@Coming to Theaters this June” ahh song

study music that is actually motivating

Wolfgang Amadeus Mozart, Vol. 1

Requiem in D minor, K. 626 Lacrimosa

Prokofiev: Symphony No. 5 & Suites from Romeo and Juliet

Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets

Grieg: Peer Gynt / Ravel: Rhapsody Espagnole

Grieg: Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King

Polonaise in a Flat Major, Op. 53 'Heroique' (Sheba Blake Edition)

Kneeling Before Giants

William Tell Overture (Gioachino Rossini)

Swan Lake, Op. 20

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

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The String Quartet No. 16 in E flat major, K. 428/421b, was composed by Wolfgang Amadeus Mozart. This is the third of the Haydn Quartets, a set of six string quartets he wrote during his first few years in Vienna and later dedicated to Joseph Haydn.

It is in four movements:

I. Allegro non troppo
II. Andante con moto
III. Menuetto & Trio
IV. Allegro vivace

The first movement is highly chromatic, with the chromaticized bridge theme in the exposition being one of several examples, the end of the exposition being another.

The slow movement "invokes ... the slow movement of Haydn's Op. 20 No. 1. The ostentatious dissonances of its opening almost have an antique flavour, caused by the collision of semitonal ascents and descents, and this strongly suggests the opening subject of the first movement, so surprisingly isolated there." Other commentators hear it as pointing forward to Johannes Brahms.

Throughout the third movement Mozart "makes use of a pedal point in the bass, thus giving the music an entrancing rustic effect." The last movement "can best be described as being an abridged rondo form."

Retailers:

iTunes:
https://itunes.apple.com/gb/album/the-mozart-project/id1034980035

Google Play
https://play.google.com/store/music/album/The_Mozart_Project_Mozart?id=Batumgqtgiizmmajzp7nun2bawq&hl

Rdio
http://www.rdio.com/artist/Wolfgang_Amadeus_Mozart/album/Mozart_-_Symphonies%2C_Sonatas%2C_Serenades%2C_Concertos__Overtures/

Deezer:
http://www.deezer.com/album/11116224

Tidal:
http://listen.tidal.com/album/53171424

HMV
https://www.hmvdigital.com/releases/4910498

Amazon:
http://www.amazon.co.uk/Mozart-Project-Mozartisan/dp/B014MVAV7Y

Rhapsody
http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

MediaNet
http://www.mndigital.com/content-experience/music_content/albums/378851987/Wolfgang_Amadeus_Mozart/Mozart_The_Essential_Collection/

Groove
https://music.microsoft.com/album/wolfgang-amadeus-mozart/mozart-the-essential-collection/bz.15673C09-0100-11DB-89CA-0019B92A3933?target=web

Emusic
http://www.emusic.com/album/the-mozart-project/mozart/16177427/

Microsoft
https://www.microsoft.com/en-us/store/music/album/wolfgang-amadeus-mozart-haydn-light-orchestra/mozart-the-essential-collection/8d6kgx070nr0

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en_GB

Spotify:
https://play.spotify.com/album/2qTzSNOusiykyFQ21F51mc

Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - The Essential Collection

Tidal

Quartet No. 16 in E-Flat Major, K. 428: IV. Allegro Vivace Assai

Wonderful Epic Music Collection 6 (235)

Wonderful Epic Music MEGA MIX (120)

This is the last song on my new EP "Musicorum" it has a very 80s vibe!

Hope

V018-Antonio Vivaldi –  The Four Seasons, Op. 8 - Concerto No. 3 in F Major, RV 293,  (Autumn) I. Ballo e canto de villanelli Allegro

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Figaro's aria from Gioachino Rossini's opera buffa "Il Barbiere di Siviglia"

piano - Helen Roberts

Largo Al Factotum (Il Barbiere Di Siviglia, Gioachino Rossini)

Moments With Classics

Prelude No. 2 In C Minor, BWV 847 (The Well-Tempered Clavier, Book 1) by Johann Sebastian Bach

https://linktr.ee/gabrielsaban

Gabriel Saban is a multi award-winning French composer and music producer based in Paris. Born in 1985 and raised in the south of France, he studied piano and clarinet before entering the prestigious Conservatoire National Supérieur de Musique et de Danse de Paris, where he trained in music production and orchestration.

Since 2010, he has composed for film, television and visual media. In 2017, he launched Cézame Trailers with the support of Frédéric Leibovitz — a label dedicated to music for movie trailers — then founded Infinity Scores in 2021 to explore a more personal and eclectic vision of cinematic music.

Blending neoclassical emotion with modern sound design, his music features in major trailers (Oppenheimer, Frozen 2, Avengers, Star Wars, Wednesday, One Piece, Knives Out, Mowgli, Don’t Look Up, Goosebumps 2...), global ad campaigns (Apple TV+, Disney+, Dior, Mercedes-Benz, Mc Donald’s, Indeed, Samsung...), and international shows and events (Super Bowl, Olympic Games, NBA, WWE, Money Heist, Venom 2, The Bureau, FIFA World Cup, NHL...).

He has received multiple Mark Awards, Production Music Awards and a Music + Sound Award, highlighting his stylistic versatility — from suspense to Latin, horror or orchestral drama. Recognized for his contribution to trailer music, his emotional impact and sonic precision have helped shape the genre.

Above all, his music is a language — turning inner worlds into soundscapes that resonate with image, memory and imagination.

William Tell Overture (Gioachino Rossini)

Gabriel Saban

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