Name: Computermusik [Krankl Kicks] by Gashtla
Duration: 3 min 27 s
Description: Warum Hans Krankl alles mag außer Computermusik.

im not finishing any of these except the labs

> untitled
> the suspect (w/ pengsauwes)
> sippin on exotic pt.2
> murda on tha dancefloor (w/ 108mane)
> pockets

scrap1mix

Name your price download: https://folcore-records.bandcamp.com/album/golden-lowness

http://folcore.org

Samy Dib and Jonathan Delachaux have accompanied Poupa Honk for several years during concerts or studio sessions. This collaboration had already given rise to productions like "The Handless Spacewalker" or "Pressure Warning", pieces in which guitar and clarinet dialogue with beats and digital bass. 

With "Golden Lowness", Poupa Honk takes again this same formula and lets speak freely its main influences like Rock-steady, Cumbia or Hip-hop, but never let a style take over, a crossbreeding still reinforced by the influences Rock and Jazz by Samy and Jo. 

During the production of the album, a great place was made improvisation and this approach, associated with the sounds of the electric guitar and the bass clarinet, brings an organic and deeply human side to a music in which the sounds digital devices are willing to put forward just as the treatment "Lo-Fi" of certain sounds. 

There is also an interest for the synthetic and the "cheap" in the work of macro-photography that Poupa Honk realizes for the visuals that accompany his music, a work based on the series and the homogeneity. Homogeneity that is found also in the five titles of "Golden Lowness". 

-- 
Samy Dib y Jonathan Delachaux han acompañado a Poupa Honk durante varios años durante conciertos o sesiones de estudio. Esta colaboración ya había dado lugar a producciones como "The Handless Spacewalker" o "Pressure Warning", piezas en las que la guitarra y el clarinete dialogan con ritmos y bajo digital. 

Con "bajeza de oro" Poupa Honk repite esta misma fórmula y permite hablar libremente sobre sus principales influencias tan firme como una roca, cumbia o el hip-hop, pero nunca dejar un estilo de asumir el control, una mezcla reforzada por la influencias Rock y Jazz por Samy y Jo. 

Durante la producción del álbum, se hizo un gran lugar improvisación y este acercamiento, asociado con los sonidos de la guitarra eléctrica y el clarinete bajo, aporta un lado orgánico y profundamente humano a una música en la que los sonidos los dispositivos digitales están dispuestos a presentar al igual que el tratamiento "Lo-Fi" de ciertos sonidos. 

También son de interés para el sintético y "barato" en el trabajo de fotografía macro Honk Poupa lo convierte en música de acompañamiento visual, un trabajo basado en la serie y homogeneidad. Homogeneidad que se encuentra también en los cinco títulos de "Golden Lowness". 
credits
released October 6, 2017 

Samy Dib: Guitare. 
Jonathan Delachaux: Bass Clarinet. 
Poupa Honk: Digital Music & Arrangement. 

Mastering: Yann Ryo aka Nixtamal 
Executive production: Poupa Honk & Folcore Records

Poupa Honk - Horn

In a coacting and natural way, the Brazilian Tropical Twista Records & Casa Caos netlabels have their stories intertwined by closeness and mutual sympathy - we are sister labels. As a first result of this intersection and/or collaboration, we present the ‘Mvindivagante’ compilation: a 16-track sound expedition, intuitively bringing together artists who interpret, reinvent, question and displace meanings of their own experiences with the world.

Music by https://soundcloud.com/quixosis

Free Download

Quixosis - Pelicano

Djama Kaissoumou (Little Thoughts Remix) FREE DOWNLOAD

Manu Chao - La Vie a 2 (Technical Pillow Remix)

Sharing the enthusiasm to merge simultaneously the best of two worlds — organic and electronic music, the Berlin-based producers Distoport and Sebastian Gabriel team up as the duo Kútus, focusing on the slow multicultural music's seductiveness; an unconstrained musical framework coupled with a breaking of the 4×4 contract. With roots in Ecuador and Peru, they consider themselves as part of the slow-music movement and affirm their commitment to the listeners, because music is about connecting with people’s emotions. It’s personal and at the same time, universal.

