Minimal Selections

a remix I´ve done for @Dubfire´s SCI TECH Label

https://www.facebook.com/nickcurlyofficial



Zoo Brasil - Slob (Nick Curly Remix)

A tune that fit perfectly into the festival opening sets of many a major league hard hitter recently,Take this Sound sees this new Hungarian producer pull out a deceptively simple wonk that rocks through a brain melter groove.Extra crunch and thud is provided courtesy of the legendary 2000 and One,a man that has constantly belted out some of our all time favorite dance floor dynamite,and here he puts down a spaced out,stripped down and ice cool dub.

Played and supported by Dubfire and Deep Dish on ULTRA and BBC Radio1.

Paul Strive - Take This Sound (Original Mix) [Octopus]

Minimal bombs from LA-based, Dubfire-championed SHADED

Shaded is the new solo project of Skyler Taugher, one of the members of SHDWPLAY, whose releases to date have all been via Dubfire's SCI+TEC label, which speaks to his talent for stripped-down, big room techno. This four track EP bridges the gap between pumping, classic M_nus-style minimal techno and whatever it's more fun and modern counterpart is. 

Opener Sheshe has been a staple in label-boss Tiga's sets of late, a slick, energetic and eminently playable club record. Things get darker for Side Sippin and Jane Smith Goes To DC10 before closer Single Freax funs things up again in the closer slot with what sounds like a police siren on drugs under a vocal going “freak-freak-freak,” classic elements for effective party tools…

Release Date: June 09, 2014

www.turborecordings.com

Twin Turbo 025 - Sheshe

Shaded - Sheshe

A ‘pan-pot’ is a simple, functional dial that governs the left and right axis of the stereo field, useful but unremarkable; mobilee’s Pan-Pot is an entirely different proposition, a duo whose mastery of audio principles allows them to turn conventions on their heads, casting functionality aside as they plumb the deep, uncharted depths of pitch-black techno.

Since their inception in 2005, Pan-Pot have become a dominant presence in modern techno, an ascent mirrored in the rise of their home label mobilee records to the top tier of electronic music. Tagging themselves as “the dark side of the force,” Pan-Pot have melted minds, warped perceptions and reinvigorated the dancefloor with their heady, unorthodox sound; within their work, subtle pitch manipulations square off with wall-of-sound distortion, the dark stomp of 4/4 is tamed by intricate sound design, and minimalistic frameworks duel with throbbing bass lines, epic builds, and murky, off-kilter melodies.

Tassilo Ippenberger and Thomas Benedix met at Berlin’s SAE, and their studies in the production and manipulation of sound aided them in identifying Pan-Pot’s overarching sound aesthetic. The duo booked Anja Schneider for an ill-fated party in 2005, but the unfortunate circumstances helped forge a fortuitous connection with Schneider and her then-fledgling mobilee imprint. Within weeks, mobilee’s second ever release was Pan-Pot’s official debut, „Copy and Paste“. The steady stream of original tracks and remixes that followed on mobilee and Einmaleins, charted the duo’s unwavering commitment to precise, undulating and kinetic grooves.

The defining moment of Pan-Pot’s career came in 2007 with the release of their debut artist album, Pan-O-Rama. The aptly named long-player offered a 360-degree view of techno at its most twisted, balancing somber atmospherics with a lightness of touch, and spawning the overground hit “Charly”. More recently “Confronted” and “Captain My Captain” have demonstrated their classic, strong and timely production style, presenting them as the most consistent purveyors of techno around.

Pan-Pot are ceaselessly working and endlessly inventive. When not in the studio writing original material or remixing tracks by a myriad of artists, they can be found on the road, touring. Their DJ sets reveal a keen understanding of the dancefloor’s needs, and they are unconstrained by boundaries, traversing techno, house and everything in between.

Pan-Pot may have taken their name from an unexceptional element of studio equipment, but as with their music, they have rewritten notions of form and function through their own idiosyncratic language; once you’ve experienced Pan-Pot’s colossal, haunting soundscapes you will never forget them. Their vision, passion, and love of music continues to drive Pan-Pot — and the extended mobilee team —in all that they continue to do, and all that will come.

Pan-Pot - Charly (Original) - mobilee030

Minimal techno for dancing
Experimental and mechanical sounds, rich in unique colors and nuances, transport the listener to different atmospheres and alternate between ambient, melancholic, vibrant, and minimalist tracks to create dry yet rich atmospheres.

less hysterical

Out now on Creepy Finger, with delicious remixes from Occer, Skelesys and Insect Elektrika. 

