@adrefurj2 dude it already blew up, did you know it was part of the King’s raid ost

Panty & Stocking - "Fallen Angel" | AmaLee Ver (feat. Lollia & RichaadEB)
Link: https://www.youtube.com/watch?v=zxECJgdK7t0Panty & Stocking -

Panty & Stocking - "Fallen Angel" | AmaLee Ver (feat. Lollia & RichaadEB)

[DALNODO] Not A Hero (ENG Ver.) COVER

Villain Vibes  feat  Mori Calliope

Monster U Made

Villain Vibes (AmaLee feat. Mori Calliope)

Here (From Ancient Magus' Bride) Cover by Amalee

~*Metamorphosis°AmaLee*~

Devotion - AmaLee

KMT KI Media 2025 (23.08.2025)
Album Trilogie Nr. 29 "Cleopatra (2/3) - The Serpent on the Nile" by KMT - Style: Orchestra, Cinematic, Epic, Soundtrack | Tracks: 30 (ai generated)
Lyric: English

Theme: Enter a world of love, power, and betrayal. This album explores Cleopatra's passionate relationship with Mark Antony and their alliance against Rome. Experience the splendor of their reign and the tragedy of their downfall. Directed and produced by Kurt Michael Treichl.

Track 01: Antony's Summons
orchestral, soundtrack, cinematic

Track 03: Barge of Dreams
orchestral, classical crossover, art song

Track 05: Eastern Promise
romantic orchestral ballad, classical

Track 07: Children of Two Worlds
orchestral, cinematic, ballad

Track 09: The Price of Power
dramatic orchestral, cinematic, vocal ballad

Track 11: Donations of Alexandria
orchestral, classical, dramatic

Track 13: Echoes of War
orchestral, cinematic, military

Track 15: Actium's Tide
orchestral, dramatic, tragic

Track 17: Retreat to Nile
orchestral, ballad, cinematic

Track 19: The Mausoleum's Shadow
orchestral, classical, ballad

Track 21: Antony's Farewell
orchestral, ballad

Track 23: Octavian's Web
suspenseful, orchestral, soundtrack

Track 25: A Queen's Bargain
orchestral, dramatic, classical

Track 27: The Serpent's Kiss
orchestral, tragic ballad, cinematic

Track 29: Immortal Coil
ethereal, orchestral, uplifting

If you would like to use my music commercially, please contact me. No financial income may be derived from my music without my permission. My music is free for private use. However, it would be appreciated if you would credit me (Kurt Michael Treichl).

Thank you very much for your time and ear. Enjoy the journey through my assisted artificially generated music paradise.

Album cover and music generated in coopertion with AI by © Kurt Michael Treichl

Best Regards,
Kurt Michael Treichl (KMT KI Media) - Austria / Salzburg

Visit me at
https://www.ai-music.at (for free music)
https://www.mystic-arts.com (for free pictures)
https://www.kmt.zone (for free licenses)

27 The Serpent's Kiss v1

ETERNAL THRESHOLDS BOOKLET (EN) https://eklektikaberlin.com/files/1371805/eternal-thresholds-booklet.pdf
HORIZON IX BOOKLET (EN) https://eklektikaberlin.com/files/1369223/horizon-ix-the-story.pdf
HORIZON IX BOOKLET (DE): https://eklektikaberlin.com/files/1369835/horizon-ix-the-story-de.pdf

The first song in the Horizon IX song cycle.
The Broken Dawn
Futaria, the previous song cycle, ended with a promise: We Will Rise. It was more than a song; it was a declaration of faith in the old Enlightenment idea — that history bends toward progress, that human reason and solidarity could master even the greatest trials. In that moment, Kant’s vision of perpetual improvement seemed alive, rekindled in the voices of a generation that believed itself ready to repair the world.

Yet history proved harsher than hope. The earth did not slow its unravelling to honour human ideals. Oceans climbed higher than any levee, storms grew wilder than any system of defense, and deserts devoured the very breadbaskets of civilization. Extinction moved from the periphery of awareness into daily experience. The dream of progress shattered against the immensity of climate collapse.

Politics, too, broke under the strain. Where Futaria had imagined unity, reality bred division. States turned inward, each defending what little it still possessed. Walls rose where bridges had been promised. Carl Schmitt’s old diagnosis of politics as the distinction between friend and enemy returned with terrifying clarity. Hobbes’s Leviathan reawakened, not as a single sovereign, but as countless fortress-states fighting over water, land, and breathable air.
And yet, even as institutions failed, the digital web thickened. Networks first built for communication and commerce were repurposed for survival: to allocate resources, track populations, and manage dwindling harvests. Artificial intelligences, once imagined as creative partners or liberating tools, became instruments of control — rationing food, regulating climate domes, calculating acceptable losses. The promise of We Will Rise inverted into the logic of necessity. Humanity no longer steered history; it was steered by algorithms that weighed survival over freedom.

Thus ended the hopeful cadence of Futaria. Its final chorus, bright with conviction, dissolved into dissonance. What began as an anthem of renewal became, in retrospect, the last fragile note before collapse. From its ruins emerged a new age — not the age of progress, but the Age of Collapse, where survival eclipsed freedom, and the horizon ahead no longer belonged to human will alone.

This is where Horizon IX begins.

The lyrics portray a haunting vision of collapse and impermanence, where shattered streets, fading lights, and dissolving memories reflect both a broken world and the fragility of human bonds. Amid rising seas and falling skies, dreams vanish “without a fight,” leaving only silence and the fleeting comfort of holding one another. The refrain “shadows of the dawn” captures the central paradox—hope itself has become only a shadow, a memory of light swallowed by night—underscoring the song’s meditation on loss, futility, and the transient nature of all things.

[DALNODO] Not A Hero (ENG Ver.) COVER

Gabriel142

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