like the cover art. song name is really dope and catchy. like the hook and u did ya thing on this. keep this vibe going

Top notch production..really liked liked the vocals...Great job.

Cool rock track. Like the intro, great vocals!

this came out really good dude! 😎 awesome

Amazing sound, Very good Guitars,Wonderful vocals!!🔥🔥🔥💯🤘🏻

Ladat’s Support March’24 vol.2

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First Snow

Take A Stand

N3cr1Zy - TOXIC (feat. Devv405)

The Eyelash's debut single. Bringing you big vocals and dreamy guitars from New York City. Perfect for screaming in the car or a 3am walk.

Dark Shadow

Thanks to my Big Bro Robert Grigg for rocking this tune

Wherever We Go -  Robert Grigg & Combstead

On parle souvent de l'enfance comme d'un paradis perdu., mais pour certaines et certains d'entre nous, elle fut un véritable cauchemar, terrorisés par un aigle noir...
à Annie...
Paroles:
Ton géniteur, qui aurait du,
Te protéger, choisit l'abus,
Et ses mains, sur ton corps d'enfant,
Et le silence, si pesant...
Si ton enfance te poursuit,
Si ta jeunesse paya le prix,
Dis toi qu'il a payé aussi,
Si ton enfance te poursuit.
J'ai parcouru, tes dix sept ans,
Je n'ai rien su, de tes tourments,
De tes terreurs, toujours nocturnes,
Quand le matin, se faisait diurne.
Si ton enfance te poursuit,
Si ta jeunesse paya le prix,
Dis toi qu'il est très loin d'ici,
Si ton enfance te poursuit.
On ne refera pas l'histoire,
On fera face à nos mémoires.
Il en sera toujours ainsi,
Si ton enfance te poursuit,
Si ton enfance te poursuit.
On refera jamais l'histoire,
Il restera un aigle noir.
Au sommet de tes insomnies,
Si ton enfance te poursuit,
Si ton enfance te poursuit.

We often talk about childhood as a lost paradise, but for some of us, it was a real nightmare, terrorized by a black eagle...
to Annie...
Words:
Your father, who should have,
Protect yourself, choose abuse,
And his hands, on your child's body,
And the silence, so heavy...
If your childhood pursues you,
If your youth paid the price,
Tell yourself he paid too,
If your childhood pursues you.
I have traveled, your seventeen years,
I knew nothing of your torments,
Of your terrors, always nocturnal,
When the morning became diurnal.
If your childhood pursues you,
If your youth paid the price,
Tell yourself that he is very far from here,
If your childhood pursues you.
We will not repeat history,
We will face our memories.
It will always be like this,
If your childhood pursues you,
If your childhood pursues you.
We will never repeat history,
There will remain a black eagle.
At the height of your insomnia,
If your childhood pursues you,
If your childhood pursues you.

Si ton enfance te poursuit

Heard cries
Come running 
Nothing
Nothing there 
No trouble 
Hear laughing too
What did somebody do 

A Wolfcrier 
A Wolfcrier 
A Wolfcrier
Does things that don’t work out 
In the end
In the end 

You can’t fool around like that 

Next time 
Next time 
Heard cries 
Come running again 
Nothing there 
No trouble again 

A Wolfcrier does 
One of those things that just 
Doesn’t end up working out 

All of a sudden 
All of a sudden you hear 
Hear more cries 

This time 
This time 
Nobody comes running 
This time 

But there’s trouble 

A Wolfcrier 
A Wolfcrier 
A Wolfcrier
Doesn’t work out in the end 
In the end 

When a person cries wolf…

When the wolf comes 
When the wolf comes 
There ain’t gonna be nobody

Wolfcrier

Reasons

This song is about cutting ties with toxic people 

Cutting Ties

Heitið by Laxá really captures the essence of their Icelandic post-rock. The strings of the Heima Kvartett, Mike's keyboards, Jussi's guitar work and the ever-present driving reggae feel of Bjarne's and Matthias' back line. It's a dark and cinematic piece with brooding deep bass driven by the drums.



Laxá & Heima Kvartett are:
Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Violin
Sif Árnadóttir - Violin
Natasha Guðmundsdóttir - Viola
Ída Sigurðardóttir - Cello

Heitið by Laxá [cinematic post-rock | Iceland, San Francisco, Everywhere

KISSES ON THE SIDEWALK (prod. Redroom x Balloon)

Shadows

We Can Never Be Saved

Azure Room (mirrors)

This piece will be performed at the Mostly Modern Festival next June by the American Modern Ensemble. This is a Work in Progress Mock Up before the Premiere.

Program Note:
This chamber piece delves into the vibrant musical traditions of Morocco, particularly those of the Amazigh people, the heart and soul of the Atlas Mountains. The earthquake of September 8th, 2023, cast a long shadow, especially in these mountainous regions where many Amazigh people reside. While the loss of life across Morocco was significant, the music itself transcends sorrow.

It explores the transformative power of music in the face of loss, reflecting the Amazigh belief in celebrating life even after a period of mourning. In their culture, grief eventually gives way to music and dance, a beautiful way to honour departed loved ones. This spirit of resilience and celebration infuses the very essence of this piece.

The evocative melodies of the High Atlas, often accompanied by unique percussion wind and stringed instruments, become a testament to the enduring spirit of the Amazigh people.  This work serves as the first movement of a larger suite exploring the rich tapestry of Moroccan music. It's a personal interpretation, where the threads of tradition and contemporary influences are intricately woven together.

While this piece aspires to offer a humble tribute to those lost in the earthquake and celebrate the enduring strength and vibrant cultural heritage of the Amazigh people and Moroccans in general, it ultimately seeks to foster a cross-cultural conversation. This creative interplay, however modest a contribution, seeks to transcend borders, enriching the global artistic landscape and building bridges of understanding across diverse cultures. Ultimately, this composition is a celebration of life, resilience, and the unifying power of music.

Moroccan Dances - 1. Hight Atlas The Majestic (Virtual Pre-Release)

Released May 10th, 2024, Soul Killer is the latest single by The Lucidia Project. It features a full production by Danny Meyer of Sunway studios in Germany and is the first song co-written by all 4 members of the band. Featuring lush string arrangements, haunting lead guitar lines, heavy rhythm and bass guitar, and death metal inspired drumming, Soul killer represents an evolution on the bands sound. Piano melodies are also found throughout this song. Vocally, the song features both smooth melodic vocals juxtaposed with harsh vocals. Poetic and emotionally driven lyrics are at the heart of this song

Soul Killer

𝕰𝖞𝖊 𝖔𝖋 𝖙𝖍𝖊 𝕾𝖙𝖔𝖗𝖒 // 𝕴 𝖆𝖒 𝖎𝖙'𝖘 𝖍𝖚𝖒𝖇𝖑𝖊 𝖘𝖊𝖗𝖛𝖆𝖓𝖙. 𝕾𝖚𝖗𝖗𝖔𝖚𝖓𝖉𝖊𝖉 𝖇𝖞 𝖙𝖍𝖊 𝖈𝖍𝖆𝖔𝖘 𝕴 𝖋𝖎𝖓𝖉 𝖈𝖔𝖒𝖋𝖔𝖗𝖙 𝖜𝖎𝖙𝖍𝖎𝖓.

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

KISSES ON THE SIDEWALK (prod. Redroom x Balloon)

GAHJAY

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