rasselbande

André Galluzzi & Guido Schneider - Albertino - (Candenza) 2007

A ‘pan-pot’ is a simple, functional dial that governs the left and right axis of the stereo field, useful but unremarkable; mobilee’s Pan-Pot is an entirely different proposition, a duo whose mastery of audio principles allows them to turn conventions on their heads, casting functionality aside as they plumb the deep, uncharted depths of pitch-black techno.

Since their inception in 2005, Pan-Pot have become a dominant presence in modern techno, an ascent mirrored in the rise of their home label mobilee records to the top tier of electronic music. Tagging themselves as “the dark side of the force,” Pan-Pot have melted minds, warped perceptions and reinvigorated the dancefloor with their heady, unorthodox sound; within their work, subtle pitch manipulations square off with wall-of-sound distortion, the dark stomp of 4/4 is tamed by intricate sound design, and minimalistic frameworks duel with throbbing bass lines, epic builds, and murky, off-kilter melodies.

Tassilo Ippenberger and Thomas Benedix met at Berlin’s SAE, and their studies in the production and manipulation of sound aided them in identifying Pan-Pot’s overarching sound aesthetic. The duo booked Anja Schneider for an ill-fated party in 2005, but the unfortunate circumstances helped forge a fortuitous connection with Schneider and her then-fledgling mobilee imprint. Within weeks, mobilee’s second ever release was Pan-Pot’s official debut, „Copy and Paste“. The steady stream of original tracks and remixes that followed on mobilee and Einmaleins, charted the duo’s unwavering commitment to precise, undulating and kinetic grooves.

The defining moment of Pan-Pot’s career came in 2007 with the release of their debut artist album, Pan-O-Rama. The aptly named long-player offered a 360-degree view of techno at its most twisted, balancing somber atmospherics with a lightness of touch, and spawning the overground hit “Charly”. More recently “Confronted” and “Captain My Captain” have demonstrated their classic, strong and timely production style, presenting them as the most consistent purveyors of techno around.

Pan-Pot are ceaselessly working and endlessly inventive. When not in the studio writing original material or remixing tracks by a myriad of artists, they can be found on the road, touring. Their DJ sets reveal a keen understanding of the dancefloor’s needs, and they are unconstrained by boundaries, traversing techno, house and everything in between.

Pan-Pot may have taken their name from an unexceptional element of studio equipment, but as with their music, they have rewritten notions of form and function through their own idiosyncratic language; once you’ve experienced Pan-Pot’s colossal, haunting soundscapes you will never forget them. Their vision, passion, and love of music continues to drive Pan-Pot — and the extended mobilee team —in all that they continue to do, and all that will come.

Pan-Pot - Charly (Original) - mobilee030

Satisfy (Tiger Stripes & Pleasurekraft Remix)

Yourself

Module

Gaiser - Pullpush

Stream / Download: https://ampl.ink/o441R

Infinity EP

Infinity

Stream / Download

II OUT NOW II 

>> lnk.to/HXT014 <<

London-based producer Cera Alba pairs up with vocalist Zahra for a pair of tough tracks on Jamie Jones’ Hottrax this June featuring a remix from Stockholm’s Tiger Stripes.

Since his humble beginnings several years ago the Newcastle-born artist has cemented a reputation for consistency, with releases appearing on the likes of Hot Creations, Moon Harbour, VIVa MUSiC,
Avotre, Madtech and Gruuv. As a DJ he’s been making regular appearances across Europe, including venues such as Watergate Berlin, Sankeys Ibiza, Brixton Academy London, not to mention festivals such as Hideout.

‘Taking Over Me’ is a dark and moody roller from the get-go. Robust drums and mesmerizing atmospherics form its basis whilst Zahra’s soulful vocals and a cavernous low-end rumbles throughout to its rhythm as a piercing vocal and metallic elements ebb in and out of the mix. Tiger Stripes then provides a crunchy remix of ‘Taking Over Me’, distorting Zahra’s vocals whilst incorporating tantalizing synths into his own stomping rendition.

TRACK LISTING
 
A1 Cera Alba feat Zahra - Taking Over Me
B1 Cera Alba feat Zahra - Taking Over Me (Tiger Stripes Remix)
B2 Cera Alba - Pablo

Cera Alba Feat Zahra - Taking Over Me (Tiger Stripes Remix)

Gaiser - Unstable Witness

Oliver Huntemann & Dubfire - Terra

Release date: June 8th

sean@materialmusic.net

Catz N' Dogz & Joseph Ashworth - Factory Settings

DJ Feedback : 

