[Hino 715] http://hinario.org/detail.php?id=794

Agradecimentos à: Lucas Costa, Marina Costa, Pedro Xavier, Rian Barbosa e Jheniffer Luiza.

1   Um dia, que enfim virá,
     Ao ver meu glorioso Rei,
     Então eu vou compreender
     As lágrimas que derramei.

        Confia, sim, em teu bom Deus,
        Não temas, Ele é capaz;
        Na dor não deixes de louvar,
        Um dia tu entenderás.

2   Irei então lá concluir
     O que aqui já comecei;
     Deus vai enfim me explicar,
     Mistérios eu entenderei.

        Confia, sim, em teu bom Deus,
        Não temas, Ele é capaz;
        Na dor não deixes de louvar,
        Um dia tu entenderás.

3   Por que aquilo aconteceu?
     Eu finalmente vou saber;
     Por que cessaram as canções?
     Um dia vou compreender.

        Confia, sim, em teu bom Deus,
        Não temas, Ele é capaz;
        Na dor não deixes de louvar,
        Um dia tu entenderás.

4   Por que o que desejo mais,
     Às vezes é só ilusão?
     Por que fracassam planos meus?
     Deus me dará compreensão.

        Confia, sim, em teu bom Deus,
        Não temas, Ele é capaz;
        Na dor não deixes de louvar,
        Um dia tu entenderás.

5   Deus sabe os detalhes meus,
     E me conduz com Sua mão;
     Um dia me confortará,
     E eu entenderei então.

        Confia, sim, em teu bom Deus,
        Não temas, Ele é capaz;
        Na dor não deixes de louvar,
        Um dia tu entenderás.

17/09/2022

Um Dia Tu Entenderás - Hino 715

PARADOXXX

Part celebration of traditional English/British folk music and festival, part heart-singing pagan hymn (Oh Come All Ye Folkful?) but above all having some fun (mostly at our own expense) this is our BRAND NEW ONE, rehearsed and gigged and lived since the run up to Christmas and OUT TODAY. We've adapted two of the lyric verses to fit the instruments we have in our repertoire including on this occasion leader of the JD BIG BAND John Davies on sexy sax and his bonnie lassie Kathleen on guest drum roll on the drum verse. (They also have a little married duet of sax and drum roll in the play out.) It was an absolute treat to play live with them at Burns Night and to have their jelly roll jazz ( it's probably swing but you know where I and it's coming from) as part of our folk minstrel one. You can watch a film of us playing this track live with the JD Big Band and the Ecclefechan Tarts Orchestra and Choir last week at our annual Burns Night supper on YouTube film The Full Rabbie which premieres tonight at 7.30 - https://www.youtube.com/watch?v=_ioIP6Qt5hw

Come all ye rolling minstrels
And together, we will try
To rouse the spirit of the earth
And move the rolling sky

Those that dance, will start to dance
And those who don't will stay
In time to list our merry tune
That we play for you today

So, come all ye rolling minstrels
And together we will try
To rouse the spirit of the earth
And move the rolling sky

Our tooter, he just loves to toot
Upon his common flute
Recorder by another name
Much better with a mute.

So, come all ye rolling minstrels
And together we will try
To rouse the spirit of the earth
And move the rolling sky

Possessor of our sax appeal (see picture)
And no old folkie he
Folk is just some wayward notes
Jazz a wayward key.

So, come all ye rolling minstrels
And together we will try
To rouse the spirit of the earth
And move the rolling sky

Sound of beating on the drum
Song behind you'll hear
And to the rhythm of guitar
We hope you'll lend an ear

So, come all ye rolling minstrels
And together we will try
To rouse the spirit of the earth
And move the rolling sky

Well, the man who plays the bass does make
Those low notes that you hear
And the high notes come from you and me
For we will sing so clear

So, come all ye rolling minstrels
And together we will try
To rouse the spirit of the earth
And move the rolling sky

Source: Musixmatch
Songwriters: Sandy Denny / Ashley Stephen Hutchings / Dp
Come All Ye lyrics © Warlock Music Ltd
Comic adaptations to lyrics of verses 2 and 3 to fit our instruments (and in my case level of virtuosity) by Peacock's Tale.

Come All Ye (A Folk Song)

An acoustic version live in the front room of this wonderful David Francey song (following the version by Leslie and Miller) with the amps off and a bespoke foot bodhran in place of the big bass drum. With bells on the instrumental bridge. youtu.be/PBL_l0p5ukQ  Some call this an anti-hymn but we've always found it a genuinely spiritual song carrying the real message of all faiths out to everyone and suffering humanity's yearnings for truth and love rather than the dogma and parrotry which often poses in its stead , which is rather the point we thought. It is after all a very long way from heaven to Bethlehem. The picture is the ceiling of Ely cathedral in December. 

Verse 1]
It was Sunday morning in our town
And I sat on they steps and I stared at the ground
And I bowed my head while they shuffled past
All the saints being called to the morning mass

[Chorus]
And off in the distance there rang a bell
Way off in the distance there rang a bell
And it rang for saints and the sinners as well
Way off in the distance there rang a bell

[Verse 2]
I remember the lessons of Sunday school
And I can't help but think, maybe I'm the fool
But I see no sign of a greater plan
Just the joy and sorrow of my fellow man

[Chorus]
And off in the distance there rang a bell
Way off in the distance there rang a bell
And it rang for saints and the sinners as well
Way off in the distance there rang a bell

[Bridge]
And here we stand while life rushes past
Between the first breath and the last
And here we stand between East and West
And here we stand between birth and death


[Verse 3]
I was watching the news the other night
There was a war on the Left, there was a war on the Right
And it's no surprise that it's us or them
It's a long way from heaven to Bethlehem

[Chorus]
And off in the distance there rang a bell
Way off in the distance there rang a bell
And it rang for saints and the sinners as well
Way off in the distance there rang a bell

©David Francey 1999


from Saints and Singers (Our Christmas album), released December 6, 2022 https://peacocks-tale.bandcamp.com/album/saints-and-singers-our-christmas-album
Maz - lead and harmony vocal, acoustic guitar.
Gaz - support vocal, bass guitar, foot drum, bells.

