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Flow Di - Open to it (Long Play)

My 'Dimensions EP' is out now on Dubfire's SCI+TEC! Three fan favourites for you to rock out to this weekend and over the holidays!

Huge thanks to all of you guys who have supported me this year and hope to some or ALL of you on the dance floor next year!

Big Love, 

David x

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Spirit Vine [128kbps]

Kellerkind - Birds Original Mix

My new EP is out now on Adam Beyers Truesoul imprint

Buy here : 
https://www.beatport.com/release/helter-skelter/1859094


The EP holds heavy drums, deep synths and many tinkering high hats. The effortless groove in the tracks captures a real feel for what Nick is capable of. Each beat is chunky, groovy and works in a harmonious juxtaposition with the melodies Nick creates. ‘Helter Skelter’ is a real belter!

Nick Curly - Helter Skelter - Truesoul

MINUS164 - B1 - Gaiser - Stringtest

MINUS164 - B2 - Gaiser - Facefall

MINUS164 - E1 - Gaiser - How's That

'Backflash' – as the title of Kellerkind's new EP on Stil vor Talent rightly suggests – is a full-blown blast from the past that utilises 80s aesthetics in order to craft a wonderfully contemporary EP much in vain of the en vogue sound of 2011: slow, forceful goovers with basslines so big, they might just crush you. Nothing less was to be expected of the charismatic Swiss producer Marco Biagini who has already proven his wide-ranging understanding of house music with tracks like 'Länzer is a Dänzer' or 'Groovebox'. 
On the A-side, the title track works around a delicately crafted, vintage Miami synth lead: while it naturally provides 'Backflash' with a nostalgic touch, its mellow qualities are lifted by a dangerously obese bassline and devilishly catchy hook. Add Kellerkind's impressive ear for groove and vocal sampling, and you're on to an absolute winner. Moving on, Niko Schwind's remix of 'Backflash' subtly shifts the original’s elements around while extending on its vocal sample – a soulful voice urges the listener to 'get it right'. When the break introduces Schwind's trademark piano keys and shuffling rhythmic structures, it's clear that the SVT stalwart is once again on target here. 
Kellerkind continues to explore the vintage theme on the B-side with 'Disco Light', whose laser synths, mesmerising bleeps and chugging bass might just catapult you back to Paradise Garage in '78, were it not for the track's classicist house percussion. Finally, 'Down To' brings the fun back to the dancefloor as Kellerkind's own deep vocal hums serve to replace a traditional bassline. Underlined by yet another beguiling synth motif, ‘Down To’ concludes this stunningly retro-futuristic EP, which is both, sonically coherent and viciously enjoyable. A brilliant start to 2012!

Backflash

Joran van Pol is back on Minus with Edge, a fantastic four track EP that is his first on the label since 2013. In the years since, the Amsterdam based artist has set up his own FADE label and has continued to evolve his cinematic techno sound. 

Previously, van Pol has also released on labels like Rejected, SCI+TEC and Ideal Audio, and has the support of all the big techno players who often reach for his tunes in their sets. As a DJ he is just as in demand, with headline slots everywhere from Space Ibiza to Time Warp all behind him. Having recently set up a new studio, he is still coming on strong with fresh inspiration and ever more essential grooves. 

‘Illos’ opens things with seven spooky minutes of icy techno. Rolling rubbery drums pump away below, and the details up top make for an evocative soundscape with distant industrial sounds, groaning bass and razor sharp hi hats all filling your mind with imagery. Next comes title track ‘Edge’, another brilliant sonic landscape with tense chords repeating over ticking percussion. It’s a track that builds tension throughout, and keeps you looking over your shoulder into the eerie blackness. 

The perfectly high pressure ‘Return’ is one that locks you in and never lets up, with warped synths snaking above traintrack like drums and hits. A dark, rumbling bassline and the sounds of pistons releasing air all add to the intensity of this brain-melting bit of futuristic techno. 