Tassilo (Pan-Pot) - "Nicole's mix is my fave here... Good as usual ☺"
Alex Tepper - "Nicole's remix is standout for me here but also like Big Bass Bump. Nice release, Thanks."
Pig (Pig&Dan) - "Very nice grooves and phat remix from Nicole Moudaber."
Mauro Picotto - "Very good funky tech here, Temple Transfer gets my full support."
Adam Beyer - "Nicoles mix is GREAT! Of course! ☺"
Martin Eyerer - "The Moudaber mix is has got to be the standout for me here!"
Andrew Grant (DC10) - "Nicole’s mix is very special, 5/5!!"
Gel Abril - "The Nicole Moudaber remix of Temple Transfer is great!! Thanx for sending!"
Kyle Geiger - "Gotta be Nicole's mix here hasn’t it? Strong."
Gary Beck - "Nice one again from Nicole. Very strong remix. Also feeling the Big Bass Bump!"
Dan - (Pig&Dan) - "Nicoles remix is tearing it!!! Great rework!"
Davide Squillace - "Nice techno vibe in here from Mazu...Really like Nicole Moudaber's mix."
Marco Bailey - "Nicole Moudaber Remix sounds like it could be cool for me. Gonna test it! ☺"
Alan Fitzpatrick - "Mad love for Nicole, girl has some serious funk! Smashing this to bits!"
Sian - "Super SUPER mix from Nicole Moudaber!!"
Orde - (Slam) - "Cool dark and deep grooves - loving the originals and a strong remix from Nicole. thanx."
Karotte - "Nicole again with a nice rmx!! Big Bass Bump is also cool. Love it!!"
The Junkies - "Hey! Loving this release full stop! Will play them all."
Daniel Stefanik - "Temple Transfer is a KILLER!!! ☺"
Patrick Lindsey - "Nice originals also remix is cool..will play Temple Transfer for sure."
Gregor Tresher - "Nicole’s mix is the one for me here definitely, good stuff!"
Monika Kruse - "Groovy stuff!! All versions & tracks! Will play Big Bass Bump for sure!"
Carlo Lio - "Been rocking Temple Transfer... amazing track.. Nicole’s mix is great as well... solid release."
Wally Lopez - "Nice tech beats throughout here… support from me for Big Bass Bump."
Samuel L Session - "The Moudaber mix is the best one here. I will go for that one and try it out."
Hector Romero - "Nicole's Remix of Temple definitely does it for me and Big Bass Bump has a wicked groove."
Radio 538 Holland – “Strong Nicole Moudaber remix!”


Mazu - Temple Transfer (Nicole Moudaber Remix) [Waveform Recordings]

http://www.inthemix.com.au/awards/vote/470429086

But Please Vote! That would be awesome

http://www.mediafire.com/download.php?gp1r648ezt3wr4c

Satoshi Tomiie -The Darkness (Will Sparks Remix) Download In Description

LIKE ON FACEBOOK: http://www.facebook.com/DubiRecords
http://www.deejay.de/doppelklikk 
YOUTUBE: http://www.youtube.com/user/dubirecords

Doppelklikk - Rasselbande - DUBI001 - SNIPPET

Check out a small preview of my upcoming release on Adam Beyer's Drumcode !

Release Date: 26/11/2012

Nicole Moudaber - The Road To Transformation (Original Mix) [Drumcode]

Entered number 5 on best techno downloads top 100 beatport!

D-Nox & Beckers - Watch Me Now (Egbert Remix)

After a lifetime of making music, Jon Gaiser is always leading from the front of his own world. With his signature sound, he has created a shift in the direction of underground electronic music, starting a movement of atmospheric bass-line driven techno that is entirely unique and unmistakable. It has come almost exclusively on Richie Hawtin’s Minus, and with that label he has been an influential part of the modern day techno landscape, both on stage and in the studio. From pioneering Minus projects like Contakt and CNTRL, to being a key resident of ENTER via his always inventive live sets and mind bending visual accompaniments, Gaiser has always harnessed the power of electronic music and nurtured its most evocative and cinematic possibilities. 
Coming up in Grand Rapids, Michigan, Gaiser’s musical life ranged from the formal, where he studied percussion with the symphony, to the informal, where he played drums in punk rock bands. Later experiencing the golden years of Detroit, it was the infinite possibilities and futuristic darkness of techno that really captured him, and since his early teens he has been on an endless mission to create sounds that have never been heard before. 
He has accomplished this on many occasions now, thanks to his exquisite sense of sound design. Pair that with his ability to evoke otherworldly feelings and knit drums together into the most compelling grooves, and you have something entirely immersive. Someone who is inspired by the odd and peculiar sound tools, from the latest digital technology to extremely rare analog pieces, what matters most to Gaiser is the end result. Across countless releases and nonstop touring around the world, he has proven that time and time again.
Further proof of his artistry comes on his four studio albums. From the abstract minimal of “Blank Fade” (2008) to the spaced out and industrial ambiance under the name VOID “No Sudden Movements” (2011) to the slick- and sci-fi percussions of “False Light“ (2014), Gaiser has very much explored techno’s outer edges in his own cerebral ways. 
2017 will see the light of Gaiser’s next studio album. “III” is an album of evocative and fluid techno that paints colourful pictures in your mind, while your pants are dancing on their own. Each track lives in its own unique world, and together create a dynamic storyline from start to finish. From dark grooves to choppy house, warm atmospheres to curious sci-fi landscapes, it is another complete experience and one that proves Gaiser is unafraid of experimentation, of pushing boundaries and searching out new paths.

Gaiser - Pullpush

GAISER

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