Personnel Credits:

Garrett Scroggs – Lead vocals, backing vocals, synths, virtual instrument programming, recording, mixing & mastering
Daniel Carbone – Backing Vocals

Garrett Scroggs - Stranger's Bed

Personnel Credits:

Garrett Scroggs – Lead vocals, backing vocals, synths, virtual instrument programming, recording, mixing & mastering
Layne Scroggs – Backing vocals
Dan Dzierzyc – Acoustic guitar
Jacob White – Trumpet & recording assistant
Arron McMorris – Beatboxing and shaker

Garrett Scroggs - Magic After Midnight

This track was another graduate level production project, featuring a cover of the song "Motion" by Emotional Oranges, written by Azad Naficy, William Leong, Mitch Ryan Bell & Sally Johansson.

Personnel:

Garrett Scroggs - co-lead and backing vocals, drum sample layering, key programming, recording, editing, mixing & mastering
Autumn Mallard - lead and backing vocals
Mickey Clark - bass guitar
Chris Hale - rhythm guitar
Javier Gonzales - drums

Motion (Cover)

This is a cover of the song "Into Orbit," originally written, produced and performed by Alex Isley. This was done as a graduate level production project to improve and showcase my production and engineering skills.

Personnel:

Garrett Scroggs - Electric piano programming, recording, editing, mixing & mastering
Autumn Mallard - Lead and backing vocals
Chris Tatem - Electric guitars
Mickey Clark - Bass guitar
Arron McMorris - drums

Into Orbit (Cover)

This is my mix of the track "Szarad A Szaj" from the Cambridge "Mixing Secrets" Free Multitrack Library.

Chalga - Szarad A Szaj (Unmastered)

This is one of two original compositions created in support of my thesis. All of the instruments in this piece were created via the wavetable synth Serum, and the wavetable sources for every instrument in this piece were audio recordings of a 2012 Chevrolet Equinox. While the goal was to create a commercially viable piece in the style of "Blinding Lights" by The Weeknd, "Revving in the Night" was also a demonstration of the power of wavetable synthesis. Thus, this version of the piece (the one represented by my thesis) is not perfectly mixed and mastered. This is a bit of a demo version. A final mixed and mastered version is coming soon, though!

Revving In The Night (Original Thesis Composition - Rough Mix)

This is one of two original compositions created in support of my thesis. All of the instruments in this piece were created via the wavetable synth Serum, and the wavetable sources for almost every instrument in this piece were audio recordings of a 2022 RAV4 Equinox (the engine drone/hi hat instruments used recordings of a 2012 Chevrolet Equinox as wavetable sources). While the goal was to create a commercially viable piece in a similar style to "Lunar" by David Guetta and Afrojack, "If It's Broke (Don't Fix It)" was also a demonstration of the power of wavetable synthesis. Thus, this version of the piece (the one represented by my thesis) is not perfectly mixed and mastered. This is a bit of a demo version. A final mixed and mastered version is coming soon, though!

If Its Broke Don't Fix It (Original Thesis Composition - Rough Mix)

I was the mixing engineer for Blake Buehler's composition "Fallout." The composition features solo snare drum and a mixture of hard rock instrumentation, speech recordings and various sound effects. I was responsible for providing three bounces of the piece: one with the snare performance, one without the snare performance, and one without the snare performance and with a click track. The piece was submitted for the Media Press Music Second Percussion Composition Competition.

Blake Buehler - Fallout (master)

This is my mix and master of the track "Szarad A Szaj" from the Cambridge "Mixing Secrets" Free Multitrack Library.

Chalga - Szarad A Szaj (Mastered)

This is my production and mix of an original synthwave instrumental track.

Garrett Scroggs - Bleeding Out

These recordings are from my Senior Project at SFA before achieving my bachelor's degree in Sound Recording Technology.

“This is still probably the best song I’ve ever written. It was definitely the quickest to come together.  For just about every other song, I’ll write portions of the song lyrics at once, and then I’ll sit on that for a while and come back to it a little later.  For this one, though, it pretty much all came at once, and so did the instrumental.  Once I started messing around with that drum machine in Logic Pro, it all just came naturally from there.  This is still the only synth-pop song I’ve made that includes an acoustic guitar progression and a brass instrument solo, which honestly help make a world of difference.  Dan and Jacob really helped bring this thing to life, along with Arron’s beatboxing and shaker.  Also, shout out to my brother for providing the backing vocals.  Dude’s honestly a way better vocalist than me, so I’m glad he could make the choruses pop even more.”

Personnel Credits:

Garrett Scroggs – Lead vocals, backing vocals, synths, virtual instrument programming, recording, mixing & mastering
Layne Scroggs – Backing vocals
Dan Dzierzyc – Acoustic guitar
Jacob White – Trumpet & recording assistant
Arron McMorris – Beatboxing and shaker

Magic After Midnight

My name is Garrett Scroggs. I'm an aspiring audio engineer who has earned both my bachelor's and master's degrees in Sound Recording Technology from Stephen F. Austin State University. Here is a quick sample of my work.

Garrett Scroggs (Engineer)

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