Last but not least, ‘Frostbite’ is then the most spacious and spooky offering of the lot. It has freaky alien sound designs scattered around the track with supple kicks driving the whole thing forwards. It’s an absorbing cut that hurries along and takes you for a thrilling ride. 

These are four more inventive techno tracks from one of the contemporary scene’s brightest stars.

Edge

MINUS165 - B2 - Joran van Pol - Frostbite

Gaiser - Zebra Talk

Total dedication to and a constant focus on music, caring for and respectful of others. These are the attributes best to describe Kellerkinds type. Nothing could be more beautiful than to realize a project in total harmony.

Disco On The Dancefloor

ARTIST: SOUKIE & WINDISH 
TITLE: FLATMATE GHOST 
REMIXES : KELLERKIND & ANDRES ZACCO 
LABEL: DARKROOM DUBS 
CAT #: DRDLTD006 
RELEASE DATE: 3RD DEC 2012 (VINYL)/ 17TH DEC 2012 (DIGITAL)

Silicone Soul's Darkroom Dubs, known for its unfaltering output of quality house, returns with their Limited Edition Vinyl series with an EP from Hamburg and Berlin based Soukie and Windish. The 'Flatmate Ghost' EP takes the classic tech house aesthetic on a laid back, rolling journey, while two distinctly dissimilar remixes open your eyes and ears further.

Title track 'Flatmate Ghost' quickly lures you into a subtly relaxing beat but as soon as you're locked, dissonant synth bursts and ominous, pitched down vocal meanderings immediately disrupt the dance. While Kellerkind's take on the original brings forth a shoulder swinging groove, soothing piano riffs and clever silences. Andres Zacco's version moves with relentless percussion, delving into the hollow depths of dark bass.

'Quality Time' offers the more sensual side of Soukie & Windish's production. Here, otherworldly harmony prevails while the characteristic jarring stabs take a backseat. Soukie & Windish manage to visit opposite ends of the spectrum without losing the unique creative resonance the pair found in this collaboration.

With the 10th Anniversary of the label fast approaching and a monumental raft of forthcoming releases ahead, this is a mouthwatering taste of what's to come from Darkroom Dubs in 2013.

Laurent Garnier - "Great moody, late night tracks!" 
Hernan Cattaneo - "Brilliant pack & Congratulations to Darkrooms Dubs, Happy 10 years of quality and for another decade of the best underground house music around!" 
Joris Voorn - 'Quality Time is a quality track! J I'll be playing...' 
Maxxi Soundsystem - 'Wow Kellerkind remix is good, love the feel in the break. I'm in!!' 
Nicolas Masseyeff - 'Nice release again guys!!! I really like the Kellerkind remix, lovely record!' 
Nick Warren - 'Another cracking release from Darkroom Dubs.. This Kellerkind mix is ace!!' 
Oliver Schories - 'Fantastic release!!! Twisted is the one I will be spinning the most. Thank you guys love this!' 
Bushwacka! - 'That's a nice vox on Flatmate Ghost... gonna be trying it out!" 
Jim Rivers - 'Flatmate Ghost is wicked!! Feeling the Zacco remix on it too. Very nice!' 
Guy J - 'Andrea Zacco wins the competition here for me. Looking forward to playing this. Thnx.' 
X-Press 2 - 'Some fantastic bits here. Struggling to pick a fave so gonna try a few... radio play coming too!' 
Nhar - 'I like this... cool release! Quality Time stands out to me. Gonna play!' 
Aeroplane - 'Kellerkind remix is cool... will try it!' 
Jona - 'This is a beautiful ep! Really feeling the Quality Time track. Support!' 
Jose Maria Ramon - (Ibiza Global Radio) - 'Wow! this is fantastic Music! Really glad to play it in my shows on Ibiza Global Radio.'

