* Love Me With All Your Heart \ Author : Michael Vaughn \ ISWC : T-070.097.988-9
Publishers : Emmi Edition - APRS
Released : June 1964

* Cuando Calienta El Sol \ Authors : Carlos Rigual & Mario Rigual \ Composer : Rafael Gaston Pérez \ ISWC : T-900.760.644-2
Publishers : Edit Mex de Usica Int - Peermusic France
Released : 1961

* And I Love You So \ Songwriter : Don McLean \ ISWC : T-070.880.626-1
Publishers : Benny Birs Company Inc - Mayday Music Inc \ Universal Music
Released : January 1971
__________________________________________________________________

 Live at a wedding anniversary of one of our musician friends. (October, 5th 2013)
It's been 6 years (2007) since we last saw our guitarist and friend.
We hadn't rehearsed these songs at all
--------------------------------------------------------------------------------------------------------------
Vocal : Anh
Lead guitar : Kok
Keyboard : Phong
Recorded : October 5th 2013
__________________________________________________________________

Medley "Love me with all your heart - Cuando calienta el sol - And I love you so"

New Collaboration with the Multi-Talented Lou Osiavo ( Ian Greaves )
Please show him some love with all the brilliant work he does on Soundcloud https://soundcloud.com/user-659662265
Lyrics :-
If it's working for you
Entitled to your 
Point of view
But it's not working 
For me
I would rather find the truth
No matter
What the scholars say
They don't 
Mean much these days

History
Don't reflect
And it 
Don't resonate
Brave new world
We found out
What this place
is about

If it's working for you
Entitled to your 
Point of view
But it's not working 
For me
I would rather find the truth
No matter
What the scholars say
They don't 
Mean much these days

Don't mean much these days

Lou Osiavo / winkandwoo 2024

Mean Much

Mean Much - Lou Osiavo & winkandwoo

High energy dance song with elements of dubstep.

Sussuri

We decided to release this live version because we had fun performing it and thought you might like it too.  At the start of this song the band picked someone a bit rowdy from the audience that fitted the Fiight Pint profile and invited them to down a pint of Harvey's during the solo [2:08] with our singer, it turned out that the rowdy person was female on this occasion.
It was recorded on a TASCAM DR-05X on the 19th April 2025 at the Con Club in Lewes.

Fight Pint (Live) 250419

threshold privacy

summer feeling brings the healing

Girl from ipanema

Monkeys and Robots

/
Caught in the Non Act: excerpt upcoming "a Rock-or-Die Opera"
/
music: beats and tune by szalap  @kacper-razdwarazdwa
// ...and additional samples
by fictionalive
/

lyrics written and 
narration provided by fictionalive
// 

excerpt of:
The Stage On Which You Perform: a 'Rock-or-Die' Opera 
https://soundcloud.com/fictionalive/a-rock-or-die-opera


fusion of it all - fictionalive with the popoems series and the hyper media reports
//


/
dropped
Thursday, August 8th, 2025
time - 10:39 AM Central European
Hot Summer Time Zone
today: chaos unfolds —
clouds weep showers of sorrow,
laughter born from disbelief

/
/
// keep shining, crazy little diamond

/
// *

/

"Caught in the Non Act"

At first glance, the phrase seems paradoxical—a riddle whispered in smoke. To be “caught” suggests interruption, perhaps even exposure, yet what is unveiled is the “non act,” a moment defined not by what is done, but what is left undone, unwilled, unexpressed. Here, systems of intention and volition collapse; the actor is held—and holding—precisely at the threshold of action.

I. The Paradox of Presence and Absence

To be “caught in the non act” is to be present at the site of absence. This title evokes the liminal: a threshold where anticipation, hesitation, or silent refusal takes the stage. It aligns with Zen thought—the uncarved block, the sound of one hand clapping—gestures toward meaning that reside in emptiness, stillness, and restraint.

II. Agency in Inaction

Is inaction itself a form of agency? Existentialist thinkers such as Sartre argued that even not-choosing is a choice. To be caught in the non act is to dwell in the suspended animation of potential—the lived tension before choice crystallizes into commitment. Here, the subject is not powerless but powerful in withholding, sabotaging the momentum of events through refusal or hesitation. The non act radiates with possibility, every moment of not-acting echoing futurities never realized.

III. Surveillance and Self-Reflection

“Caught”—by whom? By others, or by the self? If the non act is witnessed, it takes on the texture of surveillance: the fear or thrill of being seen not doing. It is the existential snapshot of one’s truth in the gap, the moment between mask and face, a zone often more revealing than any overt gesture. Inwards, it becomes conscience—self-apprehension at the point of procrastination, moral paralysis, or pure contemplation.

IV. Contemporary Resonance

In an era pressed by productivity and ceaseless motion, “Caught in the Non Act” resists the cult of doing. It honors withdrawal, indecision, the strategic pause, and the mysterious freedom in simply not complying, not reacting, not perpetually performing. To be caught in the non act is perhaps to find, at last, a clearing in the relentless forest of demands—a sacred ambiguity where the self can listen more closely for the next true move.

V. Aesthetic Echoes

The phrase dances with ambiguity and negative space. Like a photograph of a ghost, it suggests presences that can only be glimpsed obliquely—what remains hauntingly unfinished, the beauty in longing rather than attainment. It is the space between musical notes, the silence that frames the utterance, the spell before awakening.

Final Reflection

"Caught in the Non Act" thus stands as a quietly rebellious banner—an enigma that encourages us to ponder the riches of stillness, hesitation, potential, and refusal. It asks us: what, in this stopped moment, have you discovered about movement, intention, and meaning itself? Sometimes—the non act is the truest revolution.

Caught in the Non Act: excerpt upcoming "a Rock-or-Die Opera"

Your Lovin'

Scarborough Fair is a traditional English folk song. The author is unknown. Probably the best-known version today is the adaptation by Simon & Garfunkel, which first appeared in 1966 on the album Parsley, Sage, Rosemary and Thyme.
I wrote this German text in 1994.

English translation of my text:

Look at the fields in autumn.
The grain turns yellow, ready to mow.
Reminds me of days gone by.
It was beautiful, I think about it a lot.

And the vines with grapes so heavy.
Makes the wine that we loves so much
Come winemaker, because the work is done.
Raise your glass, because the festival begins.

Forests colorful, a colorful splendor.
Red, green, yellow, autumn made it.
Winter is coming soon and covering everything.
White the landscape, the trees heavy!

Together with Karin-Maria Brunner

Herbstzeit

I wanna win with champions, let's collaborate soon. I play drums, percussion, bass, and keys!

Monkeys and Robots

Ganesha III

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