Label: Studio Barnhus ‎– BARN 005
Format: Vinyl, 12", EP, Limited Edition 
Country: Sweden
Released: 22 Aug 2011
Genre: Electronic
Style: House


Europa, as it is called, is the solo release of Axel Boman after Holy Love EP on Pampa Records. Four beautiful house jams equally fit for the dance floor and your Walkman infused with unexptected samples and crafted out of a versatile sonic palette. Axel is proving to be one of the freshest producers around with his unique approach to house music that he shares with his Studio Barnhus label mates and producers such as DJ Koze and Pepe Bradock. According to Prins Thomas these track will make every pretty girl dance! 

Axel Boman - ABBA 002 (Studio Barnhus) ‎

Soundcloud: @lesppites
Facebook: facebook.com/groups/lesppitesclub
Youtube: youtube.com/c/lesppites
Spotify: shorturl.at/dvE08

[FREE DOWNLOAD]

TRACKLIST:
1 - Why Can't we Live Together (Pressure Drop Re-edit) - @timmy-thomas-official
2 - Lonely Town, Lonely Street (@jacktennis Edit) - @bill-withers-official
3 - Summer Came My Way (@gregwilson Featuring The Reynolds) - Luxxury Club Mix @super-weird-substance
4 - Harvest Moon - @poolside
5 - Hooked on You (@mzkbx Sacha Mambo Piano Bar Ajustement) - Cerrone @because
6 - Le Troublant Acid - @kza 
7 - Is It Beacause I'm Black (@syl-johnson-official) - @davidaugust Remix
8 - I Want Your Love (@toddterje Edit) - Chic
9 - Dancer - @gino-soccio
10 - ABBA 002 - @axelboman
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Disclaimer:
A very special thank you to all the producers of these amazing records. Please make sure you head over and support them. All songs are copyrighted property of the specific owners. I don’t make any sort of financial benefit through this mix.

More Disco Mixtapes

SUMMER CAME MY WAY

Tout au long de ce voyage, je suis allée à la rencontre d’artistes. Mon but était, dans un premier temps, de les découvrir eux, autrement dit, leur personnalité, leur vision des choses. Ensuite découvrir leur travail, leur but et pour finir, de comprendre pourquoi ils avaient choisi d’être là, aux Lofoten ? Qu’est ce qu’ils ressentaient en étant ici ? En quoi les Lofoten pouvaient les guider, les inspirer dans leur travail ?
J’ai, à mon retour, réalisé ce montage qui réunit quelques artistes que j’ai pu enregistrer.
Mon but était alors de mettre en avant les points importants en suivant un cheminement similaire à celui de mes interviews. En effet, les artistes parlent d’abord d’eux mêmes et de leur travail puis des Lofoten et pour finir,  ils se confient à propos des valeurs qui sont importantes à leurs yeux et de ce pour quoi ils militent. Tout au long de ce montage, les artistes se répondent, interagissent comme s’ils avaient tous été ensemble rendant la scène plus vivante mais les propos sont plus difficiles à saisir. 
Le fond sonore est composé par Nicolas Jaar et s’intitule «The three sides of Audrey».

Lofoten - conversations - Audiopart

Slave name - Remake (kanye west)

kanye & jorja  [lofi]

Frank Ocean - Dear April (Justice Remix)HQ

Dear April 7" Single

BASMAN @ HOME bah tape 1

With the help of a Lisbon friend, Matasuna Records has managed to reissue two outstanding songs from the debut album of Angolan musician "Chalo Correia" on a hot & fiery 7inch. Although the album was originally released in 2015, only a handful of people outside Portugal were lucky enough to get their hands on one of the coveted copies. This is unfortunate, as Correias music uniquely combines traditional Angolan styles with new melodies, creating a intoxicating & exotic mix. For this release the tracks were remastered and the title track was even completely mixed again to achieve the best possible sound.

"Chalo Correia" is a talented singer and songwriter born in 1968 in "Luanda", the capital of "Angola". He grow up in the most intense and blazing musical period of Angola - the 70s. In a time when musician fought for independence, reinventing the Angolan sound in order to re-establish their identity. In his late youth, Chalo met musicians from revolutionary bands like Os Merengues and Os Kiezos, who would influence his future music.

In the early 90s Chalo moved to Portugal, where he practiced guitar and harmonica. Far away from his country, music was the only way to connect with his roots and so he started to create original songs based on traditional & urban music styles of Angola and on early childhood memories. During the last 20 years his music went through a long process of maturation, which resulted in the recording of his debut album "Kudihohola" in 2015. In 2016, this album was nominated as one of the best popular music album at the Angolan Music Awards.

Chalo is a very versatile musician: you can find him with his explosive 5-piece band at concerts in Europe, Brazil and Africa, prestigious world music festivals, or mixing a Portuguese guitar from the traditional Fado with Angolan music in his trio. But you can also meet him at a tireless one-man show, where he plays traditional Angolan guitar chords, handled by syncopated and percussive complex rhythms like Semba - the precursor of Brazilian Samba - among other traditional urban Angolan styles like Massemba, Kilapanga, Rumba, Kazucuta, Kabetula and RebitQa. His vigorous voice sings about the Angolan daily life stored in Chalo's childhood memories, combined with his life experience as an Angolan immigrant in Lisbon. The harmonica joins his instrumental compositions with energetic melodies that fit perfectly with his new music, combining an old, festive flavored style with a contemporary way of songwriting.

The A-side of the single starts with the title song "Kudiholola". Kuhohola (correct term in the Quimbundu language of Angola is Kudiholola) which means to heal from a hangover, but where Chalo Correia, takes the title as a restart and a return to the traditions and roots that had been stuck in the past. The melody is embedded in the Angolan Kazukuta style that manages to give life and brilliance to this instrumental where the harmonica fills the contours of the music. Kudihohola is an imaginary microcosm of Angolanity in terms of culture in general, but also the image of interpersonal relationships.

"Chercher Crioula" on the B-side, sung in "Quimbundo" and the choirs in "French", reports an incessant search for a love that insists on not appearing. This search is not limited to one country or continent but to many places in the world, which makes the author adapt to the places, as time prolongs that same search.

Lofoten - conversations - Audiopart

Gaelle Dubot

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