Satisfy (Tiger Stripes & Pleasurekraft Remix)

Matthias Tanzmann has spent most of his career sticking to releases on his own Moon Harbour Recordings, but come the end of the month he's making the switch to Saved Records. 

2014's 'Reframed' 12" resulted in a collection of sharp-edged grooves, 'Get Up' a prime example of his like for bumpy rollers, and the German DJ and producer is spraying out similarly wavy beats on the floors of Space Ibiza, Robert Johnson and more this summer. 

More exclusive music

Premiere: Matthias Tanzmann 'No Sleep'

Buy on Bandcamp

Maximilian Beck - RE 4039

The Spanish native premiers his first release on Truesoul records, ‘Moti On’, a 4 track EP packed with punchy tech house beats and rolling basslines. The EP comes fully loaded with his signature sound, some dark vocals and melodic synths. Uniformed in their approach, the 4 tracks are laced with catchy hooks and casual percussion.

Pablo Say - Red  Chamber - Truesoul - TRUE1270

Gaiser - Pullpush

Gaiser - Flashed

After the huge success of Uto's debut ep. on plus8, that has being played and charted by all the big names,
Uto Karem joins forces with Sebastien Leger on his Mistakes Music label.
This time Uto remixes a big track from Lutzenkirchen and infuses his unique funky musical approach, giving the track that extra thing that surly will drive the dancefloors worldwide.
We are very proud to announce this great rmx in 2 days already reached beatport’s top 10 techno charts


Lutzenkirchen - What's The Matter (Uto Karem Remix) [Mistakes Music]

Gaiser - Unstable Witness

Oliver Huntemann & Dubfire - Terra

Monika Kruse - Changes Of Perception (Marek Hemmann Remix)

Download LP here: www.beatport.com/release/bay-of-figs/31307

Release date: 21/09/2006

Over the course of the past two years, Marc Houle's music has quickly elevated his studio prose into desired analogsoaked treasures of the dancefloor. Developing fans from vinyl to the club, the new double pack outing titled BAY OF FIGS showcases new developments in his already minimal pop genius that have been tested on the road over the past few months. From the manic title track onward his sound continues to develop from a rich bed of electro pop and minimal techno, with gems that stay in the groove or contort themselves by design.

The arctic storm that is "Bay of Figs" sends a simple yet effective message through it's haunting and menacing drone. On the bouncing and loose "Thirds In Trees", Marc drops in live claps and bass guitar in the melodic and hooky mood reminiscent of the Kingsley classic "Popcorn". A clear fan of euro & industrial attitudes from decades past, "Black Jack 13" claps and bends with electro fever, rattling around erratic effects and synth lines all under four minutes time. One of the more intense tracks in Houle's live sets is the square-wave melody of "Edamame". But its "Items and Things" that highlights Houle's musicianship for synth pop while also revealing his obvious contribution another side project, Run Stop Restore (the trio with Magda and Troy Pierce). Houle's arrangements, melodies and choice effects create easy instrumentals that hold their own beauty without vocal attachments.

In the past year he has remixed Slam's "Kill The Pain" single (featuring Dot Allison) and "Turbo Dreams" by Ellen Allien & Apparat. Between DJs championing his work in clubs and after-parties or making it an essential addition on mix albums from producers like Slam or Loco Dice, Houle is working his way to the top. His live performances from Europe to the US have doubled the impact, on tour in the US during May for the min2MAX bus tour.

Press contact: press@marchoule.net

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.residentadvisor.net/dj/marchoule 
www.dj.beatport.com/marchoule 
www.juno.co.uk/artists/Marc+Houle/
www.discogs.com/artist/Marc+Houle 
www.itemsandthings.com

Marc Houle - Bay Of Figs | Minus | 2006

After a lifetime of making music, Jon Gaiser is always leading from the front of his own world. With his signature sound, he has created a shift in the direction of underground electronic music, starting a movement of atmospheric bass-line driven techno that is entirely unique and unmistakable. It has come almost exclusively on Richie Hawtin’s Minus, and with that label he has been an influential part of the modern day techno landscape, both on stage and in the studio. From pioneering Minus projects like Contakt and CNTRL, to being a key resident of ENTER via his always inventive live sets and mind bending visual accompaniments, Gaiser has always harnessed the power of electronic music and nurtured its most evocative and cinematic possibilities. 
Coming up in Grand Rapids, Michigan, Gaiser’s musical life ranged from the formal, where he studied percussion with the symphony, to the informal, where he played drums in punk rock bands. Later experiencing the golden years of Detroit, it was the infinite possibilities and futuristic darkness of techno that really captured him, and since his early teens he has been on an endless mission to create sounds that have never been heard before. 
He has accomplished this on many occasions now, thanks to his exquisite sense of sound design. Pair that with his ability to evoke otherworldly feelings and knit drums together into the most compelling grooves, and you have something entirely immersive. Someone who is inspired by the odd and peculiar sound tools, from the latest digital technology to extremely rare analog pieces, what matters most to Gaiser is the end result. Across countless releases and nonstop touring around the world, he has proven that time and time again.
Further proof of his artistry comes on his four studio albums. From the abstract minimal of “Blank Fade” (2008) to the spaced out and industrial ambiance under the name VOID “No Sudden Movements” (2011) to the slick- and sci-fi percussions of “False Light“ (2014), Gaiser has very much explored techno’s outer edges in his own cerebral ways. 
2017 will see the light of Gaiser’s next studio album. “III” is an album of evocative and fluid techno that paints colourful pictures in your mind, while your pants are dancing on their own. Each track lives in its own unique world, and together create a dynamic storyline from start to finish. From dark grooves to choppy house, warm atmospheres to curious sci-fi landscapes, it is another complete experience and one that proves Gaiser is unafraid of experimentation, of pushing boundaries and searching out new paths.

Gaiser - Pullpush

GAISER

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