Different styles of music pieces composed by Seref Alexander
ALL vocals , lyrics and melodies by Gaby Koss

7.Heal

Steam Of Asia

composed, arranged and produced by Robin Hoffmann

(c) 2023 by Robin Hoffmann. All rights reserved.

Express Delivery

A small cinematic piece with a gothic reminiscence.
An stunning performance by @Aerhalev.

Credits:
Vocal arrangement and Performace - Mixing: @Aerhalev
Composition - Production: Carlos Baez

The Castle

Snow Angel

HERE YOU CAN HEAR MY OUVERTUE WITH A REAL ORCHESTRA
https://open.spotify.com/track/4qXCZv9il4E6byUjNN4Br4?si=NtejlE-aRjiMmdMx1cmlfg

Orchestral Mock Up to an orchestral piece. Performances and professional recordings will happen in the middle of 2019. Enjoy my Demo version. This Ouverture shows the highlights of my upcoming Musical "Die Schattenkaiserin". Opening night: September 28th at Landestheater Innsbruck/Tirol
Music by Oliver Ostermann & Jürgen Tauber
Made in Sibelius Ultimate with Note Performer 3.2

"The Empress" Concert Ouverture

Original Songs: "Moonriser" (Immortalys)
Music: Ivan Torrent
Composers: Ivan Torrent
Vocals: Celica Soldream
Mix/Edit: Celica Soldream
Image: NASA

EPIC COVER || Earthriser (Ivan Torrent)

I Dreamed the Sound of Rain

Alarm Alarm - Rock Flexible
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Some Elekro Glitch stuff :)
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Ich weiß nicht ob’s ein Fehler ist
Und Du dann ewig sauer bist
Wenn ich Dich hier so einfach küss’
Ich trau mich jetzt!

Dann wird es vielleicht nie mehr so
Doch heut geh’ ich in’s Risiko
Ich nehm Dich fester in den Arm
Alarm Alarm
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Production info:
- Korg Volca Keys, FM, Bass
- My modular synths + Beatstep Pro
- Roland MX-1, TR-09, TB-3
- Arturia Beatstep Pro, Drumbrute
- NI Massive
- Kaoss Pad 3
- Charvel Guitar + Eleven Rack
- Vocalchain SM7B, SPL GoldMike, WA67
- Produced with Ableton Live 10, Push, Plugins from NI, Output, Waves, FabFilter, Brainworx
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(c) 2019 - rock_flexible - all rights reserved - Candy.Land.Studio Berlin
Artwork: FaceApp

Alarm Alarm - Rock Flexible

If you want to get in contact with me please mail me: gabykoss@hotmail.com
As seen with Haggard, Equilibrium, Nota profana and orchestra, Diabulus in Musica, Dominia, Diskelion, Dunkelschön, and many other bands .. on stage and CD. Look at Discographies (CDs/DVDS) on http://www.gabykoss.com/?cat=15 
 
I am a singer and studio vocalist, trained and studied at the University LMU subject: Soprano (high Soprano) but also I have had lessons with for example a black Jazz-Gospel-Pop singer (Roberta Kelly - Lady Bump, Fly Robin Fly) and also I have a lot of studio experience because of many projects and band recordings and also movie and advertisement. I have developed some singing styles and technics to create different "voices" right now I am into singing lessons with my teacher being a Tenorina (female Tenor).

 With my ensemble for old music and celtic I have experienced a lot of Medieval, Renaissance, Barock but also Celtic/folk and sepharidc, Ethno. oriental /jewish songs what I try to interpret with different ethic sounding vocal-technic. 
So very often I got told that my voices do not sound similar when I do different voices like Popstyle or Sopran or Tenor as they have different timbres and colours. As I have a range of 4 Octaves it is also no problem for me singing deep with dark couloured voice, wht is good for choir recordings. 

I was guest and member of a lot of different styled ensembles and bands of different genres on stage, concerts and tours (from Big-Band to Jazz to Rock and Metal, for example orchestral symphonic claissic background bands like Haggard, Equilibrium, Nota Profana (musicans of the famous Simon Bolivar Youth Orchestra with their conducter Gustavo Dudamel - very known in the classical scene) and a lot more bands..) , recordings and also on stage, as well with opera productions and have worked in choirs and orchestras and also in the state opera in Munich. 
Also I have founded a international ensemble of old music and celticfolk what playes all the coulours of the different musicbackgrounds of the pariticipating members. From Medieval to Barock from oriental styled to jewish influences. 
I have allready worked with composers in the past from England, Spain, Germany, Japan and Russia and many more  and I recorded in studios a lot of different musicstyles for projects, bands and ensembles and I paricipated on many CD Productions with my voice. 
If you do not have time: https://soundcloud.com/gabykoss/sets/medley-cinematic  (Epic, ethno, cinematic, soundtrack & trailer examples)

I have my own home recording studio (cubase/Neumann/) but I tend to record in the studio with an educated professional studio technican in the Helionstudios (they have mix/mastered the DVD of the Live concert of Ennio Morricone in Munich). I am manily a singer also with stage/tour experience and not a technical trained recording technican/specialist as they have 20 years of experience. This means no higher prices as I am much slower at home recording then recording in the studio ;-) plus I am always open for nagotiations for different conditions.

My happiest  moments are when people feel touched with my imterpretation and the decided  voice-style and as voice is such a matter of personal taste I can not be expecting that everybody likes what I am doing and for sure I am not perfect.. the more as I am trying to do so many different voice styles in a big range from trying to use also different frequences when I sing in tenorina style to ethnic,-gospel-jazz-sound, to chanson-breast-voice, over to pop-musica-belting, breathy breat or headvoice , to light-strong-without vibrato folk to classical technic. Not concentrating on one style means never to be perfect but I love all styles..:-) but I try my best to give all my feelings also into the necesarry dynamics  :  piano, forte, mezzoforte , crescendos, decrescendos, legatos or staccatos ! :-)

7.Heal

gabykoss

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