Guitarist since the age of 13, Distoport has a background in an Indie Rock band and currently is becoming a professional sound designer. His passion for different instruments from variety of cultures has motivated him to learn to play more instruments and implement them in the process of electronic productions. Instruments like the South American charango, the quena, the Pan Flute, and the Turkish bağlama. On the other side, Sebastian Gabriel’s discovered his affection for electronic music at the well-known Fusion Festival 10 years ago. As a Berlin native he enjoyed nightlife there to the fullest but now is directing efforts on his own music projects. Hence, their second EP titled 'Yamii' is the modus in which they found to channel the feeling and their own view on the downtempo, using their personal filters and mutual interests in order to come up with tracks that you can either listen at home, outside or at a party. 

Coming from the era of organic electro, in a way, pairing machine programming with dazzling live performance, the EP is a combinative conjuncture that reminds of desert house, spiritual deep house and andes step, no matter how much we do not agree with genre labeling, the intent is not to strictly limit or exclude music. Also, it is trully filled up with non-perfect grooves, featuring of other artists, drums patterns usually swinging and full-length parts that were played on non-digital instruments. Beneath its easygoing surface, an overwhelming mix of sounds, voices, and emotions can be found over its 24-min length, appearing organic and laidback while being full of sonic nuance.

The opening track 'Yamii', which also gives name to the 4-track package gathered by the duo, has a nice syncopated rhythm along characteristically bucolic chords, where they're experimenting with a Bachata sounding guitar which reminds of Latin soundtracks. 'Intuition' encompass a territory of experimentation and was written in a jam session with the professionally trained singer and songwriter MN.JA and further, the percussionist Perifary added his Hang Drum's touch. By its Caribbean vibes, 'Kermesse' adds a psychedelic twist considering the previous two tracks. Plus, the only original track that got a remix, a work made by the Costa-Rican Berlin-based retrofuturistic live act performer Aloe. 

Certainly, they'll continue to spend a huge studio-time chasing the development of artistic cooperations and expanding the duo's unique universe, with many more artists with different backgrounds, as this is what keeps them going. Kútus comes across both as a genuinely likeable project, curious about the mysterious ways of Downtempo and a passionate and engaged couple. Long may they continue to be so.

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Credits\
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Artwork\ Fernando Barcellos
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Layout\ Miss Häbbit
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Master\ Arthur Carneiro 'El Peche'
Soundcloud\ https://soundcloud.com/elpeche
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Music\ by Kútus
Facebook\ fb.com/kutussound
Instagram\ https://www.instagram.com/kutus_sound/
Soundcloud\ https://soundcloud.com/kutus-sound
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Track 01 & 03\ Produced and remixed by Kútus
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Track 02\ Produced and remixed by Kútus, MN.JA vocals and Perifary's Hang Drum.
MN.JA\ https://soundcloud.com/jasmin-morgner
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Track 04\ Remixed by Aloe
Soundcloud\ https://soundcloud.com/aloeemusic

Kútus — Kermesse (Aloe Remix)

Bente

Roskilde

F C V

Vocals and Lyrics by Big Zis

Produced and Recorded by Playmob.il

Drums by Luca Ramella

Backing Vocals by Ruedi Tobler

Mixed and Engineered by Playmob.il/Ruedi Tobler at Egelpuffstudio www.facebook.com/playmobilsound, www.egelpuff.com

Mastered by Saif www.fixedmastering.com

Executive Producer: BLONK Rona Diem & Big Zis

Artwork by Patrick Hari at Sumosoup.studio

© + P 2020 BLONK

Str.:
ich häng si am Konzert uf de Bühne mache Action
schwinge paar Parole und gib oi Sadisfaction
punch line nach punch line o captain my captain  
ihr mached mich so high wie Toni Braxton 
d Stimmig schwillt ich han killt und morde wiiter
das Bluetbad hät guet ta bi ois gits kei siiger
ich no hype vo däm scheiss rüef mine Ballerinas 
balle balle jedi ä funky cool Vagina Vulva


funky cool Vagina Vulva


Str.:
uhh Schwöschter Schwöschter uuuh du füllsch die Tights
girls just wana have fundamental rights
und drüber uus kei Kompromiss bi minre Klitoris
ires dunkle Gheimnis kjandcä09$Ilb ian- öo
dir gfalled mini Perlä und dir gfallt min Diamant      
mini funky cool Vagina Vulva isch systemrelevant
die Clit Hits sind Quant gschmeidig wie Pashmina
aber dini Angscht isch berächtigt vor de funky cool Vagina Vulva


du weich wasi mein, die chan bisse, die hät Zäh wie Franziska Schutzbach, Arundhati Roy, Ina Prätorius, Bell Hooks oder…


