Minimal Selections

Alternative version of our remix for Der Dritte Raum's "Pictureoftheday" on Harthouse.

Der Dritte Raum - Pictureoftheday ( Extrawelt's Stutter Shock Remix)

Anthony Rother - Back Home

That's Right (Red Richards)

Buy on bandcamp

Red Richards & Onetram - That's Right (Red Richards)

Taken from Gregor Tresher´s upcoming album "Quiet Distortion", to be released on CD, Vinyl & digital download on May 30th, 2016.

Press Info: With his new artist album “Quiet Distortion” ready for release this summer, Gregor Tresher once again sets sail to break new soil, proving why he is considered to be one of the most consistent artists in the universe of Techno music. “About A Good Place”, “Neon”, “A Thousand Nights”, “Full Range Madness” or his recent “Goliath” amongst many others - the list of Tresher's tracks that have turned into modern classics is more than impressive.

Now, with this new installment of 12 tracks and once again accompanied by forward-thinking artwork by long-time collaborating 3D-artist Dennis Richter, it seems that Gregor managed to bridge the gap to his early releases by transforming their original, uncompromising sound into the here and now. Gregor puts it this way: “I am aiming to find the right balance in-between the vibe of some of my early music and the kind of modern Techno I like to play as a DJ, but at the same time I do not want to stand still but evolve as a musician. The goal I try to reach is to create something that will hopefully stand the test of time.“ 

After the haunting opening piece “Numb”, it´s “Surrender” and “Tyrant” that instantly set the tone for what we consider to be Tresher´s most complete piece of work to date. And when the title track “Quiet Distortion” kicks off, people will instantly recognize that Midas-touch that made Gregor´s sound a quality trademark in the world of electronic music.

There are of course tracks that will find their place in playlists by Gregor´s DJ-colleagues: The rumbling “Depend“ that´s also been a staple in Gregor´s own sets over the past months, “Consistency“, which finds its niche in-between the melodic openers and a more tough Dancefloor-approach or the menacing “The Kraken“, that reminds of Tresher´s work on Adam Beyer´s seminal Drumcode label. With “Decades”, we get a glimpse of Gregor´s Sniper Mode project, which he buried at a time when real Electro lost its name to a different genre of music. And then of course there´s the mighty “Goliath“ - the only previously released track on the album: Pretty much everyone who has spent a night on a dance floor of a Techno club in the past year will recognize it, as it has been championed by so many.

Accompanying the release, Gregor embarks on another extensive album tour spanning over six months. It will include a mixture of exclusive live performances as well as DJ-gigs kicking off at the end of May and touching down on some of the most prolific music festivals and clubs around the world.

Gregor Tresher - Tyrant (Break New Soil)

Sven Väth Vs Anthony Rother - Komm

Der Schrittmacher
Re-constructed version taken from the 25 years anniversary album D3R-25 EINS.
Released Dec 12th 2017 on Harthouse.
HHMA 0724
The original mix came out 2000 on Virgin / EMI

D3R-25 Eins

Der Schrittmacher D3R-25 Eins

Telefon Tel Aviv - The Worst Thing in The World (Gaiser's Possibly The Universe remix)

Gaiser - Zebra Talk

Gaiser - Backyard

Der Dritte Raum Live-Jamsession @ U-60311 / Frankfurt.
Recorded April, 4th 2012.

Der Dritte Raum - Hale Bopp Live @ U-60311 Frankfurt/Main - April, 5th 2012

Sven Väth and Anthony Rother - Springlove (original)

ACCIDENTAL RE RELEASE WISHMOUNTAIN'S CLASSIC 'RADIO' ON LIMITED 12" - Monday 10th September

After such an overwhelming positive response to Matthew Herbert’s recent return with the Wishmountain project ‘Tesco’, Accidental records have decided to release this limited run 12” featuring some of the highlights of the original project., including the classic ‘Radio’. 

Radio was originally released on seminal 90's techno label Antiphon records and first championed by Djs such as Sven Vath and Westbam as well as being a club classic for legendary clubs like Fuse in Belgium. The track blasted its way in to nightclubs around the world despite being made only from 8 sounds of a beaten up plastic radio. In many ways it made Matthew's name, as someone ready to bring real and challenging sounds to the largely synthetic soundscape of club music while being unafraid to make people dance at the same time.

