Name: Suite Escape by Gareth Donkin in Vibes
Duration: 3 min 48 s
Description: co-written and produced by @daniel-dessoy and @william-puzey

Vibes

Groovin' Introspectively

As heard on Dreamsoul TV.

Saxophone: Silent Jay

Welcome To Dreamsoul

Welcome Home

Something Different

Falling For You

co-written and produced by @daniel-dessoy and @william-puzey

Suite Escape

Monday Nights

hiii guys today is my bday<3 i am 23 !!! anyways this is one of my fav instrumentals ive made mhm. i liked the way doja sounded on it so she is here too everyone say hiii. i listened to her so much this yr
thank you so much for listening, ily

fantazy

Ds Lite

Lonely Ride

Amsterdam natives Maarten Smeets and Lars Dales, aka Dam Swindle, unveil their third long-player with the release of a new track, the first to be shared from the upcoming album, ‘Open’ - out on 30 May 2025 via Heist Recordings.

The new album sees the acclaimed duo dive far beyond the deep sonic waters they’re most known for, exploring lower tempos, synthwave, hip-house, and ambient across fourteen tracks. With a gestation period that traces back several years, ‘Open’ is their most intimate and personal body of work thus far, birthed during a time of self-reflection away from touring and personal transformation as individuals.

“We felt the need to tell a very personal story through our music as a translation of our personal development in the past years. We also wanted to make music without a specific goal in mind; We simply wanted to create. By taking away the grid of dance music and any expectations of what a Dam Swindle song should sound like, the creativity started to flow naturally with songs in many different styles and tempos. The result is an album that feels refreshing and uplifting and still very much true to the heart and soul of our sound.” - Dam Swindle, January 2025.

While the trademark Dam Swindle four-to-the-floor beats are still ever-present on tracks like ‘The Present Is Always Perfect’, ‘I Need You’, and ‘Is This Love?’, it’s the gentle waves of synths on opener ‘Home’, the contemplative piano chords of ‘Bloom’ featuring Joep Beving, and the lo-fi ambience of ‘It’s Okay, I Can Wait’ that showcase a melancholic, ethereal sensibility previously uncharted by the duo. Collaborations with vocalists such as NYC’s Haile Supreme on ‘Not Enough’ and Neo-soul singer Faye Meana on ‘Girl’ expertly find room in between the dancefloor and home listening sessions, and a clear standout on the LP is the title cut where message-heavy rapped vocals from UK artist Samson ebb and flow amongst iridescent grooves.

Under the helm of Maarten and Lars’ adept A&R, their Heist imprint has become a beloved home for house heads of both schools old and new, platforming some of dance music’s biggest names from Cinthie to DJ Sneak as well as the musical dawnings of artists such as Kassian and Makèz. The Dam Swindle alias has achieved house music royalty-like status across a storied 15-year career that includes two critically lauded full-lengths, collaborations with the likes of Tom Misch and Kerri Chandler, and a globetrotting touring schedule. This album stands as their most profoundly personal work of art to date, and they can’t wait to share it with you.


Open

Buy here!

Dam Swindle - Not enough feat. Haile Supreme

Yeah True is an eclectic alternative pop duo based in Berlin. Comprised of vocalist/multi instrumentalist/producer Owen Ross (Oh_When) and producer/DJ/visual artist Oscar Bernal, the duo draw from a wide range of influences, sonically and beyond. While Ross was honing his craft touring as a guitarist and writing/producing in New York (collaborators include Lucius, The Who, DJ Amir, Murkage Dave, Jaykae, and more) Bernal was building his profile as an international DJ playing at such festivals as Garbicz, Waking Life, and Meadows In The Mountain and internationally renown clubs Club der Visionaere (Berlin), Kaiku (Helsinki) Papaya Playa Project (Mexico/Tulum) and more. The duo synthesize musicality with dancefloor sensibility creating gritty, playful, pop songs centered around Owen Ross’ smooth baritone. Their debut Album Another Stolen Bike is available on all platforms via Haunt Records.

Oh_when & Yeah True ‘Another Stolen Bike’
All music written by: Owen Ross and Oscar Bernal
Lyrics by: Owen Ross
Produced by: Owen Ross
Mixed by: Henning Grambow
Mastered by: Mat Leffler-Schulman
Album artwork by: Amanda Arrou-tea

Another Stolen Bike 

01_Airy_1644_v4

Leave It All

Leave It All (feat. Puma Ptah)

Note to Self

[Verse 1 – Enfolding the Whole]

We are enfolded in the universe —
every moment holds the totality. 
Like Bohm said: man is a microcosm of the whole;
what you are is clue to reality. 

I come with infinite heat,
calm blue meeting me like a friend.
Where the matter wears me thin,
that’s where awareness begins.

An envelope that dreams us,
the implicate singing the overture.
Every fold is a pattern,
every pattern is the nature of what’s sure.

[Chorus – Rhythm of the Breath]

This is the implicate breath,
a funk in the folds of time.
We breathe the hidden pattern,
we move the unseen rhyme.

Consciousness swirls in flux,
matter and mind converge. 

This is the implicate breath,
the code beneath the door.
What unfolds from us becomes us—
and becomes us even more.

[Verse 2 – Holomovement Groove]

Bohm called it holomovement—
the whole flowing unseen. 
Undivided wholeness is the ground we’ve been.
Time and space just screens,
while the deeper stream hums between.

Consciousness more implicate than matter,
yet inseparable over the chatter. 
What hides in silence
speaks in fractal song.
Every memory is enfolded,
every moment’s breath prolongs.

[Bridge – Dialogue of Being]

Thought creates our world,
then says, “I didn’t do it.”
Dialogues suspend certainty
and let the truth renew it. 

Wholeness is real—even when fragmentation seems false.
The whole responds not to us
but to our fragmented pulse. 

So take a breath here—
knowledge as law,
difference as dance,
perception as awe.

[Chorus – Rhythm of the Breath]

This is the implicate breath,
a funk in the folds of time.
We breathe the hidden pattern,
we move the unseen rhyme.

Consciousness swirls in flux,
matter and mind converge.
This is the implicate breath,
the code beneath the door.

[Verse 3 – Identity as Pattern]

Our identity isn’t solid—
it’s a signature in movement.
A wave singing itself
through the dance of improvement.

Implicate folds into explicate,
the hidden births the seen. ￼
Every part is a portal,
every moment evergreen.

We can’t see past our sight
until we see from outside.
In the implicate breath,
stillness is the ride.

[Break – Urban Quantum Jam]

Feel the funk of wholeness,
hear the hum of the grid.
What you’re living breathes the song,
what you sing is what you become.

Consciousness and carbon,
matter and mind align.
Every inhale is a weave,
every exhale is divine.

[Final Chorus – Breath Expanded]

This is the implicate breath,
where energy meets identity.
We’re both creator and created,
in holo-synchronicity.

This is the implicate breath,
the map that dreams the frame.
We are the envelope
that dreams itself aflame.


[Outro – Whispered Return]

Undivided wholeness sings,
fragmentation only sings back.
Hold the breath in both ends,
and reality brings us back.

We are the hint,
we are the pattern,
we are the breath
that folds the matter.

— The Implicate Breath.

The Implicate Breath

#ambient #experimental #electronic #soundscape #thevoicesofmessanger #messanger #wav #vocals haunting #mystical #ethereal #ambientvocals

Suite Escape

Gareth Donkin

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