Saints and Sinners

single! full record coming JUNE 6 (you heard that here first) party at the Cameron House

Gregory

This was performed by a gospel duo called The Two Gospel Keys - Emma Daniels (vocals and guitar) and Mother Sally Jones (vocals and tambourine) - and released on 78-rpm in 1948.

It was subsequently performed and recorded by such reverend gospellers as Sister Rosetta Tharpe (1950) the Original Five Blind Boys of Alabama (1953) the Hightower Brothers (1956) the Reverend Gary Davis (1962) and an English gospel choir called The Rolling Stones -whose version we follow here. (1971).

This was the first song Gaz ever sang in public and he did so at Meher Baba's Tomb in India in 1994, exquisitely backed with a vocal and instrumental brilliance comically out of all proportion to his efforts by a professional American guitar player and singer (who learned her version from a Black female gospel singer).
lyrics
You gotta move
You gotta move
You gotta move, child
You gotta move
Oh, when the Lord get ready
You gotta move
You may be high
You may be low
You may be rich, child
You may be poor
But when the Lord get ready
You gotta move
You see that woman
Who walks the street
You see that police
Upon his beat
But then the Lord get ready
You gotta move
You gotta move

from Untied States of Americana (LP), released September 8, 2022
Songwriters: Gary Davis / Fred McDowell
https://peacocks-tale.bandcamp.com/album/untied-states-of-americana-lp

You Gotta Move lyrics © Sony/ATV Music Publishing LLC, BMG Rights Management

You Gotta Move

"DISCOVERY"

Written, performed and produced by Roman Gorielov.
Recorded, mixed and mastered by Roman Gorielov.
Cover design and photo by Roman Gorielov.

https://linktr.ee/romangorielov

© 2025 Roman Gorielov.

atmospheric catchy cinematic composer creative dreamy eclectic emotional exciting harmonious heartfelt heartwarming inspirational inspiring instrumental keyboards light lighthearted lyrical melodic melody mood music original passionate pensive progressive rhythmic soulful synthesizer

Suffering Demos

Discovery

"WAR AND PEACE"

Written, performed and produced by Roman Gorielov.
Recorded, mixed and mastered by Roman Gorielov.
Cover design and photo by Roman Gorielov.

https://linktr.ee/romangorielov

© 2025 Roman Gorielov.

ambient atmospheric catchy cinematic composer conceptual dramatic emotional exciting heartfelt hopeful hypnotic idyllic inspirational instrumental keyboards lyrical meditative melancholic melodic melody optimistic passionate philosophical sad serious sincere soulful synthesizer touching

War And Peace

I still can't get used to it

Reprising our Joan'n'Bob act ( see Diamonds and Rust https://soundcloud.com/gareth-calway/diamonds-and-rust) with a return fixture, Bob's trademark protest song against one of his early women. His second album but the first to feature a more or less complete sweep of his own songs, unlike the first which mainly showcased him as a performer of other people's. In other words, the real Dylan. Who was the discarded lover? Some internal evidence suggests this may even be pre-New York with its rustic setting of roosters and dark roads and sense of setting out and travelling' on in which case it might be a memory of some Mid Western affair rather than Suzi Rotolo but who knows. "You just kinda wasted my precious time" is pretty damning but mild compared to some of his later accusations and restless attacks on whoever was upsetting him at the time. We both bought this album about 8 years after it came out probably on the strength of Blowing in the Wind as one of those must have vinyl classic albums from one of the masters of folk rock and Americana and fellow architect of the 60s (with the Beatles) first heard as children but now understood as teenagers and were sent back to it recently by the brilliant film about Dylan's early years (up to 1966) 'A Complete Unknown' which ends with him roaring  away from Pete Seeger type folk on a rocknroll motorbike. Around the time of Hendrix there was a rumour that Dylan couldn't really play guitar but made up for it with a unique dramatising voice and the poetry of the lyrics but one listen to the original will banish that thought: his guitar picking (honed by all those folk club performances) is astonishingly good and drives the song.. And contrary to most people's recall, this is not a solo track but has a band behind him playing drums, two bass guitars, piano and a second guitarist.  Our version concentrates on the heart-yearning pretty tune. We have  a female lead vocal, bass, percussion and add some vocal layers. On the liner notes Dylan protests that it isn't a (slow and easy going) love song. And so of course that's exactly the way we do it.

Don't Think Twice, It's All Right

Songs About Jane: 10th Anniversary Edition

Sunday Morning

A marriage (and we are actually married, 45 years so far) of melody and rhythm. We do folk, indie, Americana, Norfolk noir, beat poems &  ghazals. Traditional tunes with contemporary beats. Music videos  https://www.youtube.com/channel/UCb8wV0-DNiFs1R5G2VSytBQ
Maz lead & harmony vocals, acoustic guitar. Gaz vocals, voice, bass, drums & percussion, harmonium, recorders, lyre harp, field recordings.

Don't Think Twice, It's All Right

Peacock's Tale Musical Storytelling

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