MFM Mix 013: DJ D.Dee

"Good thoughts bring forth good fruit" (George Clinton, 1974)
Surprising connections between different selections, ear-pleasing explorations crossing global borders, timeless decades and different foundations.
------------
Starting off our new series with an Ojoo.tv recording by Sundae Sue on 22h of March 2020.

@sundaesue
facebook.com/sundaesue/
facebook.com/ojoomusic/

busy-easy winterXX15

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