Computer – Jason Kahn
Piano – Gabriel Paiuk
Recorded November 30, 2004 at Gabriel's house in Buenos Aires. 
Mixed and mastered by Jason Kahn January-December 2005.

CUT records 017

Breathings

Pista 05

Pista 04

Pista 03

Pista 02

Pista 01

Solo Performance - June 6th 2008 in Buenos Aires - at Ciclo Contemporánea Ciudad

Gabriel Paiuk - Piano Solo Improvisation - June 6th 2008

"Dislabia o Tierra", commissioned by  the Gaudeamus Foundation for the ASKO Ensemble. Performed September 2007 by ASKO Ensemble at the Muziekgebouw aan't IJ.

Dislabia o Tierra (2007) - for Large Ensemble and Soundtrack

From the original CD (GABRIEL PAIUK: res extensa
sedcd043 | Released in 2006 | http://www.sedimental.com/catalog/index.php?ID=41) 
Res Extensa is a tape piece based on the superposition and juxtaposition of different layers of sound registers. These registers are layers of sound materials related to our everyday sound environment and coming from different origins: marginal sounds from electric devices, analogue sources, field recordings, amplification of micro-sounds, recordings of machine noises, digital errors and music. These sounds do not carry a traditionally codified expressive meaning but rather an emotional register linked to our everyday experience, an affective and tactile charge related to what we are exposed to. Within them, a great variety of articulations and nuances are connected to our feeling and understanding (of the world). The aim of the piece is to unfold, friction and break up this matters to expose them in their affective characters and our connection to them. Recorded sound can be thought of as a specific kind of acoustic event. This, as well as the sounds of all kind of electric phenomena, have become part of our listening culture. The fragments used in Res Extensa, different levels of recorded sound, are not a representation of the world but rather extracts of our vibrational experience, of our shared surface of perception, feeling and thought. The idea is to create a musical event based on the assemblage of different modes of listening. In Res Extensa sound matters and their implied listening habits are put against each other. The idea is to build a dramaturgy of the grain of sound in which each layer unfolds an array of sensations, a plane of continuous movement stripped of the acquired mechanisms of perceiving musical sound. Music as a language of matter, but language as an articulation of experiences rather than as a representative system.

GPaiuk ResExtensa (2005) [StereoVersion]

"abrí la puerta/amor mío
levantá/abrí la puerta/
tengo el alma pegada al paladar
temblando de terror/

el jabalí del monte me pisoteó/
el asno salvaje me persiguió/
en esta medianoche del exilio
soy yo mismo una bestia/

Juan Gelman/Salomón Ibn Gabirol (1021-1055/málaga-zaragoza-valencia) – en “com/posiciones”


"Resquicios/Casa" (1era versión, 2006)
Performed by Facundo Ordoñez - Ciclo de Nuevas Musicas en Espacio Ecléctico

Resquicios/Casa (Primera Versión - 2006)

"Greifen", for Violin and multiple media instances
Dedicated to Ekkehard Windrich
Ekkehard Windrich, Violin

Recorded in April 2016

GabrielPaiuk

Popular tracks