Creepy Mastering - http://www.creepyfinger.com/creepy-finger-records-mastering

Fan Page - https://www.facebook.com/terrycreepy 

https://terrywhyte.bandcamp.com/

Support - Marco Carola, Green Velvet, Lee Foss, Ash Roy, Breger, Bryan Brack, Carlo Ruetz, Christian Kionke, Dennis Calmer, Elmar Strathe, Javier Ferreira, Joseph Capriati, K-Ten, Latmun, Mogo, Nico García, Oswaldo Ar, Paco Osuna, Rob Zile, Seldon, James Slaven, The Badgers, Lindsay Green, Markantonio, Dan Gessulli, Wahrlich, Folic State

Mañana (Original Mix)/ played by Marco Carola, Green Velvet, Lee Foss

So here we go for 2k17! Starting into a new year with a new release on Formatik Records, the label debut for the young French producer Matt Sassari, the man behind a hefty string of releases on labels like Time Has Changed Records, Bouq., Relief Records and many others since he stepped on the scene in 2012.

With the title track „Foorewer“ we see the Frenchman provide a sweet take on looped and filtered TechHouse with a twist, living up to the standards by catering a menu of muscular bass, cut and twisted vocal bits as well scarce percussive bits and highly modified sound abstractions taking their influences from the more minimalist side of the electronic club music spectrum – an amalgamation functional as functional can get and defo a tune that'll be heard on dancefloors all over the place on a regular within the next months.

The second tune on here is „Funq Zap“; another on point production by Matt Sassari that's taking TechHouse to slightly deeper late night level, keeps bodies moving due to the use of precise drum, decent wood percussions and haunting white noise layers whilst our braincells are spooked out by warped and alienated vocals dealing with struggles of everyday's life on the street. C'mon man!

FMKdigi037 1 Matt Sassari - Foorewer (Original Mix)

MINUS164 - A1 - Gaiser - Wirelife

Gaiser - Mfnstmp

Gaiser - Zebra Talk

Gaiser - Backyard

Are you ready for this fresh new 
Minimal Electro Neotrance Tune 

taken from the EP - high pressure days 
http://epillicus.bandcamp.com/album/high-pressure-days

Thx for your support and sharing this track

name your price

Schwarzkanone

Always been a big fan of Phil Kieran's music and i dont do that many remixes, but this is one of the few and i really like the drive and outcome of this one.
Release date is set for December 10th 2012.

Phil Kieran and White Noise Sound - Never Believed (Noir Remix) - PK Recordings

Thanks for the good times! SKMB is now retired with a few of the founders focusing on new project @GroundwerkVancouver.

Explore & engage with Vancouver electronic music at www.groundwerkvancouver.com

After a lifetime of making music, Jon Gaiser is always leading from the front of his own world. With his signature sound, he has created a shift in the direction of underground electronic music, starting a movement of atmospheric bass-line driven techno that is entirely unique and unmistakable. It has come almost exclusively on Richie Hawtin’s Minus, and with that label he has been an influential part of the modern day techno landscape, both on stage and in the studio. From pioneering Minus projects like Contakt and CNTRL, to being a key resident of ENTER via his always inventive live sets and mind bending visual accompaniments, Gaiser has always harnessed the power of electronic music and nurtured its most evocative and cinematic possibilities. 
Coming up in Grand Rapids, Michigan, Gaiser’s musical life ranged from the formal, where he studied percussion with the symphony, to the informal, where he played drums in punk rock bands. Later experiencing the golden years of Detroit, it was the infinite possibilities and futuristic darkness of techno that really captured him, and since his early teens he has been on an endless mission to create sounds that have never been heard before. 
He has accomplished this on many occasions now, thanks to his exquisite sense of sound design. Pair that with his ability to evoke otherworldly feelings and knit drums together into the most compelling grooves, and you have something entirely immersive. Someone who is inspired by the odd and peculiar sound tools, from the latest digital technology to extremely rare analog pieces, what matters most to Gaiser is the end result. Across countless releases and nonstop touring around the world, he has proven that time and time again.
Further proof of his artistry comes on his four studio albums. From the abstract minimal of “Blank Fade” (2008) to the spaced out and industrial ambiance under the name VOID “No Sudden Movements” (2011) to the slick- and sci-fi percussions of “False Light“ (2014), Gaiser has very much explored techno’s outer edges in his own cerebral ways. 
2017 will see the light of Gaiser’s next studio album. “III” is an album of evocative and fluid techno that paints colourful pictures in your mind, while your pants are dancing on their own. Each track lives in its own unique world, and together create a dynamic storyline from start to finish. From dark grooves to choppy house, warm atmospheres to curious sci-fi landscapes, it is another complete experience and one that proves Gaiser is unafraid of experimentation, of pushing boundaries and searching out new paths.

Gaiser - Zebra Talk

GAISER

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