All tracks have been recorded directly without editing by Gábor Lázár.
Info & buy: http://www.gaborlazar.com/ils.html

ILS.1 (3:26) 
ILS.2 (3:13) 
ILS.3 (4:11) 
ILS.4 (3:45)
ILS.5 (2:36) 
ILS.6 (4:24) 
ILS.7 (2:37) 
ILS.8 (4:33) 
ILS.9 (2:58) 
ILS.10 (3:30) 
ILS.11 (3:08)

Gábor Lázár - ILS (Presto!?, 2014, CD, Album, ltd)

Title: EP16
Label: The Death Of Rave 
Release Date: 03 October 2014
Format: 12"

Website: http://www.gaborlazar.com

The Guardian: http://goo.gl/p0S3mZ
FACT Magazine: http://goo.gl/KanVdY
Boomkat: http://goo.gl/hGWdFY
Juno Plus: http://goo.gl/ZnzfEB
Norman Records: http://goo.gl/WQlyLf
Mimaroglu: http://goo.gl/uxN07u
Sly Vinyl: http://goo.gl/N31Rni

Gábor Lázár - EP16 (2014)

The Death Of Rave, 30. April 2015, 2LP, Album 
gaborlazar.com / markfell.com

Watch Aphex Twin playing Mark Fell and Gábor Lázár at Field Day London 2017: goo.gl/hkud0m and at Primavera Sound Barcelona 2017: https://goo.gl/3wT1sc

The Quietus on Aphex Twin at Field Day London: "...one of the most head-spinning moments around 30 minutes into his set thanks to a cut from Mark Fell & Gábor Lázár's 2015 record released via The Death Of Rave."
https://goo.gl/6DfjN1

The Wire Magazine (Issue 376, June 2015):

"[...] Formed from an ascetic palette of untreated beats and single-frequency synths, The Neurobiology Of Moral Decision Making flaunts Fell and Lázár's microscopic attention to detail throughout, with each track drawing your attention to a tiny parameter variation. Unlike the pointillist studies of Ryoji Ikeda and Florian Hecker, the results are unexpectedly itchy, funky and exhilarating - as the press release says, this neuroscience is "almost compatible with footwork". Amid all the odd numbered time signatures and disorientating multitimbral drones, the disc works a sincere homage to the intricate web of kick drums and snares of Chicago dance music.

When Autechre and Aphex Twin deployed loops of ball-bearing sounds a decade and a half ago, in "VI Scose Poise" and "Bucephalus Bouncing Ball" ,things could slip up and fall flat. This self-conscious IDM was, as Matthew Ingram put it in The Wire 349, "the worst of both worlds, like pipe-smoking breakdancer". Here, in the untitled seventh track, the same rhythmic pattern spawns five minutes of compelling material, a rapid dancefloor cut in which Fell's beat suddenly drops midway through, leaving Lázár's synth flickering alongside a flurry of invisible trainers. The album retains a focus on the danceable, at least until the 12 minute finale, whose strobing and pitched-up snares from the highest bpm of the entire set. Like Hans Christian Andersen's gory tale of the red shoes, this flurry of hyper-rhythmic noise finally passes the bounds of footwork altogether, pointing towards a mechanical state in which human dance is impossible. [...]"

Resident Advisor:

"Rave deconstruction has been back in the spotlight lately. Established figures like Russell Haswell and Mark Fell are in high demand from young labels like Diagonal and Liberation Technologies. And a new generation of musicians are following in their footsteps, taking the conventions and materials of dance music and reshaping them in weird and wonderful ways. Lee Gamble, a self-professed Editions Mego fanatic, puts techno under the microscope. Lorenzo Senni pens bizarre sonic essays on trance. Budapest's Gábor Lázár, meanwhile, fires out machinegun patterns of abrasive synth tones, transforming a single eardrum-scraping rave sound into a study on the psychedelic properties of the dance floor. Music this intensely minimalist is difficult to get right. It risks draining its subject of the qualities that make it so exciting, or else prioritising concept over a musically engaging outcome. Lázár's productions have been improving in this respect, but it's on this collaborative album with Mark Fell that he makes a major breakthrough. [...]" 

Norman Records:

"If you already know Gábor Lázár’s music then you’re probably already a Mark Fell fan and so you won’t be surprised that this collaboration between them has yielded what has to be some of the most rhythmically radical and seizure-inducing futurist electronica being made on planet Earth right now.[...]"

