Samba

J-Boogie brought this track in while I was working at Tierra Studios in Houston. We mixed it in Pro Tools. In addition, I used the Summit Audio DCL-200 Dual Channel Stereo Tube Compressor/Limiter and GML EQ.


Alice Russell Got the Hunger  (J-Boogie Houston Remix)

Voce:  Alessandra Della Porta
Corde: Andrea Penna (chitarra), Pierpaolo Scaccia (cavaquinho)
Percussioni: Andrea Valabrega e Alessandro Amato
Fiati: Gianluigi Capone (trombone), Marco D'anelli (flauto traverso)

Anno: 2011

Essa moça tà diferente

Trip To Brazil (curation and mix by MrFranklin)

01                   Octa Push feat. Isaac - Khuchende Halala

Who Knows - Guilherme Gê e Marcela Mangabeira

Música e letra de Guilherme Holanda

Guilherme Gê - Voz, violão, guitarra, baixo, synths e programações
Marcela Mangabeira - Voz e vocais

Produção musical, arranjo e mixagem - Guilherme Gê
Sotax Studio Produções
Rio de Janeiro - RJ - Brasil

Who Knows - Guilherme Gê e Marcela Mangabeira

Love is stupid
I’m falling in love anyway
Like a tree in the forest, I can’t just run and hide
I’ll fall for that damn lumberjack some day 

Love is dumb
here i go again, anyway
that sawdust-covered bumpkin stirs his coffee with his thumb 
I’ll fall for that damn lumberjack some day 

mama says there’s no such thing as love
just couples fighting for the upper hand
mama says love is just like flying
and stepping off the plane before you land

love, i think i’ll wait 
not the time to fiddle with the flame
You always get burned. How come I never learn? 
I’m gonna fall for that damn lumberjack some day

coda
maybe soon, maybe later
but I’ll fall for that damn lumberjack one day

Love Is Stupid (Timber)

Stan Getz & Joao Gilberto - Corcovado (midsagittal remix)

Sortie nationale le 26 janvier 2007
Produit par Opera Music
Distribué par: L'Autre Distribution

Un Baiser, Une Bombe

Blundetto 'Cali'

Tio José (Vocales: Nidia Gongora)

Voz - A. Amorim
Participação especial - Lenine e Marcos Valle (Rhodes)
Violão nylon - Roberto Menescal
Guitarra - Rene Rossano 
Marcio Menescal - Fretless
Bateria - Kiko Freitas 
Teclados, loops e samples - Guilherme Gê 
Produção musical e arranjo - Guilherme Gê 
Técnico de gravação - Victor Borges e Thiago Kropf
Mixagem - Victor Borges
Gravado no Sotax Studio e estúdio "O Barquinho", Rio de Janeiro, RJ

Preciso aprender a ser só - A. Amorim, Lenine e Marcos Valle

Lisbon is a puzzle of images, a labyrinth of sounds, a great landscape for the most improbable encounters, a European capital filled with Africa. This is the starting point for Meu Kamba Três, Rocky Marsiano’s seventh album. 
The heavily sample-based production methods that were so present in the sounds of previously released Meu Kamba (2014) and Meu Kamba Vol. Dois (2016) are now naturally replaced and upgraded by his beatsmith touch with a fresh approach. 

Meu Kamba Três was recorded between Lisbon and Luanda, Amsterdam and Maputo, featuring collaborations with artists such as Sagaz, Selma Uamusse (Mozambique), Prince Wadada (Angola), Milton Gulli (Mozambique) and Karlon and instrumentalists such as the percussion master Toni and Nelson da Costa (veteran guitar player from Guiné-Bissau who has played for many Guinean and Cape Verdean bands in the 80s and 90s). Also featuring on the album is Sr Alfaiate, one of Portugal’s most notorious scratch DJs. 

With Lisbon’s very own vibes as a source of main inspiration – where semba and funana, samba, kuduro and kizomba mix with hip-hop, fado, soul and house into hybrid musical forms that make us travel to the past and to the future – Meu Kamba Três is an ambitious album by Rocky Marsiano and to that effect he has brought forward all of his past as a hip-hop head, producer, DJ, MC and above all a rhythm lover. So that he could musically transmit the sense of community that has always been so present throughout his 20+ year long career into new tracks for the dancefloor. 

From Lisbon. From Africa. From the World.

Buy 12" Vinyl

Tamu Juntu

https://wonderwheelrecordings.bandcamp.com/album/desert-to-douala 

An exploration of traditional Chadian music with an electronic twist... Chad is in many ways a blind spot on the map of today's global musical conversation. Overlooked, misunderstood and misrepresented, outside observers rarely concede the country an autonomous voice over its past, present and future. N’Djamena, the dusty capital of Chad with its well-kept stories of boundary-breaking musical collaborations and thirst for experimentation is a city that reflects the country's diversity: the arid North, bordering the Sahara, where nomadic tribes revere the endless desert with their handcrafted instruments. The lush tropical South, where the frenetic drumming of local initiation ceremonies blends with sounds of neighboring Congo and Cameroon. Right in the middle: N'Djamena, a forgotten melting pot of cultures and peoples bursting with unrecorded stories of life at the margins of the world's attention. Tackling this view is precisely one of the aims of Pulo NDJ. In May 2018, Nickodemus accepted an invitation from Hape Collective to travel to N'Djamena to teach a group of young adults DJ'ing and electronic music production, which resulted in the encounter between a group of talented artists from Cameroon, Chad, Congo and Togo. After a weeklong series of listening to original songs & demos, the recordings continued in a pop-up studio created by DJ Buosis & Nickodemus which culimated in Desert To Douala, an album featuring 11 songs, all originally written and recorded in N’Djamena. The project found its inspiration in the city's un-narrated diversity and seeks to explore the possibilities offered by technology to demonstrate how the country’s rich heritage connects with existing musical conversations. It strives to create bridges in a world of walls. It has been a yearlong creative process that built friendships and fostered understanding among people united by a passion for music and creation.

Essa moça tà diferente

Garba Samba

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