Herbert House music fans will not be disappointed by this clutch of rare tracks, available for a short time on vinyl.

Wishmountain - Radio (Limited 12")

Are you ready for this fresh new 
Minimal Electro Neotrance Tune 

taken from the EP - high pressure days 
http://epillicus.bandcamp.com/album/high-pressure-days

Thx for your support and sharing this track

name your price

Schwarzkanone

Always been a big fan of Phil Kieran's music and i dont do that many remixes, but this is one of the few and i really like the drive and outcome of this one.
Release date is set for December 10th 2012.

Phil Kieran and White Noise Sound - Never Believed (Noir Remix) - PK Recordings

20 Years Cocoon Recordings

A1	Rampa - 2000
A2	Emanuel Satie - Departure
B1	Solomun - We'll never have today again
C1	Gregor Tresher - Nostalgia (Is The Enemy)
D1	Joseph Ashworth - Eavesdrop
D2	Pig&Dan - Trauma
E1	Josh Wink - Nuclei
F1	Ricardo Tobar - El Eterna
G1	Tiga & Roman Flügel - Look To The Sky
G2	Planetary Assault Systems - Raww
H1	Jacek Sienkiewicz - Digitavi
I1	André Galluzzi & Daniel Stefanik - The Regulator
J1	Extrawelt - Murder Ballet
K1	Petar Dundov - Overtone
L1	Sebastian Mullaert - Kikaqu

20 Years Cocoon Recordings

Bandcamp

Extrawelt - Murder Ballet

Thanks for the good times! SKMB is now retired with a few of the founders focusing on new project @GroundwerkVancouver.

Explore & engage with Vancouver electronic music at www.groundwerkvancouver.com

After a lifetime of making music, Jon Gaiser is always leading from the front of his own world. With his signature sound, he has created a shift in the direction of underground electronic music, starting a movement of atmospheric bass-line driven techno that is entirely unique and unmistakable. It has come almost exclusively on Richie Hawtin’s Minus, and with that label he has been an influential part of the modern day techno landscape, both on stage and in the studio. From pioneering Minus projects like Contakt and CNTRL, to being a key resident of ENTER via his always inventive live sets and mind bending visual accompaniments, Gaiser has always harnessed the power of electronic music and nurtured its most evocative and cinematic possibilities. 
Coming up in Grand Rapids, Michigan, Gaiser’s musical life ranged from the formal, where he studied percussion with the symphony, to the informal, where he played drums in punk rock bands. Later experiencing the golden years of Detroit, it was the infinite possibilities and futuristic darkness of techno that really captured him, and since his early teens he has been on an endless mission to create sounds that have never been heard before. 
He has accomplished this on many occasions now, thanks to his exquisite sense of sound design. Pair that with his ability to evoke otherworldly feelings and knit drums together into the most compelling grooves, and you have something entirely immersive. Someone who is inspired by the odd and peculiar sound tools, from the latest digital technology to extremely rare analog pieces, what matters most to Gaiser is the end result. Across countless releases and nonstop touring around the world, he has proven that time and time again.
Further proof of his artistry comes on his four studio albums. From the abstract minimal of “Blank Fade” (2008) to the spaced out and industrial ambiance under the name VOID “No Sudden Movements” (2011) to the slick- and sci-fi percussions of “False Light“ (2014), Gaiser has very much explored techno’s outer edges in his own cerebral ways. 
2017 will see the light of Gaiser’s next studio album. “III” is an album of evocative and fluid techno that paints colourful pictures in your mind, while your pants are dancing on their own. Each track lives in its own unique world, and together create a dynamic storyline from start to finish. From dark grooves to choppy house, warm atmospheres to curious sci-fi landscapes, it is another complete experience and one that proves Gaiser is unafraid of experimentation, of pushing boundaries and searching out new paths.

Telefon Tel Aviv - The Worst Thing in The World (Gaiser's Possibly The Universe remix)

GAISER

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