Bleep:

"On The Neurobiology of Moral Decision Making, the duo deliver 10 pieces of off the grid, unsyncopated mastery, deconstructing of the steadfast preconceptions of dance music through a suite of constantly shifting time signatures, sporadic claps and sterile, modernistic melody. Such production methods obliterate the deeply rooted notions of rhythm, ushering in a new age of dance floor exploration.[...]"

Mark Fell and Gábor Lázár - The Neurobiology Of Moral Decision Making (2015)

https://goo.gl/Q3Ehno

'Crisis of Representation' out on January 12th, 2017 on Shelter Press — LP+CD / Digipak CD / Digital

Artwork by Zsófia Boda
Layout: Bartolomé Sanson
Mastered and cut by Rashad Becker at D+M.

Crisis of Representation

Gábor Lázár - Crisis of Representation (2017)

Unfold 2LP is out now on The Death of Rave.

Watch video: https://youtu.be/aT3fvaqVAHI
Website: http://www.gaborlazar.com

Gábor Lázár mutates 2-step, grime and electro prisms with economic yet ravishing effect on Unfold, his solo début LP proper for The Death of Rave. Following an  acclaimed split LP with Mark Fell ( which was deployed to stunning effect in Aphex Twin’s live/DJ sets of 2017), the Hungarian artist has harnessed the scything contours and mentasmic vamps of his earlier releases into 8 inexorably funked up frameworks set to brilliantly mess with modern ‘floors. Big recommendation if yr into Errorsmith, SOPHIE, Jlin, AFX, Lorenzo Senni...

Kerning classic styles with devious ballistics according to a mutant syntax reflected in the LP’s bespoke sleeve art, Gábor galvanises his signature flux of zinging mentasms and hyper rhythms with a cyber-mongrel gnash in Unfold. Drawing from the deeply affective and rude ends of South Yorkshire, Detroit and South London technous for inspiration, Gábor consolidates their mutual aspects by trimming the excess and stressing the funkiest points of syncopation with razor sharp, inventive edits. Whilst instantly recognisable as Gábor’s work, his grooves are more pronounced, and this time unusually riddled with melodic gestures that lead to moments of unexpected emotive relief. 

In the contemporary field, Unfold firmly lives up to comparison with the sexy retro-futurism of Mark Fell’s Sensate Focus, the advanced playfulness of Errorsmith’s Superlative Fatigue, or the fluidly knotted syncopation of Jlin, but does so with a singular mesh of style and pattern that Gábor can patently declare his own. Heard in context of the album cover’s bespoke GL sigil designed by Dániel Kozma, Unfold becomes an ultimate gesamtkustwerk whose audio-visual play of sensual/cutting contours and elegant brutalism resonate as much with the work of his idol, Mark Fell (SND), as the ultramodernist vectors of SOPHIE, the lush technicality of Second Woman, or the ballistic proprioceptions of Jlin.

In other words, it’s one of the most forward dance music records you’ll hear in 2018.

Overall

Repeater

Steady

Rush

Propel

Squeeze

Elastic

Unfold

Gábor Lázár / Russell Haswell - Split 

A1 - Gábor Lázár - Split Works 1.(4:48)
A2 - Gábor Lázár - Split Works 2.(4:18)
A3 - Gábor Lázár - Split Works 3.(4:11)
A4 - Gábor Lázár - Split Works 4.(5:27)
B1 - Russell Haswell: E-S.S.D. (22:19)

Tracks A1 to A4 recorded and mastered by Gábor Lázár, in Budapest, HU, March 2013. www.gaborlazar.com
Track B1 recorded, edited and mastered by Russell Haswell, in Suffolk, UK, early 2013. Special thanks to Kohei Gomi.
www.haswellstudio.com 

C46 cassette, limited 100 numbered copies.
http://www.lastfoundation.eu

A1 - Gábor Lázár - Split Works 1

A2 - Gábor Lázár - Split Works 2

A3 - Gábor Lázár - Split Works 3

Gábor Lázár / Russell Haswell - Split 

A1 - Gábor Lázár - Split Works 1.(4:48)
A2 - Gábor Lázár - Split Works 2.(4:18)
A3 - Gábor Lázár - Split Works 3.(4:11)
A4 - Gábor Lázár - Split Works 4.(5:27)
B1 - Russell Haswell: E-S.S.D. (22:19)

Tracks A1 to A4 recorded and mastered by Gábor Lázár, in Budapest, HU, March 2013. www.gaborlazar.com
Track B1 recorded, edited and mastered by Russell Haswell, in Suffolk, UK, early 2013. Special thanks to Kohei Gomi.
www.haswellstudio.com 

C46 cassette, limited 100 numbered copies.
http://www.gaborlazar.com/ltfn004.html

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