Tam Tam Tam was the easiest way for the band to remember the name of the track, instead of its original name "Bhairavi".
It refers to the counterbeat "Tum tum tum tum tum" from the Handpan, that stands as a chorus!
An original composition by The Heartbeats Collective.

This is a live recording from the HANDPAN GATHERING 2021, GOA, INDIA.

Augustin Sol - Didgeridoo
Hemant Chakraborty - Cajon
Valeriy Frolov - Handpan
Yash Nirwan - Sarod

Live Sound: Vernon

TAM TAM TAM Live at Handpan India (2021)

Medha Presents

Ustad Ali Akbar Khan with Pandit Nikhil Banerjee 
and his son Late Dhyanesh Khan (Part 1)

Live in Concert (Kolkata) 

Medha PRESENTS
Ustad Ali Akbar Khan with Pandit Nikhil Banerjee and
 his son Late Dhyanesh Khan LIVE in concert 





Ustad Ali Akbar Khan with Pandit Nikhil Banerjee and his son Dhyanesh Khan (PART 1)

Indo-jazz fusion - Hindustani base with jazz spicing. Sitar, composition - Amie Maciszewski, saxophone - Paul Klemperer, tabla - Shiv Naimpally, vocals - Madhura Chakrabarti, bass - David Marsden.


Peace Lullaby

Raga Charukeshi - Santoor By Pandit Shivkumar Sharma @ bcmf 2014

Pandit Hari Prasad Chaurasia ji playing Raag Bhupali

Seven Chakra Bija Mantra

In “Persian dance”, the final leg of the journey, the artist calls to the dancer to get up, let loose his/her hair and knock on every door; to call on others to join in the joyful dance of life. The artist offers her instrument, her voice as the vehicle that may carry the dancer in her journey.

Lyrics:
Siyavash Kasrayee – Persian dance

Like the white flowers of early morning
in the embrace of darkness
bloom, bloom
Get on your feet and let loose the folds of your dress
open the knot of your slumbering tresses
be the enchantress, be evanescent
When the perfume of poetry rises from my instrument
glow gently and float, like the clouds, like air
************************
Embrace the strands of your hair with your fingers
hold my gaze for a moment and then steal it away
Embrace the strands of your hair with your fingers
pull away, show devotion, offer a prayer
Pull your crystalline arm to your chest and then open them
pound the ground with both your feet and then step lightly
************************
Leap, fly, be mad
pull away from familiar circles
Leap, fly, be mad
paint and embellish and then pull away
Pull your crystalline arm to your chest and then open them
pound the ground with both your feet and then step lightly
Sometimes pick up a harp
go to every door
at every crossing
look for a new road
Gaze at every passage
linger at every stone and pebble
dance and fill the city
fill the city with uproar and clamor
************************
Like the white flowers of early morning
in the embrace of darkness
bloom, bloom
Get on your feet and let loose the folds of your dress
open the knot of your slumbering tresses
I seek you, oh tired one
I keep an eye on your wine cup
Get up, get up, get up
run away, flee
Dance drunkenly on the strings of my instrument
and when you are completely intoxicated and restless
Like the flowers that glide on water
let loose, let loose, let loose on the waves of my

Persian Dance

the famous tamil song in the raga sahana.... Parthen Siritthen.... when the flute sees and smiles this song :-)

--
http://AboutIndianMusic.com

Sahana parthen sirithen

I belong to a "gharana"(heritage) which is the pathfinder of solo harmonium playing in India. My great great grandfather Sangeetacharya Montu Banerjee introduced the new style of harmonium playing which had the illusion of "meend" (extension of notes) which was almost an impossible task. The correct blend of "layakari" (rhythm section) and "raagdari" (raga section) made Harmonium an equally strong instrument as sitar and sarod. My grandfather Pandit Deb Kumar Banerjee introduced the "gayaki" (vocal nuances) to our ghrana which made our style of harmonium playing even more appealing. I have been learning harmonium from my grandfather since the age of 7. I had rigorous sessions of "talim"(learning) as well as "reyaaz"(practice) every day under the strict guidance of my grandfather. Prior to this, in order to enhance my rhythm sense, I learnt tabla from legends like Ustad Sabir Khan, Pandit Shankar Ghosh and Sri Bickram Ghosh. I have also taken vocal training from Pandit Kumar Prasad Mukherjee. Since childhood I had the privilege of meeting musical maestros like Ustad Zakir Hussein, Pandit Ravi Shankar, Ustad Ali Akbar Khan, Pandit Ajoy Chakravorty and many more, and got their blessings. I have had the honour to be very close to Padmabhushan Sri Manna Dey since my childhood. Eminent music director duo Kalyaji- Anandji(bollywood) invited me to Mumbai where I had the fortune to perform under their banner "The Small Wonders". I have done my MSc in Advanced Computer Science from the University of Manchester (2010 -2011). I want to establish my "gharana", my instrument Harmonium and myself in the global arena. I want to win the hearts of millions of music lovers throughout the world and establish my instrument as a solo instrument.
EMAIL: dadam_1986@yahoo.co.in
TELEPHONE: +919163637658/ (INDIA)(033) 24543983

Ustad Ali Akbar Khan with Pandit Nikhil Banerjee and his son Dhyanesh Khan (PART 1)

Medha presents

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