delicious, just a piece of art ! thank u <3

man i am SO glad you have posted some new work! I find your music so creative and deep. Thank you!

So so beautiful... pulling pieces of my soul out from the depths and sewing them back together. Thank you 🙏

Download

Memum - Became A Leaf (Henrik José Remix)

Taken from nonkeen’s album ‘the gamble’ released 05/02/16
pre-order from iTunes - smarturl.it/TheGamble
pre-order Bandcamp - bit.ly/1kliFFr

For further details, please check www.nonkeen.com

re:turn!

This is a remix of Paper Unicorn from Ochre's album Isolette which actually turned into more of a cover version.  I've been a huge admirer of Chris' work right from his early demos - REM Sleep Research will always be somewhere in my all time top 10 electronica tracks.  

He's continued to release some of the most beautiful and intricate music in the field.  You can find the original of this track, and all his fantastic music at his bandcamp: http://bandcamp.ochremusic.com/

This cover version has been made available to download with the artist's permission.  Thanks to Chris, it's a wonderful piece and I had a lot of fun putting this together.

Unreleased

Paper Unicorn (Digitonal Transcription)

Ochre - Paper Unicorn (Digitonal Transcription)

Jesse Woolston - Weave

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Golden Times 1

Buy LP/CD/DL

Ben Lukas Boysen – Golden Times 1

Pre-order Peter's 'Grunewald' EP – out December 9 – on 10"/CD/DL here: phonofile.link/grunewald

Not long after the release of Peter Broderick’s seventh solo album ‘Partners’, the composer closes 2016 with his equally exceptional ‘Grunewald’ recordings, out on December 9th via Erased Tapes.

Born in just one night inside the four walls of the discrete yet majestic Grunewald Church, situated on the outskirts of Berlin, this five-track EP is an exploration of the alluring partnership between the acoustic space and Broderick's solo performance on piano and violin. Reflecting the grandeur of the room and the natural interaction between the instruments and their surrounding environment, 'Grunewald' pays homage to a very unusual space that's become a haven for an entire generation of contemporary composers.


Words from Peter, October 2016:


“In the few years between 2008 and 2011 or so, the Grunewald Church in Berlin was something of a hotspot for a group of us musicians. It started when Nils scouted it as a location in which to record The Bells . . . and then it seemed like we were in there every month or two for a while, either for recordings or for concerts.

There was a lady living just down the street from the church, and we’d just knock on her door, give her a couple hundred euros, and then she’d hand over the keys to the church! To be given unsupervised access in a space like that is really quite unheard of most of the time… For anyone who likes reverb, the Grunewald is a dream come true. That in combination with the beautiful old Bösendorfer piano made it the perfect place for both recording and performing.

When mixing the recordings that comprise this EP, simply titled Grunewald in homage to that old haven of ours, there were no artificial reverbs or delays used . . . only the natural sound of that epic space. Originally these piano recordings were released as part of a split album on a small Japanese label, and the violin piece was included on a compilation, also Japanese . . . but all these pieces were recorded on the same night, in the same space, and it is with great pleasure that I see them reunited for this release.”

TRACK LISTING:

1. Goodnight
2. Low Light
3. Violin Solo No.1
4. It’s A Storm When I Sleep
5. Eyes Closed And Traveling

www.peterbroderick.net · www.erasedtapes.com

Grunewald

Peter Broderick - It's A Storm When I Sleep

Download: https://www.xlr8r.com/mp3/2016/11/heinali-anthracite/

@heinali
@injazerorecords

[Via XLR8R]

Download: Heinali - Anthracite

Bersarin Quartett - Oktober

Thomas William Hill - Laniakea

Listen / Purchase: https://lnk.to/felltoshadow

This charity compilation is comprised of eleven exclusive songs from a variety of artists both new and old to the label. It serves as perfect representation of what Lost Tribe Sound has strived to bring forth over the years with its rustic, brooding mix of classical, folk and otherwise indescribable sound. The album includes collaborations by From the Mouth of the Sun & Seabuckthorn, Manyfingers & William Ryan Fritch, Kiln & Mute Forest, kj & The Green Kingdom, William Ryan Fritch & Alder & Ash, along with exclusive solo endeavors from The Phonometrician, Luton, Spheruleus, Alder & Ash, Gavin Miller and William Ryan Fritch.

We Stayed The Path That Fell To Shadow

Lesser Still

Buy Album

From the Mouth of the Sun & Seabuckthorn - Lesser Still (from We Stayed The Path...) Full Version

Hypnagogia # 2

''My first official album, 'In The Beginning There Was The Light', is a journey through my own world as a composer and a pianist; throughout the whole process of making it I experimented with different genres -Neoclassical, Experimental, Soundtrack, Solo Piano, Nujazz, and New Age among others- given that each song had a different role to play in the album. I wanted the music to tell a story, or perhaps, the story to have some music, but that was the main reason why I decided ITBTWTL to be a conceptual album, something with a central message/melody that could be used for a film or a play. I invite you to explore the story and for you to be part of this musical journey I created with passion and love; hope you enjoy it.''

Hi everyone, my name is Gabriel Ruata, born and raised in Guatemala City, Guatemala, a small country located in the northern part of Central America. Ever since I was a kid, I loved classical music and always felt a special connection with any kind of musical expression. It seems, somehow, that there was some kind of rhythm in my soul that made me feel music in a special way. 

From among all the musical instruments at my disposition, there was something about the piano that called to me, maybe it was the smell of the wood, maybe it was the beautiful marble keys, maybe it was Chopin or Beethoven calling me, I did not know by then, but there was something mesmerizing about it. That’s why I started playing the piano at age 11; I enrolled in music classes and kept at it for 6 years, after that, I figured it was time I started experimenting with music on my own.

I graduated from school in 2003 and enrolled in Law School after that. After almost 7 years of studying law and finally becoming a lawyer, I decided it was the perfect time to pursue my dream: becoming a music composer, a musician, and an artist.

I studied Music Production and Audio Engineering at Harbourside Institute of Technology in North Vancouver, Canada in 2011; after I graduated from the program, I decided it was time to start doing something more concrete than just individual tunes, so I embarked in the adventure of making a music album.

Hypnagogia # 2

Gabriel Ruata

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