Str.:
gang gurgel die Näme das hilft gäge Angina
han nume wele säge vo wäge vo wäge funky cool Vagina Vulva
das haarig Pashmina-Biischt isch jetz dis Mantra
di einte tschäggets früener die andre händ laaang gha
Mir träged Pussychettä und schwinged die Bagge
Ich laas mal sitzä die Wixer aber am Schluss mönd ali gwaggle
Schwillts? Es schwillt da drin herrscht warmfüechts Klima 
Schuld dra hät d Vulva die funky cool Vagina  Vulva 


du weisch, ich han kein Plan füren Ma
das sind 20er Baby han gnueg Schwänz gha baby
nie ohni mini Yoni
Break it down 


Breakdown
Du bisch nöd im Diskurs? ich mache ah yeah
du bisch meh ich bring die Wurscht ich mache ojeh
aber ich han kei Hunger ich han Durscht Ah yeah Ah yeah 

Outro:
die Vulva isch es Monschter für jede vo geschter
aber ich schwill hüt morn béyond und so jedi ander Schwöschter cheers!
ni una menos dont cry Argentina 
nie eini weniger funky cool Vagina Vulva

10 - F C V (4xLove:2)

It’s been just over a year since Mateo Kingman released his acclaimed second album ASTRO.

This time around, renowned artists and producers play a part on the new EP ASTRO/REESCRITURAS (remixes).

The EP will be out on November 6, 2020 and includes stars like the highly talented Javier Casalla of Bajofondo, Chancha Vía Circuito, Baiuca, DJ Raff and MIEL.

“Astro/Reescrituras is a translation into sound by some musician friends I admire, like Chancha Vía Circuito, DJ Raff and Javier Casalla of Bajofondo. A lot of them were my influences for a long time and having them now as crew members on this spaceship is wonderful. I also sought out new voices that captivated me with their musical exploration in the present, like Baiuca from Spain and MIEL from Ecuador. I was really intrigued at the idea of what could happen when other musicians explored the depths of this record, as Astro is a very intimate work for me. And I think the result is that the songs ceased to be necessarily stuck to each other and took on a new life, totally individual; they exist by themselves and they have a new soul and a new heart. It’s an EP that cuts through spiral-shaped constellations, musically going from percussions and vernacular voices to violin laments, from trances for dancing to songs that demand that you’re totally present. It’s as if all these producers and crew members had decided to turn up the speed of the spaceship to reach new dynamic, shining worlds.”

-Mateo Kingman

Mateo Kingman belongs to a new generation of Latin American musicians. He mixes deep and essential lyrics with a cutting-edge, eclectic production, exploring with synths, beats and root melodies.

Just three years into this career, with appearances and festivals in Mexico, South America and Europe, this Ecuadorian artist has been singled out as one of the most outstanding figures of the new generation of Latin artists, collaborating with major artists like Gustavo Santaolalla.

Mateo Kingman has played over 60 shows in 15 countries since 2017, including appearances on stage at the likes of Estéreo Picnic, Lollapalooza, Vive Latino,
NRMAL, MallorcaLive, and others.

ASTRO is Kingman’s second album and expresses an intense investigation, weaving a plot with many threads: the contemporary urban song, traditional melodies from Latin America and the accentuated use of synths, resulting in a new, hypnotic fabric of sound. The album was produced in Quito, Ecuador, with renowned producer Ivis Flies and released by AYA Records. On the album, Mateo Kingman shows a glimpse of a strong authorial perspective, and although he moves away from the sound and thematic ideas that made him known to the world, he dares to mix current trends, urban rhythms and vocal experiments, forming a constellation we can voyage into, and showing a clear personal and musical evolution.

Astro Reescrituras

Puerta De Sal (MIEL Remix)

Warum Hans Krankl alles mag außer Computermusik.

Flight Mode

Computermusik [Krankl Kicks]

Computermusik [Krankl Kicks]

Gashtla

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