Released by: darkroomdubs 
Release/catalogue number: DRDLTD006 
Release date: Dec 3, 2012 

Soukie & Windish - Flatmate Ghost (Kellerkind Remix)

Download LP here: www.beatport.com/release/bay-of-figs/31307

Release date: 21/09/2006

Over the course of the past two years, Marc Houle's music has quickly elevated his studio prose into desired analogsoaked treasures of the dancefloor. Developing fans from vinyl to the club, the new double pack outing titled BAY OF FIGS showcases new developments in his already minimal pop genius that have been tested on the road over the past few months. From the manic title track onward his sound continues to develop from a rich bed of electro pop and minimal techno, with gems that stay in the groove or contort themselves by design.

The arctic storm that is "Bay of Figs" sends a simple yet effective message through it's haunting and menacing drone. On the bouncing and loose "Thirds In Trees", Marc drops in live claps and bass guitar in the melodic and hooky mood reminiscent of the Kingsley classic "Popcorn". A clear fan of euro & industrial attitudes from decades past, "Black Jack 13" claps and bends with electro fever, rattling around erratic effects and synth lines all under four minutes time. One of the more intense tracks in Houle's live sets is the square-wave melody of "Edamame". But its "Items and Things" that highlights Houle's musicianship for synth pop while also revealing his obvious contribution another side project, Run Stop Restore (the trio with Magda and Troy Pierce). Houle's arrangements, melodies and choice effects create easy instrumentals that hold their own beauty without vocal attachments.

In the past year he has remixed Slam's "Kill The Pain" single (featuring Dot Allison) and "Turbo Dreams" by Ellen Allien & Apparat. Between DJs championing his work in clubs and after-parties or making it an essential addition on mix albums from producers like Slam or Loco Dice, Houle is working his way to the top. His live performances from Europe to the US have doubled the impact, on tour in the US during May for the min2MAX bus tour.

Press contact: press@marchoule.net

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.residentadvisor.net/dj/marchoule 
www.dj.beatport.com/marchoule 
www.juno.co.uk/artists/Marc+Houle/
www.discogs.com/artist/Marc+Houle 
www.itemsandthings.com

Marc Houle - Bay Of Figs | Minus | 2006

After a lifetime of making music, Jon Gaiser is always leading from the front of his own world. With his signature sound, he has created a shift in the direction of underground electronic music, starting a movement of atmospheric bass-line driven techno that is entirely unique and unmistakable. It has come almost exclusively on Richie Hawtin’s Minus, and with that label he has been an influential part of the modern day techno landscape, both on stage and in the studio. From pioneering Minus projects like Contakt and CNTRL, to being a key resident of ENTER via his always inventive live sets and mind bending visual accompaniments, Gaiser has always harnessed the power of electronic music and nurtured its most evocative and cinematic possibilities. 
Coming up in Grand Rapids, Michigan, Gaiser’s musical life ranged from the formal, where he studied percussion with the symphony, to the informal, where he played drums in punk rock bands. Later experiencing the golden years of Detroit, it was the infinite possibilities and futuristic darkness of techno that really captured him, and since his early teens he has been on an endless mission to create sounds that have never been heard before. 
He has accomplished this on many occasions now, thanks to his exquisite sense of sound design. Pair that with his ability to evoke otherworldly feelings and knit drums together into the most compelling grooves, and you have something entirely immersive. Someone who is inspired by the odd and peculiar sound tools, from the latest digital technology to extremely rare analog pieces, what matters most to Gaiser is the end result. Across countless releases and nonstop touring around the world, he has proven that time and time again.
Further proof of his artistry comes on his four studio albums. From the abstract minimal of “Blank Fade” (2008) to the spaced out and industrial ambiance under the name VOID “No Sudden Movements” (2011) to the slick- and sci-fi percussions of “False Light“ (2014), Gaiser has very much explored techno’s outer edges in his own cerebral ways. 
2017 will see the light of Gaiser’s next studio album. “III” is an album of evocative and fluid techno that paints colourful pictures in your mind, while your pants are dancing on their own. Each track lives in its own unique world, and together create a dynamic storyline from start to finish. From dark grooves to choppy house, warm atmospheres to curious sci-fi landscapes, it is another complete experience and one that proves Gaiser is unafraid of experimentation, of pushing boundaries and searching out new paths.

Gaiser - Zebra Talk

GAISER

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